You might try looking at the Proteus 2500 if thats what your looking for. I
had one
and traded it in for an MP-7 (with the Synth Const Yard ROM also) just
because
I couldn't stand the layout of the 2500. But it is awesome as far as it's
sound library,
I wish a model like the MP-7 or XL-7 came with all of the 2500's sounds and
patterns,
I would have bought that one hands down.
-----Original Message-----
From: argomax2002 [mailto:argomax@...]
Sent: Monday, February 04, 2002 5:14 AM
To: xl7@yahoogroups.com
Subject: [xl7] COMMENTS ON MP7 -PART 2
Hello again.
Having dug into the machine extensively during this weekend,
I'm afraid I have a few more complaints to report, adding to my
previous post.
In fact, at this point I must admit I am pretty disappointed with
this machine and I think I will put it back on sale, and start
looking for something else instead.
The patterns are good but I don't care about those, we all make
our own after all. So that doesn't count.
The sounds in the MP7 native Rom are unusable. Have I found a
single, usable piano, strings or organ sound that behaves
normally? No. Only detuned, crappy distorted presets.
The drumkits and basses are okay, though.
The interface and OS are good and responsive. The buttons are
great.
However, the sequencer is the worst I've ever seen in a long
time.
As I said the other day, it lacks a basic UNDO function that is just
too important to be left out.
It lacks a BAR COPY/PASTE function which is the basic of any
sequencing work. Without it, if you got a wrong bar in a series of
8, you have to redo all 8. The Erase switch is just too awkward to
be used in this context.
The EXTEND SEQUENCE function is not very interesting. You
can lose that if you implement the BAR COPY function.
The extensive synth programming functions interest no one
here. We want a big sound library engine with realtime controls
and easy but complete sequencing. Do not assume we all use
software sequencers; I don't, and I'm a professional. And do not
assume we are interested in modulating LFO2 with Velocity and
Aftertouch with whatsoever else and its cousin. Most of us don't
even haveTHE TIME to even access those menus, much less so
use them. A good amount of quick edit knobs is all we want and
use.
The sequencer is my biggest issue here. I mean, I've seen
sequencing engines since 1988, and I've seen them all, being a
dealer. This engine here would get serious kicks in the ass by
any Roland or Yamaha or Korg groovebox, even the smallest
ones. The mute buttons have a nice touch, but that's it. Editing
the pattern is a joke; there is no serious editing function. Again, if
EMU engineers assumed we'd all use different sequencing
means they assumed wrongly. If I'd use an external sequencer,
why even implement a sequencer here? But if you do implement
it, then you have to FULLY implement it, or you aren't doing your
job properly. EXPECIALLY IN THIS PRICE RANGE.
EMU should have looked at the sequencing structure of a
Roland MC-505 or a Yamaha RM1X. I have both, and I can tell
you that, although the waveforms and the quality of sound in the
Roland do suck, the sequencer is massive compared to this one
here, and the synthesis functions are all there, too. And the
Yamaha has a seriously powerful sequencer, too.
So my verdict is thumbs down, I'm sorry. I will get rid of this
machine ASAP and I don't think I'll be looking into other EMU
gear for a while. Not unless they go back to the drawing board
and re-design the OS from the bottom.
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RE: [xl7] COMMENTS ON MP7 -PART 2
2002-02-11 by Panzare
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