Hi Olivier, thanks regardless! I look forward to your CD. Thanks for the observations on the Wiard. Grant, them's better not be signs and portents. Gotta give me time to grow money again and acquire a Wiard. (Chant: "Acquire a Wiard." Repeat as neccessary.) Easier, -Mike BTW, art is forever. Technology always advances, but art is immortal. Congrats on an amazing system. --- In wiardgroup@y..., "waveform100" <googol@g...> wrote: > Hey Mike, > > sorry, after hundrets of patches for my album I completely forgot How > I did that Kikdrum, I just know the Omnifilter was a big part. It > wasn't self-oscillating and it was a early version of the Omnifilter > without linear Resonance (but the diffrence is small), I have both > Omnifilters and love them both. Oh, one thing I remember: As you know > me, I feedbacked both Envelopes to play with diffrent decay- > characters. Very helpful is also the VCA (Mixolator) with the > variation from lin to log. > > BTW: you say the Wiard has a clear character. I agree, but it is > extremely warm and clear. A special mix and that's why I honestly > don't know any Synth with a similar sound. I know not everybody will > agree with me, but the ones having a Wiard know what I mean. A > ongoing surprise for me is its behaviour in the mix. I have good > Outboard-EQ's, but with the Wiard I tend to use them in a more > creative way (or not at all), because in most cases it isn't > necessary to cut the sound for the mix. > > BTW: Mike, I am on the same label as Suzanne Ciani, the famous female > Buchla-Expert (neuronium). > > Olivier Gerber/smoo
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Re: Analogueslowmotion.mp3/Character of the Wiard in the mix
2002-11-29 by its_peake
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