MOTM

I sounds like a lot of people don't get the maximum benefit out of their
modulars (sorry I stuck the reply on your message Paul).  EGs (and LFOs) are
incredible to play in real-time when connected to a sequencer or
arpeggiator.  This gives amazing movement to parts.  It can also give subtle
changes in feel all the way through complete sound change transformations.
This is a great tool also to use for techno, ambient, trance, dance, etc.  I
know a lot of people who do this.

Perhaps you just haven't tried it before???  Or your music is a little more
static that it should be?

There are lots of knobs and jacks and modules I wonder What the hell are
those for?  And then when I try it or it is explained to me, it is like a
revalation!

Cheers!
Shemp


> That said, I would agree that an EG is not likely something that
> people will
> tweak in real-time.  But, this thing can be used as an LFO...
>
> And finally, I have to say that I'm also guilty of wanting aesthetic
> consistancy with MOTM parts.  :)  This is significantly less of
> an issue (to
> me) if there are more modules with the same layout-- I.E., Tony
> establishes
> a theme which he sticks to with any hypothetical further modules.