MOTM

I think it has to do with the SHAPE knob: it's continuously variable 
from SAW to SQUARE, though not under voltage control.  I really like 
the sound of it at 12 o'clock (half SAW half SQUARE).  You can get 
the same effect by mixing the SQUARE and SAW outs of the 300.

One of my favorite things to do recently is to send a SAW from a 300, 
a SQUARE from a second 300, and the half-and-half out of the 310 to 
any of the 3 filters.  With each oscillator slightly detuned, it 
sounds huge.

Maybe I was waxing too mystical...

Mike

--- In motm@yahoogroups.com, media.nai@r... wrote:
> 
> I'm taking a break from AH, so I apologize if I missed this 
already, 
> but are you saying that the single waveforms from the 310 sound 
> noticably different than the 300??  Can it be seen on a scope??
> 
> At 6:57 PM +0000 3/17/03, Mike Marsh wrote:
> >And there's something *particularly* cool about the 310's sound.  I
> >have three 300s and they are massively great, and a single 310 
(with
> >one more on order).  When I fired up the 310 for the first time,
> >something just kind of went ahhhhh. 
> >
> >Maybe I'm dreaming...nope, it *does* sound goooood.