Re: [Digital BW] [OT] 24mm v. 35mm stitched
2014-04-17 by Paul Roark
I work on the garbage in, garbage out approach. With all of the digital tools, including the linearization algorithms we love, it s still best to have
Yahoo Groups archive
Messages
Page 46 of 2186 · 109257 messages matched
2014-04-17 by Paul Roark
I work on the garbage in, garbage out approach. With all of the digital tools, including the linearization algorithms we love, it s still best to have
2014-04-17 by Ernst Dinkla
There is a small range of papers that show a kind of spot varnish effect where the printed image is glossier than the bare paper that is more or less matte.
2014-04-17 by Ernst Dinkla
Sorry: http://www.luminous-landscape.com/forum/index.php?topic=68089.0 http://bvdwolf.home.xs4all.nl/main/foto/psf/SlantedEdge.html -- Met vriendelijke groet,
2014-04-17 by Ernst Dinkla
... I wonder where in that workflow you could introduce deconvolution sharpening for that 24mm. Based on what Bart van der Wolf explained and made available:
2014-04-17 by -= Chris =-
Great, thank you for the update. Always good information.. -= Chris =-
2014-04-16 by Paul Roark
... I stitched 3 vertical shots with the Sony 35mm, usig 1/3 overlap (rule of thirds grid lines help). I used PS CC stitching, with the cylindrical option
2014-04-16 by David Emerick
I have been doing this with a Sony a900 and a Minolta prime 35mm, sometimes stitching 12+ images. Have a look... http://www.davidemerick.com/Beach_Stories.php
2014-04-16 by -= Chris =-
Hi Paul, I m coming in at the end, did look back several messages.... What is this about... The Zony (Zeiss/Sony) looks great. In a couple of lines how many
2014-04-16 by <roark.paul@...>
Ever wonder how an standard 24mm image compares to one that is stitched from several 35mm frames? http://www.paulroark.com/24TS-v-Zony3x35.jpg
2014-04-16 by Elliot Puritz
It was brought to my attention that my reply below might have been misinterpreted as being disrespectful and ungrateful for those who have posted about the
2014-04-16 by Paul Roark
Is anyone running Eboni-6 (or the generic carbon-6 ) in a 44 printer? It s an interesting issue as to whether the market can support a wider format service
2014-04-16 by Elliot Puritz
I just completed my own search. Thanks anyway. From: DigitalBlackandWhiteThePrint@yahoogroups.com [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On
2014-04-16 by Paul Roark
Just a few of thoughts on this -- First, out-gassing is an issue for only glossy papers. With matte papers the glycol, which is said to be the main culprit,
2014-04-16 by <cameronrneilson@...>
I have a potential buyer who likes the Carbon-6 ink set that I ve been working with (developed by Paul Roark). My printer can only go to 13x19. The client
2014-04-16 by Elliot Puritz
I admit to being relatively naïve when the subject of digital print out gassing is discussed. So, a few questions: If one simply leaves a completed ink jet
2014-04-16 by <goch@...>
What temperature would be effective and safe for most inkjet media? This seems like it could be a do-it-yourself project. Mild heat and air flow are not
2014-04-16 by David J. Bookbinder
Hi! News: http://arteenred.es/njdw/news.php David J. Bookbinder
2014-04-16 by Ernst Dinkla
... Secondhand graphic equipment is another source for drying cabinets. Like the ones used to dry silkscreen emulsions and offset plates. They are usually
2014-04-16 by mrjimbo2
Just a few thoughts on this if I may... I used to do many art shows every year.. Out gassing used to make me nuts.. I had a travel kit that would allow me to
2014-04-15 by John Labovitz
... Oh, Paulà why do you tease us so? ;-) How *would* you prepare these pigments for inkjet? Is there a way that this could be done on a very small scale?
