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RE: [xl7] Re: A REPLY TO.. and theres hope for an happy end!

2002-02-11 by Panzare

I totally 100% agree about the soundsets that come with both the MP-7 and the XL-7. Not only that
but the ROM packs also are in the same boat. I know these are very genre specific...but with 500 to
1000 sounds you'd think Emu could include a very generic blend several dozen good basic sounds,
like piano's organ, guitar, etc. They're always nice to have. I know it sells more from their point of
view so you have to buy the specific ROMs to get the sounds you want, but in my opinion they could
use the Proteus 2500 as an example, just beef up the X-Lead or Mo-Phatts sounds for the XL-7
and the MP-7. Wayyyyyyy tooooo many similar sounds or variations there of currently on all of the
XX-7's and the ROMs for them. They need a PX-7 that has the soundsets of the 2500 but is designed
like the XL-7 and MP-7.
I agree with pretty much everything else you've seconded here except for the bit about the Triton.
Yes it is a truely awesome module, which I assume thats what your talking about, but it's also
about $600-700 more (at least) than the XL-7, MP-7 or 2500. The other route is the Korg Karma
which is very nice also, but still more expensive. The bottom line is, for the same price I don't think
there's that much out there that competes with the XX-7 series. Could be very wrong, but I haven't
been able to find it yet if there is something else. You want better, you gotta pay more.
For what it can do, it's not bad....if it was I don't think Crystal Method would be using it on tour
right now. It's not the best but for the price it ain't bad either.
-----Original Message-----
From: heinrich22001 [mailto:hhuent@...]
Sent: Wednesday, February 06, 2002 9:11 AM
To: xl7@yahoogroups.com
Subject: [xl7] Re: A REPLY TO.. and theres hope for an happy end!

Sorry, long posting!

I second most of what Argomax said here.

1. Sequencer matters. Otherwise I could easily go with the mophatt
and save a lot of money.
2. New ROM Cards please! The MP-7 has an overwhelming soundset in
some areas (Drums, basses), but whats the deal with so many sampled
cords in fifths (and not a single pianowave)? Unusable! These samples
are outworn in a years time, the whole set is quite narrow. Then you
call for new ROM Cards. Is there any decent bread and butter ROM Card
that competes well with the competition? "Sounds of the ZR" is
wonderful for pianos and some drums. The rest is below average.
Somebody stated there is no P2500 ROM Card available - why is that?
3. The OS/GUI logic is yak! And its a mixed bag: Professional
features way more than I need and some missing basics I would expect
from any cheapo hardware sequencer: delete?, undo?, copy and paste of
selected bars(!). Yes, there are workarounds: Some dedicated guys in
this forum seem to do well with the XX-7. But to many others here it
seems to be quite complicated leaving a lot of questions. As a hobby
user I have to concentrate a lot on how to use this machine. (Copy a
pattern to another destination but be aware that when editing you are
altering the source pattern, not the destination pattern. Very
strange!) This pulls energy you want to use for your creativity.
4. Funny bottom line:
I ended up testing the triton LE: Very clean sounding 48 bit
sampling, pooooowwwwwerful arpeggiators (main point!), very good
bread and butter like organs, strings, pads, brass. Amazing but cut
down efx section (to triton, but still way more powerful than the XX-
7. Samling option. And an extremely logic and simple to use OS. Is it
fair to compare? Yes. I was convinced to return my mp-7 and get the
triton instead. But the funny thing is: After two nights of testing I
raelised I will miss the mp-7. Why? It sounds more "grooving" to me.
It may have to do with the higher note resolution (korg: 192, emu:
384). The drum sounds are not so "clean" and beefed up with efx. If
you want that "crunchy-punchy" sound, then you have to go with the
EMU. Some say Emu sounds cold. I don´t think so at all. I know this
is all subjective. I like the "organic" basic sound of my mp-7. I
don´t know where it comes from, but EMU has it. Period. Last: No mute
facilities liek the mp-7 for live etc. Thers a lot more but thas what
counts for me.
To sum it up: EMU has given us a beta version of a box that could be
king. I decided to be a faithful customer and go with EMU til the
next OS is released. The command station is the all in one box that
cuts it for me. I tried them all and worked with most of them. So
please don´t let me down.

