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[motm] transducers, input or output?

[motm] transducers, input or output?

2002-11-03 by elhardt@att.net

I've always thought that transducers were another name for pickups, and doing
an internet search that seems to be what they are. They convert an acoustic
vibration into an electrical signal. But when reading about the old Ondes
Martenot keyboard instrument, they say that one of the speakers (or diffusers)
uses a transducer to drive the strings on one of these diffusers. Is there a
device that I can use that takes an electronic signal and converts it into an
acoustic vibration for setting a string in motion or driving the bridge of an
acoustic instrument? Something other than a speaker that is. I'm still thinking
about setting a violin in motion using a synthesizer.

-Elhardt

Re: transducers, input or output?

2002-11-03 by strohs56k

--- In motm@y..., elhardt@a... wrote:
> I've always thought that transducers were another name for pickups,
> and doing an internet search that seems to be what they are. They
> convert an acoustic vibration into an electrical signal. [...]

By definition, a transducer is a device that converts energy from one
form into another. (So loudspeakers, microphones, light emitting
diodes, photovoltaic cells, peltier junctions, all of these are
transducers.) Most transducers are also bi-directional, though they
might be most effective in the intended forward conversion. (Meaning,
for example, that you can hook a loudspeaker up to the input of an
amplifier and use it as a microphone of questionable fidelity.)


> [...] Is there a device that I can use that takes an electronic
> signal and converts it into an acoustic vibration for setting a
> string in motion or driving the bridge of an acoustic instrument?
> Something other than a speaker that is. I'm still thinking about
> setting a violin in motion using a synthesizer.

As to some "electrical" way of exciting a stringed instrument, it
seems like part of the challenge is that you don't actually want to
"touch" the strings, right? Or rather, if the transducer were going
to touch the string, you probably want to put it in place of the
bridge (if the intent were to have the string resonate at its open
tuning) or to touch at a specific location along the fret board (if
the intent were to have the string resonate at a specific fretted
note.)

If I were going to attempt this, I think the first thing I would try
is a piezoelectric element. Piezos are most often flat discs so you
might glue a small wedge shaped block to one side of the disc and have
the tip of this wedge touching the string in the intended location.


Seth

Re: [motm] transducers, input or output?

2002-11-03 by ixqy@aol.com

In a message dated Sun, 03 Nov 2002 06:58:57 +0000, elhardt@... writes:

> Is there a
> device that I can use that takes an electronic signal and converts it into an
> acoustic vibration for setting a string in motion or driving the bridge of an
> acoustic instrument? Something other than a speaker that is. I'm still thinking
> about setting a violin in motion using a synthesizer.


You mean something like this?

http://www.ebow.com/

Andrew

[motm] Re: transducers, input or output?

2002-11-03 by elhardt@att.net

Seth writes:
>>Or rather, if the transducer were going to touch the string, you probably
want to put it in place of the bridge (if the intent were to have the string
resonate at its open tuning)<<

I was asking about vibrating a string mostly out of curiousity for other things
I had in mind. But what I would really want to do now is remove the lowest
sounding string on something like a violin and put a device on the bridge in
its place that will vibrate the bridge which in turn puts the whole violin body
into motion. I would probably just use a sawtooth wave and would control the
pitch from a synthesizer.

>>If I were going to attempt this, I think the first thing I would try
is a piezoelectric element. Piezos are most often flat discs ...<<

I've used those little piezo speakers (if you can call them that) in the past.
The ones that produce a tone when voltage is applied. I did think of them but
wasn't sure they would have enough energy to vibrate the bridge or string. But
maybe there are more powerful ones out there. If I can't find any other
solution, perhaps the back magnet portion of a speaker will work.

Andrew wrote:
>>You mean something like this?
http://www.ebow.com/<<

Interesting. That looks like a electronic string vibrating device all right.
I'll have to download the sound samples. It however looks like an expensive way
to go if I needed to drive a bunch of strings.

Thanks for the info.
-Elhardt

Re: transducers, input or output?

2002-11-03 by strohs56k

--- In motm@y..., ixqy@a... wrote:
> In a message dated 03 Nov 2002 06:58:57 +0000, elhardt@a... writes:
>
> > Is there a device that I can use that takes an electronic signal
> > and converts it into an acoustic vibration for setting a string
> > in motion or driving the bridge of an acoustic instrument?
> > Something other than a speaker that is. I'm still thinking
> > about setting a violin in motion using a synthesizer.
>
> You mean something like this?
>
> http://www.ebow.com/

Interesting - though I can see two potential problems with this.
First, it looks like this gizmo is intended to work with electric
guitars and, as such, I assume it is a magnetic mechanism and will
only work with steel strings. Second, there is no input to plug in
the signal coming from the synthesizer though, depending upon how this
thing works internally, it might be possible to add an input.

