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Re: [xl7] Re: XL 7 vs MC 909

2004-02-11 by Ravi Ivan Sharma

Depending on whether you must have multisamples or not, the announced FantomX rack module plus the XX-7 may be a perfect combination of Emu sequencing and finesse coupled with the sound capabilities of the mc-909/fantom and a pretty huge sampler all in one rack space with new support and new things like usb, etc.

Ravi
  ----- Original Message ----- 
  From: Stu 
  To: xl7@yahoogroups.com 
  Sent: Tuesday, February 10, 2004 7:35 PM
  Subject: RE: [xl7] Re: XL 7 vs MC 909


  If you're looking for a sampler/sequencer for studio work, then you can't go
  wrong with an xx-7 and some sort of rackmounted sampler like an E-MU Ultra
  (going cheap these days) or Akai Z series, or maybe even a softsampler. The
  new E-MU Emulator X gives you everything their hardware samplers do and then
  some, and if you already have a fast PC, the cost of an xx-7 and Emulator X
  is going to be less than an MC-909. Also take into account that with the
  Emulator X, you could have an EQ and compressor on EACH channel!!

  I've looked at varous tabletop samplers myself, but my xx-7 and E-MU Ultra
  combo beats them all hands down, except for the fact that it's not quite as
  portable.

  Just my tuppence worth,

  Stu

  -----Original Message-----
  From: bluetechnics [mailto:ksellers88@...]
  Sent: 10 February 2004 23:16
  To: xl7@yahoogroups.com
  Subject: [xl7] Re: XL 7 vs MC 909


  Thanks a lot for the extended reply. Since I would use the MC909 mainly
  for studio work, the portability and live performance factors are not
  a big issue for me. I really like the on board sampling and the
  turntable pitch slider. I guess the main thing that's keeping me from
  getting one is the polyphony issue. I wonder if 64 voices will be enough?
  I emailed Roger S since he produced some patterns for the MC909 to see
  how he feels about the 64 voice polyphony. Thanks again.


  --- In xl7@yahoogroups.com, erik_magrini@B... wrote:
  > Yes that is a dumb question, haha.  :)  Let's put it this way.  I
  used to
  > be huge fan of the mc505 (long before the XX-7's were a twinkle in
  Emu's
  > eye), and I still think it's a really nice machine.  I had the
  chance to
  > ditch the XL-7 and go with a Mc909 when they came out, but I didn't for
  > the following reasons:
  >
  > - Limited polyphony.  Yeah, 64 voices isn't bad, but I knew I'd eat
  them
  > up in a heartbeat once I started layering my presets.  Plus, the XV
  ROMs
  > can use stereo waveforms, which eat up two voices each.  So a single
  note
  > with 4 layers would eat up 8 voices, ouch!
  > - No megamix.  This is Roland's equivelant of XMIX (to be fair, XMIX is
  > actually Emu's interpretation on Megamix) and it's a godsend as far
  as I'm
  > concerned for live use.  You could play hours of songs live without
  having
  > to stop the set to select a new track or Pattern.  Opens up all
  kinds of
  > creative possibilities.
  > - Size.  The mc909 is a real beast, very large and not as easily
  portable
  > as the XX-7's.  There's nothing like heading down to the park to
  make some
  > music outside to spur on some inspiration.
  >
  > I had to confront this choice again very recently when I won the
  PX-7.  I
  > was given the option of putting that credit towards a mc909 or
  > MPC2000/4000 if I wanted.  I'll admit, I did think about it for quite a
  > bit too.  Why?  Onboard sampling.  It's a big deal for people like
  me who
  > have a lot of custom samples they want to use, or who might want to
  take
  > their studio creations live.  It would save me the (ongoing) trouble of
  > trying to find a sampler to complement my XL-7.
  >
  > Eventually though, I knew that if I got a mc909 and left the group,
  no one
  > here would be able to pick a ROM for themselves, or know how to use
  effect
  > sends, so I decided I better stay for your sake.
  >
  > J/K!
  >
  > Actually I've gotten to really enjoy using the XX-7, it's fast and dead
  > easy to program, sounds great, and is far better for me live.  Plus, it
  > just feels like an "instrument" when I play it.  I don't feel like I'm
  > programming a computer, or sequencing at all.  The lines between
  Pattern
  > and Preset creations totally blur for me, and I'm just making cool
  sounds
  > I can play back for others.  Something that not much other gear
  nowadays
  > makes me feel like....
  >
  > rEalm
  >
  >
  >
  >
  >
  >
  > bluetechnics <ksellers88@h...>
  > 02/10/2004 01:29 PM
  > Please respond to xl7
  >
  >
  >         To:     xl7@yahoogroups.com
  >         cc:
  >         Subject:        [xl7] Re: XL 7 vs MC 909
  >
  >
  > Thanks for the input fellas. Given the pros and cons of each unit,
  > which would you ultimately choose (is this a dumb question considering
  > this is an  XX-7 group?)
  >
  >
  > --- In xl7@yahoogroups.com, erik_magrini@B... wrote:
  > > Whew, that's quite task! (Obviously we prefer the XX-7's too)
  > Here's some
  > > things in short:
  > >
  > > MC909 has 64 voices of polyphony, XX-7 has 128.
  > > MC909 has a master effect compressor, and IMO better effects overall.
  > > XX-7 has XMIX, 909 lost the Megamix that the 505 had.
  > > MC909 has only one expansion slot for additional sounds (I think
  > it's 1),
  > > the XX-7 has 3.
  > >
  > > If Ravi reads this, he can probably add more, as I think he still has
  > > both...
  > > rEalm
  > >
  > >
  > >
  > >
  > >
  > > Other than the fact that the XL7 can't sample, has anyone compared the
  > > pros and cons of the XL7 vs MC909? Has anyone worked with these units
  > > and which do you prefer?
  > >
  > >
  > >
  > >
  > >
  > >
  > >
  > >
  > >
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