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Digital BW, The Print

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Hats off to CRANE for their Museo Silver Rag.

Hats off to CRANE for their Museo Silver Rag.

2006-01-18 by bobbysandstrom

Just felt obliged to report my latest findings with Silver Rag. After my second batch of trials 
and tweaks to both contrast and sharpening I must say this paper is stellar! I am looking at 
both a contact print of an 8x10 neg (made with Kodak Polymax Silver Gelatin Fiber Paper and 
selenium toned) as well as a 4800/Silver Rag print using the Epson ABW driver with Premium 
Glossy 250 selected. I can tell you with all honesty the Silver Rag Print looks as good if not 
better. I can't believe I am saying that but it's true! I was out earlier today looking at a durst 
cls 1840  10x10 enlarger. I decided not to buy it after seeing this print. This particular analog 
contact print is what I've been using as a benchmark. My dream of having the depth and 
quality of a traditional print using an inkjet printer has now come true. And I believe it's all 
only going to get better! Having an 8x10 camera and an Epson 4990 using 48bit color 16 
pass scan mode at 1800dpi (2400 is too large for the system to handle) and taping the neg 
down after it's been sufficiently heated... I can produce prints beyond my wildest dreams. 
WOW. I would like to thank all of the hard working folks that did the research to bring these 
technologies to fruition. Epson and now Crane!!!! THANK YOU!!!!!

Go get yourself some Silver Rag as soon as it comes out! You won't be sorry!

Re: [Digital BW] Hats off to CRANE for their Museo Silver Rag.

2006-01-18 by Steve Kale

And thanks to Crane's technology suppliers...
Show quoted textHide quoted text
> From: bobbysandstrom <bobbysandstrom@...>
> Reply-To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Date: Wed, 18 Jan 2006 04:53:41 -0000
> To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Subject: [Digital BW] Hats off to CRANE for their Museo Silver Rag.
> 
> Just felt obliged to report my latest findings with Silver Rag. After my
> second batch of trials
> and tweaks to both contrast and sharpening I must say this paper is stellar! I
> am looking at 
> both a contact print of an 8x10 neg (made with Kodak Polymax Silver Gelatin
> Fiber Paper and 
> selenium toned) as well as a 4800/Silver Rag print using the Epson ABW driver
> with Premium 
> Glossy 250 selected. I can tell you with all honesty the Silver Rag Print
> looks as good if not
> better. I can't believe I am saying that but it's true! I was out earlier
> today looking at a durst
> cls 1840  10x10 enlarger. I decided not to buy it after seeing this print.
> This particular analog
> contact print is what I've been using as a benchmark. My dream of having the
> depth and 
> quality of a traditional print using an inkjet printer has now come true. And
> I believe it's all
> only going to get better! Having an 8x10 camera and an Epson 4990 using 48bit
> color 16 
> pass scan mode at 1800dpi (2400 is too large for the system to handle) and
> taping the neg 
> down after it's been sufficiently heated... I can produce prints beyond my
> wildest dreams. 
> WOW. I would like to thank all of the hard working folks that did the research
> to bring these 
> technologies to fruition. Epson and now Crane!!!! THANK YOU!!!!!
> 
> Go get yourself some Silver Rag as soon as it comes out! You won't be sorry!
>

Re: [Digital BW] Hats off to CRANE for their Museo Silver Rag.

2006-01-18 by Bob Thompson

I am pleased to hear your impressions of the silver rag and am anxiously 
awaiting its release. I do have a couple of questions about your scans. 
What software are you using to do the scans and how did you decide on 16 
passes? Also how long do the scans take?

You must really have big files from 8x10 negs.

