First off I would like to say that I picked one up for exactly that reason. Now it has not been a smooth road but I am now happy with it. Controlling external gear is fine as long as you don't mind doing allot of organizing. It is not rely any more than you would have to do with a computer but it is just a slower going than a computer for setting program changes and fx sends and all that jazz. I was using logic and the one thing miss the most is the ability to see what I have done. It makes it hard to know when you have held a note to long and so on. When it comes what I said earlier about things taking more time, it is the same thing. Just not having all the program changes a click away is a pain in the ass. The advantage here is the knobs on the front of the box. Having all 16 controllers on the front of the thing makes a mouse look like a joke. Now what I will add here is where I was coming from when I went to this external sequencer. I had totally had it with the computer. I had constant system problems and just don't like the feel of the timing. For example I like to layer bass drums and many other things and doing this with my computer was sloppy or just not possible. The constant flanging and slopping of sounds was the end of the road for me. When I bought the XL-7 I walked into my music store and said, "sell me the best external sequencer you have for making Techno" they sold me the RM1x and told me about the XL, it was not yet being sold in Canada. So I went home with the RM and quickly found myself totally wondering if what I had done was a mistake. So I did my research on the XL/MP7's and told my store told them to put the first one they got on hold and I would buy it within 48 hours assuming it did what it said it would. I was one of the first people in Canada to own one and it sucked at first but with the latest OS it is behaving well for me. Also the support that E-MU offer is not found anywhere other than E-MU when it comes to gear that costs less than $15,000, at least not that I have ever heard of. I have dealt directly with the tech support, the sales rep, and have been in contact Aaron Eppolito (one of the four engineers writhing the OS for the command stations) via the message board and direct emails. Also Scott Ruda via the message board, another of the four people working on the OS. I know this was long winded but I wanted to give you the full picture. When I joined this group there was something like four members and Aaron and Scott where two of them, if my memory serves me right. There was little action here. Bottom line I think the best way to use this thing is to use it as a controller for your computer sequencer and when and if it comes time to go live dump your sequences into the thing and go. If I still could look at my computer as a musical instrument I would do it that way but I am off the computer for now. It is a HD recorder as far as I am concerned! Oh ya and for surfing the web. Peace I hope that was helpful for ya. Peace Mike G. --- In xl7@y..., "Thorsten Marx" <t.marx@h...> wrote: > Hi there, > > I'm thinking about buying an XL7 because I like the idea of creating and arranging music without a computer .My question is, how good is the sequencer for playing an external MIDI device, in my case I would trigger an Ensoniq ASR-X sampler. Is the timing OK? Are the functions handy? > > Thanks for any reply! > > Thorsten >
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Re: XL7 Sequencer for playing external gear
2002-02-02 by mikexl7
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