Re: [motm] Re: transducers, input or output?

2002-11-04 by J. Larry Hendry

----- Original Message -----
From: <elhardt@...>
I was asking about vibrating a string mostly out of curiousity for other
things I had in mind. But what I would really want to do now is remove the
lowest sounding string on something like a violin and put a device on the
bridge in its place that will vibrate the bridge which in turn puts the
whole violin body into motion. I would probably just use a sawtooth wave
and would control the pitch from a synthesizer.

--LH--
The whole problem with this as I see it is the notion that the pitch could
be altered by changing the frequency of the device inducing the string to
vibrate. The string has a natural frequency at which it will resonate
(along with many associated harmonics). The only way to change that
frequency is to adjust the tension of the string or adjust the length (by
fretting).

Assuming that one used a variable frequency and was successful at getting a
string to vibrate, I would think that only amplitude, and not frequency
would vary. As the frequency of the modulating signal approached the
resonate frequency of the string, vibration would be at maximum amplitude.
As frequency increase or decreased from that point, the sting would simply
become less responsive to the inducing device.

That's how I see it. And, I would think that only low frequencies could be
induced to begin with. And, then, it seems an electro-mechanical induction
might produce the best response from the string. So, metal would work (like
it does with the guitar e-bow thing). But, I would think non-metallic
strings would be very resistance to significant induced vibration. Perhaps
acoustically induced. But, I am guessing the amplitude of the signal needed
to induce the string to vibrate would mask the actual sound of the vibrating
string.

However, I have seen all strings of a piano set into simultaneous vibration
by musicians mixing drinking and equipment moving. As my memory serves me
(and it seems a bit cloudy on the event), I think each string vibrated at
its own tuned frequency.

Well, that's my $.02 on the subject. I do know a "little bit" about low
frequency induction issues. Say, around 60 Hz.
<snicker>

Larry (the power) Stooge

Re: transducers, input or output?

2002-11-04 by sucrosemusic

OK, I don't know what violin strings are made of, BUT if they're
ferrous, I'd wire up an electromagnet, just a coil of some sort, and
put in in the 'sweet spot' on the strings where either of the pickups
on an electric guitar are placed. Placing it at different position
will affect the sound, because certain harmonics will be easier to
get into motion in certain spots.

Find out if you can get violin strings that are ferrous, though.
That's the key. Also, you're going to probably need to amplify your
signal quite a bit before your electromagnet will wiggle the strings
noticably (estimate around 20 watts, but who knows) since you're
basically making a speaker, but without a cone... or a permanent
magnet... etc etc. It'll be weak. It'll work. It won't work with
nylon strings.


--- In motm@y..., elhardt@a... wrote:
> I've always thought that transducers were another name for pickups,
and doing
> an internet search that seems to be what they are. They convert an
acoustic
> vibration into an electrical signal. But when reading about the old
Ondes
> Martenot keyboard instrument, they say that one of the speakers (or
diffusers)
> uses a transducer to drive the strings on one of these diffusers.
Is there a
> device that I can use that takes an electronic signal and converts
it into an
> acoustic vibration for setting a string in motion or driving the
bridge of an
> acoustic instrument? Something other than a speaker that is. I'm
still thinking
> about setting a violin in motion using a synthesizer.
>
> -Elhardt

Re: transducers, input or output?

2002-11-04 by Michel Havenith

The E string of a modern violin is usually made of steel or a steel
with gold alloy. I checked with my violin and the E string reacted on
a magnet. Buy a cheap string, they have the most amount of steel!