Bob



bobbysandstrom wrote:
Show quoted textHide quoted text
> Just felt obliged to report my latest findings with Silver Rag. After 
> my second batch of trials
> and tweaks to both contrast and sharpening I must say this paper is 
> stellar! I am looking at
> both a contact print of an 8x10 neg (made with Kodak Polymax Silver 
> Gelatin Fiber Paper and
> selenium toned) as well as a 4800/Silver Rag print using the Epson ABW 
> driver with Premium
> Glossy 250 selected. I can tell you with all honesty the Silver Rag 
> Print looks as good if not
> better. I can't believe I am saying that but it's true! I was out 
> earlier today looking at a durst
> cls 1840 10x10 enlarger. I decided not to buy it after seeing this 
> print. This particular analog
> contact print is what I've been using as a benchmark. My dream of 
> having the depth and
> quality of a traditional print using an inkjet printer has now come 
> true. And I believe it's all
> only going to get better! Having an 8x10 camera and an Epson 4990 
> using 48bit color 16
> pass scan mode at 1800dpi (2400 is too large for the system to handle) 
> and taping the neg
> down after it's been sufficiently heated... I can produce prints 
> beyond my wildest dreams.
> WOW. I would like to thank all of the hard working folks that did the 
> research to bring these
> technologies to fruition. Epson and now Crane!!!! THANK YOU!!!!!
>
> Go get yourself some Silver Rag as soon as it comes out! You won't be 
> sorry!
>
>
>
>
>
>
> Please visit the Group Homepage to check the Files, and other 
> resources as they are often being updated.
>
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
>
> If you wish to receive no emails or just a daily digest, or you wish 
> to unsubscribe, please edit your Membership preferences by visiting 
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> Please follow these basic guidelines:
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> - Good manners are required at all time. No personal attacks or 
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> - Keep your posts and threads related to the group topic of digital 
> B&W printing. Users who persistently make off-topic posts may be 
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> LIABLE TO YOU FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, 
> CONSEQUENTIAL OR EXEMPLARY DAMAGES, INCLUDING BUT NOT LIMITED TO, 
> DAMAGES FOR LOSS OF PROFITS, GOODWILL, USE, DATA OR OTHER INTANGIBLE 
> LOSSES (EVEN IF THE \ufffdOWNER\ufffd AND \ufffdMODERATORS\ufffd OF DIGITAL BW, THE PRINT 
> YAHOO GROUP HAVE BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES), 
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Re: [Digital BW] Hats off to CRANE for their Museo Silver Rag.

2006-01-18 by bobbysandstrom

Bob:

I tested by doing the following.... 1x, 2x, 4x, 8x, 16x passes. I then looked at the scans in 
photoshop at 100% and larger. You can see that each scan got progressively better with 
removing the noise. 16x was better than 8x and so on. The file is huge! I can only go up to 
1800dpi because the file goes over the limit that can be handled. I end up with about 1.35gig 
files using 48bit mode. I use SilverFast Studio withe the Epson 4990. I don't do any tweaking 
other than setting the frame around the image. I leave all the processing to photoshop. Make 
sure you get the right version of the software because lesser priced versions have 16x mode 
but don't use 16 different scans with the noise reduction scheme. I guess the way the noise 
reduction works is by eliminating the "random" pixels... those that show up in different spots 
with each pass. So the software compares each pass to find the consistent pixels and gets rid 
of the rest. Being that noise shows up randomly, this works like a charm.
Also, I tape the neg down with red ruby litho tape emulsion side up. I first do an 8x pass to 
heat the neg then retape flat.

Good Luck!

Re: [Digital BW] Hats off to CRANE for their Museo Silver Rag.

2006-01-19 by Bob Thompson

Thanks for your reply. I use Vuescan which does multiple samples and 
also has a long exposure pass. I am going to test the various "samples" 
and the long exposure. I really didn't think it made much difference but 
I'm anxious to try it.