2014-04-15 by Paul Roark
... The problem with using the standard color inks to offset carbon warmth is that the standard sets do not have a blue that is a direct complementary color to
2014-04-15 by Matti Koskinen
hi, I have no problems printing color images, they look the same as on Nec P221w, calibrated with BasICColor. But printing B&W gives headache. I ve made
2014-04-15 by David Kachel
Interesting that HP s magenta has a great deal more blue in it than Epson s. David Kachel ___________________ Artist-Photographer Fine B&W Photographs
2014-04-15 by David Kachel
Use C6B. I did. The changeover using C6B was as smooth as the other one was a nightmare. No problems at all. Live & Learn! David Kachel ___________________
2014-04-15 by Ernst Dinkla
... In frames it would not surprise me at all if glycerol is carried over by other ink media components that evaporate faster and then condensate on the cooler
2014-04-15 by Paul Roark
In addition to the glycol that is usually said to be the source of the out-gassing, almost all inks also have glycerol in them. It is even slower to
2014-04-15 by C D Tobie
Classic outgassing description. If you had framed it under glass, this film would now be on the inner surface of the glass, and you would need to open the
2014-04-15 by Paul Roark
... Yes. I use distilled water first to get most of the ink out of carts. Then I use a clear base for a final rinse. ... Use C6B. The MIS amber base has a
2014-04-15 by Myron Gochnauer
In December I printed a few 16x20 colour images on canvas. I used an Epson 4880 with all Epson colours and MIS blacks. One of the prints was off a bit from the
2014-04-15 by David Kachel
I don t know if distilled water does not flow properly through a modern inkjet head. However, ink bases have surfactants in them that are very important
2014-04-15 by Paul Roark
I don t know if distilled water does not flow properly through a modern inkjet head. However, ink bases have surfactants in them that are very important
2014-04-14 by <david@...>
I m puzzled. I use MIS B&W pigment inks in my 3800. I also have two slots filled with color toners; yellow and magenta. They are in the Y and M slots, not that
2014-04-14 by <scanfixprint@...>
Hi everyone, I have decided to list my inks and printer and carts on Ebay due to lack of time to pursue this hobby as it deserves. Neutral and Selenium sets
2014-04-13 by <benedictchen22@...>
Thanks Elliot. Papers are really expensive in Singapore. Will be looking at innova and canson. Guys If anyone has R3000 please advise how to set it up for
2014-04-12 by Elliot Puritz
Hi Homer: How nice of you to help. I will take a look at the information later today and get back to you either privately or on the thread. Thanks again.
2014-04-12 by <homershannon@...>
Elliot: I ve only been casually following this thread and I m not sure my information will help you, but I have been printing glossy prints using the UT14 ink
2014-04-12 by Elliot Puritz
The Canson Infinity papers are wonderful. I have used the RB and find it to be a bit cooler than the Platine which is itself outstanding. Indeed, I will
2014-04-12 by Paul Roark
... On a good glossy paper the MIS PK will measure as having a better dmax than Eboni MK on a good matte paper. However, in actual display, if both are under
2014-04-12 by <benedictchen22@...>
On The matter of Pizza wheel. I manage to reduce it from the GLop Layer by reducing the inkload form 80% to 40%. It looks ok. The problem I see now is the
2014-04-11 by Elliot Puritz
I agree that the roller marks are a pain when using glossy papers. I am using Cone Warm Neutral inks, and often print ( the 2880 ) with Canson Platine.
2014-04-11 by Paul Roark
... I don t have those printers, but usually it s the exit rollers that cause the pizza wheel marks. As such, it would seen front loading would not avoid the
2014-04-11 by <benedictchen22@...>
Hi Paul Thanks for the insight. On R2000 and R3000. suppose I use the Front loading feeding method would there still be a problem of Pizza Wheel ? I just
2014-04-10 by Paul Roark
... If you are intending to use the R2000 with custom inksets, you ll need to know how to make profiles using QTR. The lack of light inks and the inclusion of
2014-04-10 by <benedictchen22@...>
As an additional question: Suppose I buy a R3000 instead of R2000 (I thought of getting 2x R2000 , one for color and one for BW ) If MIS K3 equivalent PK, LK,
2014-04-10 by <benedictchen22@...>
Hi guys and paul I m needing help with this: I m looking into moving away from Eboni 6. (1400) I want to try on glossy paper. to be exact I like to try canson
2014-04-08 by Richard Smallfield
Hi, I was wondering which of the standard curves that come with QTR would be the closest match for Ilford Mono. For Gold Fibre Silk, I use the SilverRag
2014-04-05 by <paulmwhiting@...>
I meant to say You were right about this printer .
2014-04-05 by <paulmwhiting@...>
Thanks, Paul. Clearly I m still learning about that 6 ink setup... with the 1800 of course it was three carts filled with 100% Eboni and the others were not in
2014-04-05 by <jacques.caron@...>
Maybe this is an old topic but … I missed it! Working with QTR Print Tool and an Epson 1430 printer, I can t select the paper thickness in my 1430-MIS
2014-04-04 by Paul Roark
Paul, If you were printing black only, where that one cart carries the entire image, and now you re spreading that work among 6 carts, you might be surprised