Heinrich




--- In xl7@y..., "argomax2002" wrote:
> Firts of all, thanks for answering promptly.
> As I said earlier, I hope I did not offend anyone.
> I have copied/pasted Aaron's reply and added my own in capital
> letters just to make them visible, so don't think I'm shouting :)
> I promise this is my last post this long.
>
> <> to menus? What more would you like from the transport? >>
> WELL, I'D LIKE TO HAVE SOME PATTERN/SONG EDIT
> FUNCTIONS OUTSIDE, UPFRONT. DEFINITELY. AND A
> VELOCITY BUTTON THAT IMMEDIATELY ACCESSES THE
> SENSITIVITY OF THE PADS, EXPECIALLY FOR RHYTHM
> INPUTTING.
>
> <> undo. >> YES, ALMOST. BETTER THAN NOTHING, AT LEAST.
>
> <;>
> WELL, THIS IS AN ISSUE HERE. I DID, BUT HOW WAS I
> SUPPOSED TO KNOW I CANT DOWNLOAD IT FROM USB?
> THE SALES REP DIDN'T TELL US, THE MANUAL DIDN'T, THE
> WEBSITE DIDN'T, ONLY BY SKIPPING THRU USER GROUPS
> WAS I ABLE TO FIGURE THAT OUT.
> AND THANK GOD I SPEAK ENGLISH WELL, WHAT ABOUT WHO
> DOESN'T?
> AND BY THE WAY, I HAVENT UPGRADED YET; I'LL DO IT
> TONITE AT HOME BRINGING A MIDIMAN INTERFACE FROM
> THE STORE. I'LL LET YOU KNOW THE RESULTS.
>
> <> to work with in song mode.>>
> ARE YOU SURE? I WAS UNDER THE IMPRESSION THAT YOU
> HAVE A SINGLE TRACK TO USE AS A THREAD TO LINK ALL
> PATTERNS WITH... BUT I'LL SEE WITH THE NEW OS.
>
> <> happy with either. For cost reasons, this is the route we've
taken.
> >> OKAY. EXCUSED. HOPE I LEARN THEM BEFORE NEXT
> CHRISTMAS.
>
> <<128 voices, 32 midi channels, 16 knobs, 13 velocity & poly
> aftertouch sensitive pads, 6 analog outs, S/PDIF out, rugged
> quality, in this price range? >>
> PLEASE, TAKE AWAY THE POLY AFTERTOUCH AND THE
> EXTRA 16 MIDI CHANNELS AND GIVE US A WIDER GRAPHIC
> DISPLAY INSTEAD. I'M SURE NO ONE WILL COMPLAIN.
>
> <>
> THAT'S AN ISSUE WITH A LOT OF MANUFACTURERS IN
> RECENT YEARS, THAT THEY RELEASE UNFINISHED
> PRODUCTS AND KEEP ON POSTING OS RELEASES ON THE
> WEB. THAT IS ALLRIGHT, BUT IT HAS BECOME A BAD HABIT
> ON THEIR PART. I REALLY THINK A PRODUCT SHOULD BE
> TESTED MUCH LONGER PRIOR TO RELEASE. I MEAN, THESE
> TOYS COST SOME MONEY.
>
> << I don't think that there are any parameters in preset edit that
> are more than a couple button pushes away. >>
> WELL, ITS MORE AN ISSUE OF CRYPTIC ABBREVIATIONS AND
> THE DAMN TWO-LINE DISPLAY; YOU HAVEN'T UPGRADED
> THAT SINCE PROTEUS 1, HAVE YOU? HOWEVER, I HAVE
> KEPT FAIRLY AWAY FROM THE SYNTH ENGINE UP TO NOW,
> I'LL LOOK INTO IT SOON.
>
> <> buy flash ROMs that you can burn your own samples on to, and
> never have to load them from disk. >>
> YES, BUT I REALLY THINK YOU SHOULD HAVE IMPLEMENTED
> SAMPLING. EVERY GROOVE/REMIX/DANCE MACHINE
> SHOULD HAVE SAMPLING THESE DAYS.
> THE QUESTION THAT ALL MY CUSTOMERS HAVE ASKED
> ABOUT THOSE MACHINES IS "they certainly sample, don't
> they?", AND THEY ALL LEFT WITH PUZZLED EXPRESSIONS
> ON THEIR FACES. THE FLASH ROM BURNING OPTION IS
> LIMITED TO EMU SAMPLERS OWNERS, I SUPPOSE. SO MUCH
> FOR THAT.
>
> <>
> I KNOW, BUT I DO SOME CONTEMPORARY SOUND
> DESIGNING MYSELF (I helped program sounds for the
