On Mon, 14 Jan 2008, Larz Martinez wrote:
> No. I've owned the RM1X, the MC 505, MC 307, the MC 909, and just about
> every other "groovebox" ever made. There is no debate really. The E-mus
> own them all, and that's not even factoring in the synthesis
> capabilities.
===================
so, in your opinion, if i'm only *really* interested in the sequencer,
you'd recommend the XL7, huh?
what would you say about gutman75's comments on the RM1x...
> I have an Rm1x, so here's a brief comparison. Overall, I think Rm1x is
> a more powerful sequencer:
> - you can have patterns of different lengths playing together. E.g. a 1
> bar kick drum pattern, 4 bars bass pattern and 16 bars synth line on
> top. It is even possible to mix and match different time signatures
> (wild! :)
> - up to 16 variations which can be switched in real time - you can have
> intro, chorus, verse, buildups, breaks etc and then effectively remix
> your song live (that's why it's called "sequence remixer").
> - up to 5 "mute groups" for quick muting/unmuting several tracks at once
> - "groove grid" function: select any beats in a bar and shift them
> forward/backward, or modify note velocity/length. This happens in
> realtime.
> - nice "midi echo" effect. Would be even nicer if it worked on incoming
> MIDI notes - as it is, works on recorded notes only.
>
> The biggest shortcoming of Rm1x sequencer is that it has to be stopped
> between playing and recording, for any editing tasks, and for switching
> metronome on/off. Also, I've read that grid recording mode is
> practically unusable, since you can't hear the other tracks (haven't
> tried it myself). Grid recording on XL7 is fun ))
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Re: [xl7] Re: XL7, compared to...
2008-01-15 by Atom Smasher
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