Thanks again

Bob



bobbysandstrom wrote:
Show quoted textHide quoted text
> Bob:
>
> I tested by doing the following.... 1x, 2x, 4x, 8x, 16x passes. I then 
> looked at the scans in
> photoshop at 100% and larger. You can see that each scan got 
> progressively better with
> removing the noise. 16x was better than 8x and so on. The file is 
> huge! I can only go up to
> 1800dpi because the file goes over the limit that can be handled. I 
> end up with about 1.35gig
> files using 48bit mode. I use SilverFast Studio withe the Epson 4990. 
> I don't do any tweaking
> other than setting the frame around the image. I leave all the 
> processing to photoshop. Make
> sure you get the right version of the software because lesser priced 
> versions have 16x mode
> but don't use 16 different scans with the noise reduction scheme. I 
> guess the way the noise
> reduction works is by eliminating the "random" pixels... those that 
> show up in different spots
> with each pass. So the software compares each pass to find the 
> consistent pixels and gets rid
> of the rest. Being that noise shows up randomly, this works like a charm.
> Also, I tape the neg down with red ruby litho tape emulsion side up. I 
> first do an 8x pass to
> heat the neg then retape flat.
>
> Good Luck!
>
>
>
>
>
> Please visit the Group Homepage to check the Files, and other 
> resources as they are often being updated.
>
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
>
> If you wish to receive no emails or just a daily digest, or you wish 
> to unsubscribe, please edit your Membership preferences by visiting 
> this same page.
>
> Please follow these basic guidelines:
> - As threads develop, trim off excess portions of earlier messages to 
> keep them short.
> - Good manners are required at all time. No personal attacks or 
> flames. Hostile, aggressive or argumentative users may be removed from 
> the membership without notice.
> - Keep your posts and threads related to the group topic of digital 
> B&W printing. Users who persistently make off-topic posts may be 
> removed from the membership.
> - By posting on this forum you agree to abide by the group rules and 
> guidelines, and to abide by the actions and decisions of the group 
> Owner and Moderators. See \ufffdGroup Topic, Rules and Guidelines\ufffd in the 
> Files section:
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint/files/
>
> BY PARTICIPATING IN AND/OR POSTING MESSAGES TO THE DIGITAL BW, THE 
> PRINT YAHOO! GROUP YOU EXPRESSLY UNDERSTAND AND AGREE THAT THE \ufffdOWNER\ufffd 
> AND \ufffdMODERATORS\ufffd OF DIGITAL BW, THE PRINT YAHOO GROUP SHALL NOT BE 
> LIABLE TO YOU FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, 
> CONSEQUENTIAL OR EXEMPLARY DAMAGES, INCLUDING BUT NOT LIMITED TO, 
> DAMAGES FOR LOSS OF PROFITS, GOODWILL, USE, DATA OR OTHER INTANGIBLE 
> LOSSES (EVEN IF THE \ufffdOWNER\ufffd AND \ufffdMODERATORS\ufffd OF DIGITAL BW, THE PRINT 
> YAHOO GROUP HAVE BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES), 
> RESULTING FROM: (i) THE USE OR THE INABILITY TO USE THE DIGITAL BW, 
> THE PRINT YAHOO GROUP; (ii) UNAUTHORIZED ACCESS TO OR ALTERATION OF 
> YOUR TRANSMISSIONS OR DATA; (iii) STATEMENTS OR CONDUCT OF ANY THIRD 
> PARTY ON THE DIGITAL BW, THE PRINT YAHOO GROUP; OR (iv) ANY OTHER 
> MATTER RELATING TO THE DIGITAL BW, THE PRINT YAHOO GROUP.
>
>
>
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RE: [Digital BW] Hats off to CRANE for their Museo Silver Rag.

2006-01-19 by Ken Carney

What are you using to avoid newton rings? 

Ken
Show quoted textHide quoted text
> -----Original Message-----
> From: DigitalBlackandWhiteThePrint@yahoogroups.com 
> [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On 
> Behalf Of bobbysandstrom
> Sent: Wednesday, January 18, 2006 4:08 PM
> To: DigitalBlackandWhiteThePrint@yahoogroups.com
> Subject: Re: [Digital BW] Hats off to CRANE for their Museo 
> Silver Rag.
> 
> Bob:
> 
> I tested by doing the following.... 1x, 2x, 4x, 8x, 16x 
> passes. I then looked at the scans in photoshop at 100% and 
> larger. You can see that each scan got progressively better 
> with removing the noise. 16x was better than 8x and so on. 
> The file is huge! I can only go up to 1800dpi because the 
> file goes over the limit that can be handled. I end up with 
> about 1.35gig files using 48bit mode. I use SilverFast Studio 
> withe the Epson 4990. I don't do any tweaking other than 
> setting the frame around the image. I leave all the 
> processing to photoshop. Make sure you get the right version 
> of the software because lesser priced versions have 16x mode 
> but don't use 16 different scans with the noise reduction 
> scheme. I guess the way the noise reduction works is by 
> eliminating the "random" pixels... those that show up in 
> different spots with each pass. So the software compares each 
> pass to find the consistent pixels and gets rid of the rest. 
> Being that noise shows up randomly, this works like a charm.
> Also, I tape the neg down with red ruby litho tape emulsion 
> side up. I first do an 8x pass to heat the neg then retape flat.
> 
> Good Luck!