Michel Havenith,
Netherlands


--- In motm@y..., "sucrosemusic" <sucrosemusic@y...> wrote:
> OK, I don't know what violin strings are made of, BUT if they're
> ferrous, I'd wire up an electromagnet, just a coil of some sort,
and
> put in in the 'sweet spot' on the strings where either of the
pickups
> on an electric guitar are placed. Placing it at different position
> will affect the sound, because certain harmonics will be easier to
> get into motion in certain spots.
>
> Find out if you can get violin strings that are ferrous, though.
> That's the key. Also, you're going to probably need to amplify
your
> signal quite a bit before your electromagnet will wiggle the
strings
> noticably (estimate around 20 watts, but who knows) since you're
> basically making a speaker, but without a cone... or a permanent
> magnet... etc etc. It'll be weak. It'll work. It won't work
with
> nylon strings.
>
>
> --- In motm@y..., elhardt@a... wrote:
> > I've always thought that transducers were another name for
pickups,
> and doing
> > an internet search that seems to be what they are. They convert
an
> acoustic
> > vibration into an electrical signal. But when reading about the
old
> Ondes
> > Martenot keyboard instrument, they say that one of the speakers
(or
> diffusers)
> > uses a transducer to drive the strings on one of these diffusers.
> Is there a
> > device that I can use that takes an electronic signal and
converts
> it into an
> > acoustic vibration for setting a string in motion or driving the
> bridge of an
> > acoustic instrument? Something other than a speaker that is. I'm
> still thinking
> > about setting a violin in motion using a synthesizer.
> >
> > -Elhardt

Re: transducers, input or output?

2002-11-04 by Michel Havenith

Forgot to say that the lower strings on an modern violin (G, D, and
A) are usually made of a plastic or gut core with a metal alloy
(steel, aluminium, gold, silver) wound around. You would have to
check with every single string. On my violin the D and A didn't react
on a magnet, but the G did.
The cheaper strings contain more steel and the chance of succes will
be bigger!

Michel Havenith


--- In motm@y..., "Michel Havenith" <anymail@x> wrote:
> The E string of a modern violin is usually made of steel or a steel
> with gold alloy. I checked with my violin and the E string reacted
on
> a magnet. Buy a cheap string, they have the most amount of steel!
>
> Michel Havenith,
> Netherlands
>
>
> --- In motm@y..., "sucrosemusic" <sucrosemusic@y...> wrote:
> > OK, I don't know what violin strings are made of, BUT if they're
> > ferrous, I'd wire up an electromagnet, just a coil of some sort,
> and
> > put in in the 'sweet spot' on the strings where either of the
> pickups
> > on an electric guitar are placed. Placing it at different
position
> > will affect the sound, because certain harmonics will be easier
to
> > get into motion in certain spots.
> >
> > Find out if you can get violin strings that are ferrous, though.
> > That's the key. Also, you're going to probably need to amplify
> your
> > signal quite a bit before your electromagnet will wiggle the
> strings
> > noticably (estimate around 20 watts, but who knows) since you're
> > basically making a speaker, but without a cone... or a permanent
> > magnet... etc etc. It'll be weak. It'll work. It won't work
> with
> > nylon strings.
> >
> >
> > --- In motm@y..., elhardt@a... wrote:
> > > I've always thought that transducers were another name for
> pickups,
> > and doing
> > > an internet search that seems to be what they are. They convert
> an
> > acoustic
> > > vibration into an electrical signal. But when reading about the
> old
> > Ondes
> > > Martenot keyboard instrument, they say that one of the speakers
> (or
> > diffusers)
> > > uses a transducer to drive the strings on one of these
diffusers.
> > Is there a
> > > device that I can use that takes an electronic signal and
> converts
> > it into an
> > > acoustic vibration for setting a string in motion or driving
the
> > bridge of an
> > > acoustic instrument? Something other than a speaker that is.
I'm
> > still thinking
> > > about setting a violin in motion using a synthesizer.
> > >
> > > -Elhardt

Re: transducers, input or output?

2002-11-04 by mate_stubb

Everyone is talking about exciting strings with transducers in this
discussion, but I suspect we are all missing the point.

Maybe what Ken is trying to do is excite the body cavity of an
acoustic instrument with a synthesized waveform, then mic it for
recording. I'll bet you could get a much better synthesized solo
violin by using a resonating body as your natural formant filter.

If this is the case, you don't need the strings at all, just a means
to make the body vibrate from the synth's output. Ken, is this what
you were after?

Moe

Re: [motm] transducers, input or output?

2002-11-04 by groovyshaman@snet.net

Hi Elhardt,

Very interesting. I'm thinking there are basically two possibilities here:

1) Use a voltage-to-movement transducer to induce vibration in the strings,
causing the instrument to "play" itself. Of course, without fretting, the
instrument would be somewhat limited to the fundamental frequencies and
associated harmonics of the four strings (along with body resonances.) You
could string the violin with steel strings and use electro-magnets to induce
movement. Another option could be to use one or more piezo-transducers
mounted to the bridge. If you are thinking of amplifying the resultant
signal, you could mount a microphone or piezo-pickup on the bridge and pass
the signal thru a pre-amp back to the synth. Pickup location will be very
sensitive, I'm sure.

