Wiardgroup

Hey! thank you all,

I really can't wait to try that all out. But I have to wait a while, 
because the wiard is in use for a new track and, I the melody-linie 
isn't finished (it is a Wiard-FM-Sound). I guess the envelator 
together with the woggle-Bug (I ordered one) will be the ultimate 
Chaos-Combination. One of the cool things about the Wiard is that it 
does sound so well in extreme conditions. I tried some patches 
created on the wiard on my other modulars (Selector, Blacet, 
Doepfer/AS) but they didn't work. 
Something off-topic: I managed to program a exact 909-style Bassdrum. 
It isn't possible with the OMNI in Low-pass Mode. But if you choose 
Highpass and turn Cutoff full anti clockwise. (feed a sinus with env 
on the tune) = instant 909, but more punch with some dirt. 

Olivier
Dr. Mabuce: Thanks for your support! 



--- In wiardgroup@y..., drmabuce@y... wrote:
> Hi Olivier,
>    sorry for the delay in my answer. I was sick last week. I love 
> messy chaotic patches, so your question was all the more 
intriguing. 
>    Here is the most self-disorganizing patch in my repetoire that 
uses 
> a single envelator as an audio source:
>    
>    patch cords:
>    DMOD1 to OUT-2
>    SQR1 to GATE2
>    GATE1 to SQR2
>    OUT+1 to MIX1
>    OUT-1 to MIXMOD
>    DMOD2 to MIX OUT
>    OUT+2 to MIX2
>    OUT+2 to audio input of amplifier path
> 
> knobs:
> (given as clock hour-hand positions)
> (approximate - but it's the best I can do with text)
> attack1 - 11:00         attack2 - 1:00
>                         decay2  - 11:00
> Amod1-doesn't matter    Amod2   - doesn't matter
>                         Mix - 5:00 (maximum)
> ------------------------
> Decay1, Dmod1, MixMod & Dmod2 become interactive, You just play 
with 
> them until the sound makes you happy (or disturbed)
> 
> switches:
> 1-AD  2-cycle
> 
> thats it... have fun!
> 
> -doc
> 
> 
> PS: your music is beautiful & astonishing, and I know that I'm not 
> alone in that opinion.
>     Also, I understand that you are Swiss. May I say that I think 
you 
> communicate very well in english... certainly better than I could 
in 
> French or German.
> 
> 
> 
>  
> 
> 
> --- In wiardgroup@y..., googol@g... wrote:
> > 
> > if anyone have some ideas whats possible with the envelator I'll 
be 
> > glad to try. Until now I used the envelator in a more traditional 
> > way. But I had great fun to feedback the envelopes (especially 
the 
> > decay-phase) to get them superexponetial. I also did that with my 
> > Blacet EG-1 (at first I turned a internal pot on the EG-1 to 
exp.) 
> > and worked well, but with a very diffrent character and not as 
fast 
> > as Grant's envelopes. 
> > 
> > So: what kind of other crazy stuff can the envelator do (or other 
> > wiard-modules)?
> > 
> > Olivier
> > 
> > (I forgot my craziest patch, but once I had a VERY chaotic 
sounding 
> > patch with the sequantizer). It was a sound like a big broken 
engine 
> > (I recorded a few minutes!)