> Oberheim OB-12 virtual-analog), I COLLABORATE WITH
> BRITISH AND ITALIAN PRODUCERS, AND I THINK THAT
> SOUNDSET SIMPLY HAS TOO FEW "USABLE" SOUNDS,
> PLAYABLE ONES I MEAN, AND AN ABUNDANCE OF QUIRKY,
> VERY PARTICULAR AND ODD ONES. THAT'S ALL. ALSO, I'D
> HAVE EXPECTED A FRESH LOOK INTO THE NEW LOUNGE
> AND CHILL OUT SOUNDSCAPES THAT ARE TODAY'S TREND.
> IN MY OPINION, THE NATIVE MP7 SOUNDSET IS VERY
> PRINCE-Y, CIRCA 1992.
>
> <> here.>>
> <>
> THEY DID, I DEFENDED MYSELF BY SPRAYING THEM WITH MY
> ARMPIT CANNONS.
>
> <> two of the biggest features of the box! >>
> WELL, I DID SPEAK TOO BRASHLY THERE, MANY PEOPLE DO
> HAVE TIME TO FIDDLE AND TWIDDLE AFTER ALL. NOT ME...
>
> << I think the sequencer compares favorably to the gear I've
> played with. >>
> MMM...NO AARON, MAYBE IN THE FUTURE, BUT NOT JUST
> YET. IT HAS GREAT POTENTIAL, BUT AS I SAID PREVIOUSLY,
> SEQUENCING GEAR I HAD TEN YEARS AGO HAD MORE
> EDITING FEATURES THAN THIS ONE. THAT INCLUDING THE
> FEATURES YOU DESCRIBED IN OS 1.18.
> YOU KNOW WHAT? THE SEQUENCER SEEMS LIKE AN
> AFTERTHOUGHT IN THIS MACHINE. LIKE IT WASN'T
> SUPPOSED TO BE THERE IN THE BEGINNING. I MEAN, IT'S A
> GROOVEBOX, ISN'T IT? THE SEQUENCER SHOULD HAVE
> BEEN THE CORE AROUND WHICH WRAP THE OTHER
> LAYERS. KUDOS FOR THE SYNTH ENGINE AND THE
> REALTIME CONTROLS AND THE CONSTRUCTION, BUT THE
> PROPORTION BETWEEN THOSE AND THE SEQUENCER IS 90
> TO 10.
>
> I'll give you a bonus here. I told you I'm the premier dealer in
> music electronics in my country, right? Before that I worked at
> Manny's in NYC, you might know it. I feel I have a bit of the pulse
> of what goes and what doesn't.
> If you could develop a line of genre-specific modules, with just
> the basic, quick editing functions (you know, cutoff, ADSR and
> just a few more), the few realtime knobs you have on the current
> line, only one layer per sound, FX and the rest already burned
> into the sample, maybe a 1-Rom loading capability, but a very
> specific palette of preset sounds, you'd have a winner. You'd
> have to carefully divide genres like Hardcore Techno, Trance,
> House, Lounge, Hip-Hop, Drum'n'Bass, Ambient, and such.
> They'd have to be simple, dedicated and not too programmable
> or expandable. Just reasonably priced. In your current line you
> have a couple products totally overlapping each other in my
>; opinion (Audity/Orbit/XtremeLead, for instance ) and you could go
> more genre-specific even with your Roms (Beat
> Garden/Xtreme/Techno Constr. Yard also overlap each other).
>
> I'll keep you informed on what I think about OS 1.18. If I manage
> to load it, that is.
>
> P.S., Aaron, are you gonna be in Frankfurt? I am the importer for
> Elektron (Swedish synth and drum machine company) and
> Doepfer (German analogs) and I'm gonna be there to snatch
> Clavia and Novation too from their current importers. I'll be glad
> to look at the new keys you guys are about to release.
>
> Max Ventura
> www.Galassia303.it
> Italy.



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