2) Use the violin body as a resonating filter of sorts; to pass an audio
signal "through" the body of the violin and recover the resultant signal. A
voltage-to-movement transducer could be used at audio frequencies to
"excite" the body resonances, and a movement-to-voltage transducer could
then pick up the resultant signal. Probably the optimal inducer would be a
very small full-range speaker mounted inside (!) the body. The best pickup
would probably be a mic. Another idea, you could mount a metal plate to the
bridge and use an electro-magnet to set the bridge into motion (but how
would you mount this? hmm). Obviously, mounting locations would have the
greatest effect on the response of this filter; there are so many different
resonance components.

There are quite a few challenging issues here: obtaining the appropriate
signal levels for both inducing and recovery, transducer types, mounting
hardware and location, etc. Sounds like fun! I would be very curious to
hear how this experiment turns out. FYI, I have dabbled somewhat with
piezo-transducer pickups on a cello, passing the resultant signal thru my
MOTM rig.

Cheers,
George

----- Original Message -----
From: <elhardt@...>
To: <motm@yahoogroups.com>
Sent: Sunday, November 03, 2002 1:58 AM
Subject: [motm] transducers, input or output?


> I've always thought that transducers were another name for pickups, and
doing
> an internet search that seems to be what they are. They convert an
acoustic
> vibration into an electrical signal. But when reading about the old Ondes
> Martenot keyboard instrument, they say that one of the speakers (or
diffusers)
> uses a transducer to drive the strings on one of these diffusers. Is there
a
> device that I can use that takes an electronic signal and converts it into
an
> acoustic vibration for setting a string in motion or driving the bridge of
an
> acoustic instrument? Something other than a speaker that is. I'm still
thinking
> about setting a violin in motion using a synthesizer.
>
> -Elhardt

Re: transducers, input or output?

2002-11-04 by Mike Marsh

Radio Shack makes a $3 piezo buzzer that I modify to create
transducers to amplify acoustic instruments. They sound nasty, so I
like them.

I have one mounted on an old guitar at the bridge. I'm going to hook
it to the output of my MOTM and see what happens. I'll report back,
maybe with an mpg...

Mike

--- In motm@y..., <groovyshaman@s...> wrote:
> Hi Elhardt,
>
> Very interesting. I'm thinking there are basically two
possibilities here:
>
> 1) Use a voltage-to-movement transducer to induce vibration in the
strings,
> causing the instrument to "play" itself. Of course, without
fretting, the
> instrument would be somewhat limited to the fundamental frequencies and
> associated harmonics of the four strings (along with body
resonances.) You
> could string the violin with steel strings and use electro-magnets
to induce
> movement. Another option could be to use one or more piezo-transducers
> mounted to the bridge. If you are thinking of amplifying the resultant
> signal, you could mount a microphone or piezo-pickup on the bridge
and pass
> the signal thru a pre-amp back to the synth. Pickup location will
be very
> sensitive, I'm sure.
>
> 2) Use the violin body as a resonating filter of sorts; to pass an audio
> signal "through" the body of the violin and recover the resultant
signal. A
> voltage-to-movement transducer could be used at audio frequencies to
> "excite" the body resonances, and a movement-to-voltage transducer could
> then pick up the resultant signal. Probably the optimal inducer
would be a
> very small full-range speaker mounted inside (!) the body. The best
pickup
> would probably be a mic. Another idea, you could mount a metal
plate to the
> bridge and use an electro-magnet to set the bridge into motion (but how
> would you mount this? hmm). Obviously, mounting locations would
have the
> greatest effect on the response of this filter; there are so many
different
> resonance components.
>
> There are quite a few challenging issues here: obtaining the appropriate
> signal levels for both inducing and recovery, transducer types, mounting
> hardware and location, etc. Sounds like fun! I would be very
curious to
> hear how this experiment turns out. FYI, I have dabbled somewhat with
> piezo-transducer pickups on a cello, passing the resultant signal
thru my
> MOTM rig.
>
> Cheers,
> George
>
> ----- Original Message -----
> From: <elhardt@a...>
> To: <motm@y...>
> Sent: Sunday, November 03, 2002 1:58 AM
> Subject: [motm] transducers, input or output?
>
>
> > I've always thought that transducers were another name for
pickups, and
> doing
> > an internet search that seems to be what they are. They convert an
> acoustic
> > vibration into an electrical signal. But when reading about the
old Ondes
> > Martenot keyboard instrument, they say that one of the speakers (or
> diffusers)
> > uses a transducer to drive the strings on one of these diffusers.
Is there
> a
> > device that I can use that takes an electronic signal and converts
it into
> an
> > acoustic vibration for setting a string in motion or driving the
bridge of
> an
> > acoustic instrument? Something other than a speaker that is. I'm still
> thinking
> > about setting a violin in motion using a synthesizer.
> >
> > -Elhardt

