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Message

Re: Analogueslowmotion.mp3/Character of the Wiard in the mix

2002-11-29 by its_peake

Hi Olivier, thanks regardless!
I look forward to your CD. Thanks
for the observations on the Wiard.

Grant, them's better not be signs
and portents. Gotta give me time
to grow money again and acquire
a Wiard. (Chant: "Acquire a Wiard."
Repeat as neccessary.)

Easier,

-Mike

BTW, art is forever. Technology always
advances, but art is immortal. Congrats
on an amazing system.

--- In wiardgroup@y..., "waveform100" <googol@g...> wrote:
> Hey Mike,
> 
> sorry, after hundrets of patches for my album I completely forgot How 
> I did that Kikdrum, I just know the Omnifilter was a big part. It 
> wasn't self-oscillating and it was a early version of the Omnifilter 
> without linear Resonance (but the diffrence is small), I have both 
> Omnifilters and love them both. Oh, one thing I remember: As you know 
> me, I feedbacked both Envelopes to play with diffrent decay-
> characters. Very helpful is also the VCA (Mixolator) with the 
> variation from lin to log. 
> 
> BTW: you say the Wiard has a clear character. I agree, but it is 
> extremely warm and clear. A special mix and that's why I honestly 
> don't know any Synth with a similar sound. I know not everybody will 
> agree with me, but the ones having a Wiard know what I mean. A 
> ongoing surprise for me is its behaviour in the mix. I have good 
> Outboard-EQ's, but with the Wiard I tend to use them in a more 
> creative way (or not at all), because in most cases it isn't 
> necessary to cut the sound for the mix.
> 
> BTW: Mike, I am on the same label as Suzanne Ciani, the famous female 
> Buchla-Expert (neuronium).
> 
> Olivier Gerber/smoo

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