Re: [Digital BW] Hats off to CRANE for their Museo Silver Rag.

2006-01-19 by bobbysandstrom

Ken:

I'm not getting newton rings. I would venture to guess because my film has been tempered 
and is taught and flat when I actually scan. The original 8x pass takes about 45min. I then 
quit the scan and check the preview (you can see the film moves) then I re-tape and go for 
the 1hr30min scan. It's worth it. Occasionally I'll get a blurred scan do to a software error. I 
simply do it again after checking for film flatness.

Re: [Digital BW] Hats off to CRANE for their Museo Silver Rag.

2006-01-19 by bobbysandstrom

Bob, are you using Silver fast? If so, make sure you have the proper version. Again, 16x 
option appears on the versions that come with the scanners but doesn't work the same. You 
have to upgrade to get the multi-PASS vs using the stock multi-SAMPLE. Also, at first glance, 
the 1x scan looks sharper but when you look closely, it's the noise causing the effect.

Re: [Digital BW] Hats off to CRANE for their Museo Silver Rag.

2006-01-19 by jim kitchen

Dear Bob,

Are you scanning through a Firewire connection, or USB 2.0 for those times?

I use the 4990 also, and the time through a Firewire connection, is
definitely 
shorter than through a USB connection.

Just curious,

jim k



[Non-text portions of this message have been removed]

Re: [Digital BW] Hats off to CRANE for their Museo Silver Rag.

2006-01-19 by Mark Savoia

I missed the earlier part of this thread, but why would anyone spend  
that much time to make a scan?
Mark
Show quoted textHide quoted text
On Jan 18, 2006, at 8:44 PM, bobbysandstrom wrote:

>  The original 8x pass takes about 45min. I then
> quit the scan and check the preview (you can see the film moves)  
> then I re-tape and go for
> the 1hr30min scan. It's worth it.

Re: Museo Silver Rag impressions

2006-01-19 by chipcarterdc

Back on topic, below is the email I just sent to Crane's with my initial impressions of Silver 
Rag printed on my Epson 98000 w. Pghhoto Black:

"I have just printed some Silver Rag yesterday on my Epson 9800 with Photo Black ink and 
the prints look spectacular.  I obviously need to consider them some more (I'm going to 
look at the prints again today after they're fully dried), but my initial reaction is that this 
paper is fabulous.  

My only concerns are that (a) it's a bit too glossy and (b) it's a bit too textured.  Put 
together, the high gloss and texture create obtrusive reflectivity when the print is viewed 
at any angle other than flat on a table or flat against a wall.  In other words, if the paper is 
tilted at all (and I don't mean severely titled -- just any position that's not perfectly flat), 
or if the light is coming at the paper from an oblique angle, the glossiness/reflectivity 
becomes obtrusive and obscures the details.  So, my initial gut reaction is to suggest that 
Crane cut the current "gloss" (currently more like an RC darkroom paper) down to a 
"sheen" (more like a air-dried fiber darkroom print) and minimize the texture a bit.  (I 
don't think the texture should be eliminated, however -- the texture gives this paper a 
unique appearance.  But to truly be closer to an air-dried fiber print, the textured should 
be lessened somewhat).  Keep in mind, though, that the image I was printing for the 
samples was a B&W portrait will large areas of black (i.e., a head-and-shoulders portrait 
against a black background), so I imagine that that may have something to do with the 
obtrusive gloss when viewed in any position other than perfectly flat.

