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Digital BW, The Print

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Re: Eboni Variable Tone updates

2016-02-11 by paulmwhiting@...

Thanks, Paul, I ll add that to some of your other pdf s I ve downloaded and printed out. Allow me to clarify... I was wondering how to actually incorporate the

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Re: Eboni Variable Tone updates

2016-02-11 by paulmwhiting@...

Paul R., Maybe I misunderstood rdeloe, but it sounded like he was tagging the Y position as not used when he wanted a warmer print. I don t know what has

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Re: Eboni Variable Tone updates

2016-02-11 by paulmwhiting@...

Thanks, rdeloe, for the clarification, Interesting to learn that the Y is no longer needed. Upon studying the pdf more carefully, I see where he pointed that

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Re: Eboni Variable Tone updates

2016-02-10 by rdeloe1@...

Hopefully Paul R will jump in and offer corrections if I get this wrong (I m also on the learning curve). The warm curve is simply the neutral curve with

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Re: Eboni Variable Tone updates

2016-02-09 by paulmwhiting@...

rdeloe1, Allow me to ramble a bit! I ve been following Paul s posts on this new inkset and was interested in your use of it. I have a 1400 and have been using

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Re: Eboni Variable Tone updates

2016-02-09 by rdeloe1@...

I’ve adapted Paul’s “generic” curves for two papers: Premier Art Smooth Bright White 200 gsm and Premier Art Fine Art 205 gsm. My other favourite paper

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Re: Eboni Variable Tone updates

2016-02-06 by mccarvill@...

Thanks, Paul. As you know, I like my glossy prints, but between this PDF and seeing examples of your work you make it very tempting to experiment with matte!

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Eboni Variable Tone updates

2016-02-05 by roark.paul@...

This inkset is for the 1400/1430 etc. family of printers, though the concepts apply to all of the Eboni variable tone inksets I ve set up in recent years. The

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Re: Eboni v1.1 - Dmax - Problem

2016-02-02 by brian_downunda@...

I m not saying that the droplet size / number of nozzles has no impact on the print. But from a range of tests I ve made, it s possible to reuse QTR

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Re: Eboni v1.1 - Dmax - Problem

2016-02-01 by brian_downunda@...

I am a little surprised by that. Certainly not my experience with Piezography, and I d have thought that the same principle would apply to Eboni. It may

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Re: Eboni v1.1 - Dmax - Problem

2016-02-01 by phlg@...

Will,Epson claims the Hot Press Natural is coated on both sides, so there is no wrong side, even if they are slightly differents. But good idea to check the

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Re: Eboni v1.1 - Dmax - Problem

2016-02-01 by phlg@...

Brian, on my side, when using the same curve, the R1900 produces lighter result than the 3800. The LAB L values given previously came from the 3800. I have

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Re: Eboni v1.1 - Dmax - Problem

2016-02-01 by brian_downunda@...

I can tell you that the the 1430 and 1900 are quite different. I tried using Piezography K6 curves from the 1430 in the 1900 and they were way too light.

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Re: Eboni v1.1 - Dmax - Problem

2016-01-30 by phlg@...

Yes, your values are sufficiently close to keep consistent results from a batch to another without huge adjustments. On the K ramp, the LAB B values I obtain

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Eboni v1.1 - Dmax - Problem

2016-01-29 by phlg@...

Just received some pints of Eboni v1.1 ( K ). My first tests give a very low Dmax compared to the old Eboni. The tests are made on Canson Photo Rag. I have

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Re: Ultra chrome black inks..

2016-01-14 by brian_downunda@...

While my answer was wider than your original question, I tried to provide a comprehensive answer indicating the nature of the various ink changes in order to

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