OK, this makes sense. I don't really think this is explained well in
the RevC manual I downloaded from EMU, but I understand both the
mechanism and the reason. Now that I understand that I need to FIRST
extend the part, then insert a pattern change, I will have much less
difficulty creating dance remixes of radio length songs.
Thank you for your prompt and accurate (I've tested it) response.
--- In xl7@y..., Aaron Eppolito <aarone+xl7@e...> wrote:
> Think of inserting and deleting pattern steps as inserting and
deleting
> events. Say you have a pattern change A, B and C at bars 1, 5 and
9. If you
> delete step B, all you've done is erase that event that says "play
B".
> Therefore, A now plays from bar 1 to 9.
>
> Inserting also works the same way. Lets go back to our original A,
B, C
> song. If you go to bar 5 (where the "play B" event is) and ask it
to put a
> step in, it does nothing because there's already a step there. If
you go to
> bar 7 for example, and insert a step there, now your song looks
like this: A,
> B, X, D at bars 1, 5, 7, 9, where X is the new pattern. You can
then change
> the lengths just like you would have if you deleted a pattern.
>
> Odd as this is, it's done that way for a reason. In song mode, the
> assumption is that you're interested in a long linear song track.
Since
> moving steps around can cause the song track to no longer line up
with the
> patterns that used to be there, inserting and deleting steps tries
to avoid
> moving patterns as much as possible unless it has no choice (as
when you
Show quoted textHide quoted text
> change the length of a step).
>
> -Aaron