If the "obtrusive reflectivity when hit by oblique light" issue can be minimized, Silver Rag 
will quickly become my primary paper."

(I should add that even if the paper is released as-is, I will still probably use it quite a bit)).

Re: [Digital BW] Re: Museo Silver Rag impressions

2006-01-19 by Carl Schofield

Exactly my feelings about this paper.  If you look closely at an  
unprinted sheet you will also see that the coating is a bit uneven  
(perhaps because of the texture) which contributes to the reflection  
problem.  I think a slightly thicker coating would fix the problem.

Carl
Show quoted textHide quoted text
On Jan 19, 2006, at 9:51 AM, chipcarterdc wrote:

> Back on topic, below is the email I just sent to Crane's with my  
> initial impressions of Silver
> Rag printed on my Epson 98000 w. Pghhoto Black:
>
> "I have just printed some Silver Rag yesterday on my Epson 9800  
> with Photo Black ink and
> the prints look spectacular.  I obviously need to consider them  
> some more (I'm going to
> look at the prints again today after they're fully dried), but my  
> initial reaction is that this
> paper is fabulous.
>
> My only concerns are that (a) it's a bit too glossy and (b) it's a  
> bit too textured.  Put
> together, the high gloss and texture create obtrusive reflectivity  
> when the print is viewed
> at any angle other than flat on a table or flat against a wall.  In  
> other words, if the paper is
> tilted at all (and I don't mean severely titled -- just any  
> position that's not perfectly flat),
> or if the light is coming at the paper from an oblique angle, the  
> glossiness/reflectivity
> becomes obtrusive and obscures the details.  So, my initial gut  
> reaction is to suggest that
> Crane cut the current "gloss" (currently more like an RC darkroom  
> paper) down to a
> "sheen" (more like a air-dried fiber darkroom print) and minimize  
> the texture a bit.  (I
> don't think the texture should be eliminated, however -- the  
> texture gives this paper a
> unique appearance.  But to truly be closer to an air-dried fiber  
> print, the textured should
> be lessened somewhat).  Keep in mind, though, that the image I was  
> printing for the
> samples was a B&W portrait will large areas of black (i.e., a head- 
> and-shoulders portrait
> against a black background), so I imagine that that may have  
> something to do with the
> obtrusive gloss when viewed in any position other than perfectly flat.
>
> If the "obtrusive reflectivity when hit by oblique light" issue can  
> be minimized, Silver Rag
> will quickly become my primary paper."
>
> (I should add that even if the paper is released as-is, I will  
> still probably use it quite a bit)).

Re: [Digital BW] Re: Museo Silver Rag impressions

2006-01-19 by Steve Kale

This stuff looks like Ilford Smooth Pearl in terms of gloss.  I'd prefer a
much more matte version.  The fact that it feels stiffer and heavier is
worth zip once it's framed.
Show quoted textHide quoted text
> From: chipcarterdc <chipcarterdc@...>
> Reply-To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Date: Thu, 19 Jan 2006 14:51:53 -0000
> To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Subject: [Digital BW] Re: Museo Silver Rag impressions
> 
> Back on topic, below is the email I just sent to Crane's with my initial
> impressions of Silver
> Rag printed on my Epson 98000 w. Pghhoto Black:
> 
> "I have just printed some Silver Rag yesterday on my Epson 9800 with Photo
> Black ink and 
> the prints look spectacular.  I obviously need to consider them some more (I'm
> going to 
> look at the prints again today after they're fully dried), but my initial
> reaction is that this
> paper is fabulous.
> 
> My only concerns are that (a) it's a bit too glossy and (b) it's a bit too
> textured.  Put 
> together, the high gloss and texture create obtrusive reflectivity when the
> print is viewed 
> at any angle other than flat on a table or flat against a wall.  In other
> words, if the paper is
> tilted at all (and I don't mean severely titled -- just any position that's
> not perfectly flat),
> or if the light is coming at the paper from an oblique angle, the
> glossiness/reflectivity
> becomes obtrusive and obscures the details.  So, my initial gut reaction is to
> suggest that 
> Crane cut the current "gloss" (currently more like an RC darkroom paper) down
> to a 
> "sheen" (more like a air-dried fiber darkroom print) and minimize the texture
> a bit.  (I 
> don't think the texture should be eliminated, however -- the texture gives
> this paper a 
> unique appearance.  But to truly be closer to an air-dried fiber print, the
> textured should 
> be lessened somewhat).  Keep in mind, though, that the image I was printing
> for the 
> samples was a B&W portrait will large areas of black (i.e., a
> head-and-shoulders portrait
> against a black background), so I imagine that that may have something to do
> with the 
> obtrusive gloss when viewed in any position other than perfectly flat.
> 
> If the "obtrusive reflectivity when hit by oblique light" issue can be
> minimized, Silver Rag
> will quickly become my primary paper."
> 
> (I should add that even if the paper is released as-is, I will still probably
> use it quite a bit)).
> 
>

