As an owner of an MC505, an RM1X, MC80ex, MMT-8, MSQ-100, QY70 and Cakewalk, I've been looking for a sequencer I can use live. This might be it. More tracks than the 505, deeper synth editing than the RM1X, more real-time control than the MC80, faster to work with than the MMT-8, more note capacity than the MSQ, more outs than the QY70 and more portable than Cakewalk. 1. Latching the arpeggiator -- would have been great to have a dedicated button to latch the arp. I keep the arp latched and when I want to stop it, I go to the main preset screen, move the cursor to the arp parameter and use the data knob to switch the arp off. Not the most graceful real-time solution. Of course, I could unlatch the arp by playing the arpeggiated notes again, but I don't always remember which notes I'm arpeggiating. 2. Receive/transmit more CC#'s to edit NRPNs -- would be nice to use CC#'s 98 and 99 to control my Electribe drum machine (I can hear the chorus now: Why do you need the ER-1 when you've got the XL-7???!!!). 3. Send program changes -- This has been asked for by another user, but I've got one more thing to add: "me too." 4. Editing via an events list -- also posted by another user, but "me too." 5. Local off -- also posted by another user, but "yeah, what he said." That's all I can think of for now. The more I use XL-7, the more I love it. Patch cords are an unexpected bonus. Pads that send aftertouch, for goodness' sake: Who would have thought of that? And being able to slip into and out of grid mode while the sequence is running sometimes makes me wet my pants. But I guess that's the price of joy. Well, I'm off to sell all my other sequencers now and buy an E5000 sampler so I can burn my own presets.
Message
Re: Quiet Group
2001-09-05 by egwinn2000@yahoo.com
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