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From AH: Fluxus and Wiard

From AH: Fluxus and Wiard

2004-02-20 by grantrichter2001

Hi Peter,
Don't worry about the late reply, I love talking about art, any time, 
especially when it crosses over into the analog synth world!

By "fluxus doesn't =minimalism" I didn't mean to suggest there 
were no minimalists working under the umbrella of fluxus, I 
meant fluxus does not automatically equal minimalism. Fluxus 
consisted of a largely diverse group of artists (including all the 
minimalists you listed) but just as importantly many others who's 
work was not related to minimalism: Joseph Beuys, Al Hansen 
(grandfather of the musician Beck), of course Yoko Ono (Ilove 
her, she'll go on Jay Leno even today and perform the most 
beautiful fluxus event with the entire tv audience...did anyone see 
the mending piece she did with the teacup? Had to be the most 
conceptual tv moment since twin peaks or peewee's playhouse 
was still on 
the air!) ect.

<<spyglass wrote:
>What's fluxus? how does one apply it to music?

Much of what Fluxus embodies is traced back to the famous 
composition class that John Cage taught at the New School for 
Social Research in the late 1950s. Two fluxus-to be artists; Dick 
Higgins and George Brecht attended as well as Hansen (who 
wound up in the life changing class only because his wife was 
enrolled in a philosophy class at the same time in the same 
school!) and many other art world giants like Larry Poons, Allan 
Kaprow, George Segal and Robert Whitman. 

Almost all these artists had little or no background in music, 
Kaprow was there to learn how to improve the sound to his art 
environments. Their lack of musical knowledge was embraced 
by Cage and ended up being well suited for his avant-garde 
music class. Cages Class pretty much single handily (through 
Kaprow) was responsible for inventing the art "Happening".

Fluxus was actually organized by an art dealer named Maciunas 
who's gallery hosted several concerts of experimental music in 
the 1960's. 

I'm sure some of you AHers make work that embrace Fluxus 
ideas, can we hear about them? What equipment do you use for 
such pieces? 

The beginning art students at the school I teach at have a Wiard 
system that is blowing their minds on a daily basis. Most of 
these art students don't have a background in music either. As 
an introduction to the Wiard, I have been having all of my 3-D 
design students spend some time with it individually. They 
receive no previous instructions from me other than "you can't 
break it by putting a cord into the "wrong" jack and that a little 
hollow triangle means out and a solid one means in" 

When they first walk into this little room alone see the Wiard with 
all its pots and jacks, they want to turn and run out of the room 
from intimidation, but then the blinking lights of this little blue box 
do their job and enchant, even, the students who are afraid to 
program a vcr. While the rest of the class does their work outside 
they are hearing the most horrible, or beautiful, or funny, or alien 
sounds coming from the little room. And the students always 
emerge from the little room with bugged eyes and a huge smile.

Grant Richter was gracious enough to build the Wiard system for 
us to purchase recently. He put a lot of thought into what would 
be the best set of modules for a group of beginning visual artists 
to experiment with. We had many conversations about how it 
could/would be used in such an environment and the benefits of 
having such a system at these young visual artists disposal. 

The wiard is a work of art in itself, the way it interacts with the 
students and visually. Grant told me the graphics and color 
scheme were designed by a class of college art students, it was 
their class project to make the wiard appeal to everyone; young, 
old, male, female, and not to recall a certain era in electronic 
music i.e. 1950s, 60's, 70's , etc. So they ended up with the 
beautiful Victorian looking work of art that the Wiard is! (Kind of 
like the Spacemen 3, making art that makes music to make art 
with)

The students are just beginning to use the Wiard in 3-D class 
and I'm sure in  the near future I will assign them a 
Fluxus-inspired piece to produce with the Wiard!
-Tom

FS: SynthModules PSIM-1 - Now Accepting Orders

2004-02-21 by Brice D. Hornback

Hello.  This email is to inform you that the SynthModules PSIM-1 module can
now be pre-ordered.  Please see the following page for details:

http://www.synthmodules.com/psim-1.htm

I will only be accepting orders to do a *small* batch of modules at this
time.  Once I have enough orders for this batch, the order page will no
longer be available.  If you are interested in getting a PSIM-1 module,
please do not wait.  Order today.

The SynthModules group is the best source of information available regarding
this module.  There are code samples, MP3's (many of which were produced
using the Wiard Joystick Controllers and Noise Ring to control the PSIM-1),
and other people with PSIM-1 modules who can also help answer questions.
http://launch.groups.yahoo.com/group/SynthModules/

Additional details regarding the PSIM-1 can be found on the SynthModules Web
site at:
http://www.SynthModules.com

Thank you again for your interest and I look forward to your orders.

Best regards,

Brice D. Hornback
http://www.SynthModules.com

PSIM-1 CV to MIDI

2004-02-25 by Brice D. Hornback

Have you ever thought what it would be like to have your Wiard Noise Ring
"PLAY" your MIDI Drum Machine or MIDI Synth?  CV to MIDI is a BLAST!  I just
uploaded the schematic and code for using the PSIM-1 as a programmable CV to
MIDI converter to the SynthModules group.
http://launch.groups.yahoo.com/group/SynthModules/

Additional details regarding ordering the PSIM-1 can be found on the
SynthModules Web site at:
http://www.SynthModules.com

I am currently accepting orders for the PSIM-1.  If you want programmable CV
to MIDI... this is a fun way to do it!

Best regards,

Brice D. Hornback
http://www.SynthModules.com

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