[Digital BW] Re: Museo Silver Rag impressions

2006-01-19 by chipcarterdc

I agree; I'd like to see less of a gloss and more of a sheen, but I wouldn't go so far as to 
say I'd prefer a "much more matte" version personally.  The soft sheen of Hahn. Photo Rag 
Satin is more to my liking.  (That paper also has too much texture and, unlike Silver Rag, 
does show some "gloss differential" between adjacent dark and light areas, since the sheen 
on Satin is produced by the ink on paper -- the paper itself is matte).


--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Steve Kale <stevekale@b...> 
wrote:
Show quoted textHide quoted text
>
> This stuff looks like Ilford Smooth Pearl in terms of gloss.  I'd prefer a
> much more matte version.  The fact that it feels stiffer and heavier is
> worth zip once it's framed.
> 
> 
> > From: chipcarterdc <chipcarterdc@h...>
> > Reply-To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> > Date: Thu, 19 Jan 2006 14:51:53 -0000
> > To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> > Subject: [Digital BW] Re: Museo Silver Rag impressions
> > 
> > Back on topic, below is the email I just sent to Crane's with my initial
> > impressions of Silver
> > Rag printed on my Epson 98000 w. Pghhoto Black:
> > 
> > "I have just printed some Silver Rag yesterday on my Epson 9800 with Photo
> > Black ink and 
> > the prints look spectacular.  I obviously need to consider them some more (I'm
> > going to 
> > look at the prints again today after they're fully dried), but my initial
> > reaction is that this
> > paper is fabulous.
> > 
> > My only concerns are that (a) it's a bit too glossy and (b) it's a bit too
> > textured.  Put 
> > together, the high gloss and texture create obtrusive reflectivity when the
> > print is viewed 
> > at any angle other than flat on a table or flat against a wall.  In other
> > words, if the paper is
> > tilted at all (and I don't mean severely titled -- just any position that's
> > not perfectly flat),
> > or if the light is coming at the paper from an oblique angle, the
> > glossiness/reflectivity
> > becomes obtrusive and obscures the details.  So, my initial gut reaction is to
> > suggest that 
> > Crane cut the current "gloss" (currently more like an RC darkroom paper) down
> > to a 
> > "sheen" (more like a air-dried fiber darkroom print) and minimize the texture
> > a bit.  (I 
> > don't think the texture should be eliminated, however -- the texture gives
> > this paper a 
> > unique appearance.  But to truly be closer to an air-dried fiber print, the
> > textured should 
> > be lessened somewhat).  Keep in mind, though, that the image I was printing
> > for the 
> > samples was a B&W portrait will large areas of black (i.e., a
> > head-and-shoulders portrait
> > against a black background), so I imagine that that may have something to do
> > with the 
> > obtrusive gloss when viewed in any position other than perfectly flat.
> > 
> > If the "obtrusive reflectivity when hit by oblique light" issue can be
> > minimized, Silver Rag
> > will quickly become my primary paper."
> > 
> > (I should add that even if the paper is released as-is, I will still probably
> > use it quite a bit)).
> > 
> >
>

RE: [Digital BW] Re: Museo Silver Rag impressions

2006-01-19 by John Moody

I suppose one could spray it with satin finish to see what it might look
like, and how much _visual_ Dmax is given up.