Re: [motm] Re: transducers, input or output?

2002-11-04 by Tentochi

EBows are around $85. The string MUST be metal and
the ebow only comes with one guide for the strings
with guitar spacing.

> I was asking about vibrating a string mostly out of
> curiousity for other things
> I had in mind. But what I would really want to do
> now is remove the lowest
> sounding string on something like a violin and put a
> device on the bridge in
> its place that will vibrate the bridge which in turn
> puts the whole violin body
> into motion.

--Shemp

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Re: [motm] transducers, input or output?

2002-11-04 by elhardt@att.net

I won't copy and paste everybodies posts to keep from making a mess. I'll just
respond. Larry Hendrey missed the part where I said I wanted to remove a string
and in its place put some kind of device to vibrate the bridge. That would
vibrate at whatever pitch my synthesized waveform is. So matt_stubb and
groovshaman are correct in understanding what I wanted to do. I would need to
keep the other 3 strings there to firmly hold the bridge down, plus in all the
reading I've been doing about the violin, the body tone is a little different
when under the tension of all the strings than without any strings. Without
strings the main formants are lower in pitch.

When I thought of doing this a couple of years back I thought maybe I could
just screw a speaker into the back of a violin body. It's hard to tell if that
would give me any useful results or not. Based on what I've read, the bridge
acts like a lever and where it rests on the violin body and it's internal
structural supports determines where or how strong some of the main resonances
will be.

I'm looking at a small speaker now and there's the possibility if I cut off the
speaker cone I could use the transducer portion of the speaker to vibrate
something. I don't know how I'd mount it to the bridge, but maybe I could
compromise and remove the bridge and strings and mount it where the bridge was.

-Elhardt

Re: [motm] transducers, input or output?

2002-11-04 by elhardt@att.net

Larry Hendry writes:
>>As usual, I have made a total Stooge of myself.<<

There was also talk about vibrating strings so it's easy to get confused in
this thread.

>>To rectify my error, I will report to you that All Electronics has a
"vibrating audio transducer" designed to "make a wall, door or other object
act as a speaker" for $9.00 in their catalog. Check out part # AS-500.
Probably at their web site too.<<

Thank you. This is just the kind of tip I'm looking for. I'll head right over
there.

-Elhardt

Re: [motm] transducers, input or output?

2002-11-05 by J. Larry Hendry

As usual, I have made a total Stooge of myself. <snicker>

To rectify my error, I will report to you that All Electronics has a
"vibrating audio transducer" designed to "make a wall, door or other object
act as a speaker" for $9.00 in their catalog. Check out part # AS-500.
Probably at their web site too.

Now, I feel better.
LH

----- Original Message -----
From: <elhardt@...>
Larry Hendry missed the part where I said I wanted to remove a string and in
its place put some kind of device to vibrate the bridge. That would vibrate
at whatever pitch my synthesized waveform is. So matt_stubb and groovshaman
are correct in understanding what I wanted to do.

Re: transducers, input or output?

2002-11-06 by Michel Havenith

--- In motm@y..., elhardt@a... wrote:
> I won't copy and paste everybodies posts to keep from making a
mess. I'll just
> respond. Larry Hendrey missed the part where I said I wanted to
remove a string
> and in its place put some kind of device to vibrate the bridge.
That would
> vibrate at whatever pitch my synthesized waveform is. So matt_stubb
and
> groovshaman are correct in understanding what I wanted to do. I
would need to
> keep the other 3 strings there to firmly hold the bridge down, plus
in all the
> reading I've been doing about the violin, the body tone is a little
different
> when under the tension of all the strings than without any strings.
Without
> strings the main formants are lower in pitch.

Take care with removing all strings of a violin, you could lose the
stapel (inside; it is not glued). If this happens it has to be
readjusted by a violin builder!

Michel Havenith