Of course. Command station is a instrument to explore. Patterns from 100-127
Bank 0 are made for this on mine.
I also sample a lot of sounds from the command station. I have several synths
with line in, so sampling several synths into a single sample is v something I
do a lot.
So I also have MIDI triggering specialized patterns, that bring sounds from the
engine, and also activate patches on other synth.
Also a test pattern, witch keeps c2 and several notes , during 4:000 length..
This is specially useful for sampling command station chords.
I don't need to press any note, just turn on and off triggers to create chords.
I also have a pattern for control changes. For example, a progressive increase
on sound made by a change of volume, can be overwrite on other track without
erasing its data.
Have so much working with them. If you look on the web, I have invested a lot of
time making "propaganda" for the command station. Is maybe my favorite synth.
With a faster LFO, it will be by sure my favorite with no question at all
I n fact, CS is like chilli. It goes good with everything. There's no task
where the command station is useless.
This instrument is conceived in such a brilliant way.....
________________________________
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From: bobsvitilla <bobsvitilla@...>
To: xl7@yahoogroups.com
Sent: Mon, August 2, 2010 2:26:20 PM
Subject: [xl7] Anyone work with a Command station like this?
I was considering a new work flow method and was wondering if anyone tried
something similar and found strengths or difficulties with it.
I am trying to improve my ability in producing a freeflow/improve workflow with
my XL-7 than just bring tracks in and out of a pattern flowing between patterns.
I mainly consentrate on live performance. I was think of organizing patterns
where all the tracks are a paticular part. Couple of just kick patterns, other
paterns each with just: snares, tuned percution, untuned percussion, basslines,
pads, sound effects, ect. Then use the Xmit function to build sequences on the
fly.
Thanks for any input.