Best regards,
John Moody
Show quoted textHide quoted text
-----Original Message-----
From: DigitalBlackandWhiteThePrint@yahoogroups.com
[mailto:DigitalBlackandWhiteThePrint@yahoogroups.com]On Behalf Of
chipcarterdc
Sent: Thursday, January 19, 2006 11:05 AM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: [Digital BW] Re: Museo Silver Rag impressions

I agree; I'd like to see less of a gloss and more of a sheen, but I wouldn't
go so far as to
say I'd prefer a "much more matte" version personally.  The soft sheen of
Hahn. Photo Rag
Satin is more to my liking.  (That paper also has too much texture and,
unlike Silver Rag,
does show some "gloss differential" between adjacent dark and light areas,
since the sheen
on Satin is produced by the ink on paper -- the paper itself is matte).




[Non-text portions of this message have been removed]

Re: Hats off to CRANE for their Museo Silver Rag.

2006-01-19 by Doug Fisher

Do anyone know their timetable for announcing this paper?  Next month at
PMA, perhaps?  Just curious whether anyone had some real info. on when we
could expect it become available.

Thanks,

Doug
---
Doug's "MF Film Holder" for batch scanning "strips" of 120/220 medium format
film:
http://home.earthlink.net/~dougfisher/holder/mainintro.html

[Digital BW] Re: Museo Silver Rag impressions

2006-01-19 by chipcarterdc

Indeed.  I really hope everyone who's tested it is giving feedback 
directly to Crane's.  This paper is so close to extraordinary and it 
can only be made better by our feedback.

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Carl Schofield 
<scho@m...> wrote:
>
> Exactly my feelings about this paper.  If you look closely at an  
> unprinted sheet you will also see that the coating is a bit uneven  
> (perhaps because of the texture) which contributes to the 
reflection  
> problem.  I think a slightly thicker coating would fix the problem.
> 
> Carl
> 
> On Jan 19, 2006, at 9:51 AM, chipcarterdc wrote:
> 
> > Back on topic, below is the email I just sent to Crane's with my  
> > initial impressions of Silver
> > Rag printed on my Epson 98000 w. Pghhoto Black:
> >
> > "I have just printed some Silver Rag yesterday on my Epson 9800  
> > with Photo Black ink and
> > the prints look spectacular.  I obviously need to consider them  
> > some more (I'm going to
> > look at the prints again today after they're fully dried), but 
my  
> > initial reaction is that this
> > paper is fabulous.
> >
> > My only concerns are that (a) it's a bit too glossy and (b) it's 
a  
> > bit too textured.  Put
> > together, the high gloss and texture create obtrusive 
reflectivity  
> > when the print is viewed
> > at any angle other than flat on a table or flat against a wall.  
In  
> > other words, if the paper is
> > tilted at all (and I don't mean severely titled -- just any  
> > position that's not perfectly flat),
> > or if the light is coming at the paper from an oblique angle, 
the  
> > glossiness/reflectivity
> > becomes obtrusive and obscures the details.  So, my initial gut  
> > reaction is to suggest that
> > Crane cut the current "gloss" (currently more like an RC 
darkroom  
> > paper) down to a
> > "sheen" (more like a air-dried fiber darkroom print) and 
minimize  
> > the texture a bit.  (I
> > don't think the texture should be eliminated, however -- the  
> > texture gives this paper a
> > unique appearance.  But to truly be closer to an air-dried fiber  
> > print, the textured should
> > be lessened somewhat).  Keep in mind, though, that the image I 
was  
> > printing for the
> > samples was a B&W portrait will large areas of black (i.e., a 
head- 
> > and-shoulders portrait
> > against a black background), so I imagine that that may have  
> > something to do with the
> > obtrusive gloss when viewed in any position other than perfectly 
flat.
> >
> > If the "obtrusive reflectivity when hit by oblique light" issue 
can  
Show quoted textHide quoted text
> > be minimized, Silver Rag
> > will quickly become my primary paper."
> >
> > (I should add that even if the paper is released as-is, I will  
> > still probably use it quite a bit)).
>

RE: [Digital BW] Re: Hats off to CRANE for their Museo Silver Rag.

2006-01-19 by Jim Doyle

Well Thats The Target Date PMA..So lets see if it happens..

Cheers
Jim Doyle


J. Doyle Enterprises LLC
114 Old Orchard Rd
Cherry Hill, NJ 08003
856-424-8660
http;//www.shadesofpaper.com
AOL IM: Brokerup99
Show quoted textHide quoted text
  -----Original Message-----
  From: DigitalBlackandWhiteThePrint@yahoogroups.com
[mailto:DigitalBlackandWhiteThePrint@yahoogroups.com]On Behalf Of Doug
Fisher
  Sent: Thursday, January 19, 2006 3:02 PM
  To: DigitalBlackandWhiteThePrint@yahoogroups.com
  Subject: [Digital BW] Re: Hats off to CRANE for their Museo Silver Rag.


  Do anyone know their timetable for announcing this paper?  Next month at
  PMA, perhaps?  Just curious whether anyone had some real info. on when we
  could expect it become available.

  Thanks,

  Doug
  ---
  Doug's "MF Film Holder" for batch scanning "strips" of 120/220 medium
format
  film:
  http://home.earthlink.net/~dougfisher/holder/mainintro.html



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[Non-text portions of this message have been removed]

Re: Museo Silver Rag impressions

2006-01-20 by jerry_lx90

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "chipcarterdc"
<chipcarterdc@h...> wrote:
>
> Back on topic, below is the email I just sent to Crane's with my
initial impressions of Silver 
> Rag printed on my Epson 98000 w. Pghhoto Black:
> 
> "I have just printed some Silver Rag yesterday on my Epson 9800 with
Photo Black ink and 
> the prints look spectacular.  I obviously need to consider them some
more (I'm going to 
> look at the prints again today after they're fully dried), but my
initial reaction is that this 
> paper is fabulous.  
> 
> My only concerns are that (a) it's a bit too glossy and (b) it's a
bit too textured.  Put 
> together, the high gloss and texture create obtrusive reflectivity
when the print is viewed 
> at any angle other than flat on a table or flat against a wall.  In
other words, if the paper is 
> tilted at all (and I don't mean severely titled -- just any position
that's not perfectly flat), 
> or if the light is coming at the paper from an oblique angle, the
glossiness/reflectivity 
> becomes obtrusive and obscures the details.  So, my initial gut
reaction is to suggest that 
> Crane cut the current "gloss" (currently more like an RC darkroom
paper) down to a 
> "sheen" (more like a air-dried fiber darkroom print) and minimize
the texture a bit.  (I 
> don't think the texture should be eliminated, however -- the texture
gives this paper a 
> unique appearance.  But to truly be closer to an air-dried fiber
print, the textured should 
> be lessened somewhat).  Keep in mind, though, that the image I was
printing for the 
> samples was a B&W portrait will large areas of black (i.e., a
head-and-shoulders portrait 
> against a black background), so I imagine that that may have
something to do with the 
> obtrusive gloss when viewed in any position other than perfectly flat.
> 
> If the "obtrusive reflectivity when hit by oblique light" issue can
be minimized, Silver Rag 
> will quickly become my primary paper."
> 
> (I should add that even if the paper is released as-is, I will still
probably use it quite a bit)).
>


This is almost exactly what I communicated to Crane with my tests.

I think this paper has tremendous potential. But the excessive sheen
and glare are very problematic for me. The first image I printed (on
an Epson 2400) had large areas of black, which really brings out the
excessive glare. It was very difficult to find an angle to hold the
print to minimize the glare on all parts of the image. The texture is
also too prominent. I compared this print to the an older print I made
on Oriental Seagul fiber based silver paper from the days when I had a
darkroom. I really would like to see a digital paper that is fiber
based and has the smooth look of the Oriental Seagul without the
excessive glare of the Silver Rag and with less texture than what we
are seeing now. Also, the paper had too much curl.

If these problems can be improved, I'd love to start using this paper.
But the way it stands now, I don't think I can use it.

Jerry

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