Tomita Con Brio
1999-11-05 by Tkacs, Ken
Yeah, as soon as Tomita started forsaking his Moog in favor of the Con Brio and other digital stuff, it seemed like the life went out of his music. I haven t
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1999-11-05 by Tkacs, Ken
Yeah, as soon as Tomita started forsaking his Moog in favor of the Con Brio and other digital stuff, it seemed like the life went out of his music. I haven t
1999-11-05 by Tkacs, Ken
Cool. I can see a new generation of synthesists scrutinizing photos of MOTM systems, saying, Wow, look-this is a Rev 1 module! the way people now talk about
1999-11-05 by Paul R Bower
hello, i think the random scales / sequences etc would really have to be sync-able to something for the best practical (and highly amusing halfway through a
1999-11-05 by Elhardt@xxx.xxx
... the time. In Secrets of Synthesis, Wendy seemed to just take a swipe at analog every 6 or 8 minutes, sometimes as a complete break from what she s
1999-11-05 by improv@xxxx.xxxxxxxxxxxxxxxxx)
... This sounds too cool! Sounds like my kinda module! ________________________________________________________ Dave Trenkel : improv@peak.org :
1999-11-05 by Elhardt@xxx.xxx
... I have it--I bought it (Formula Sound String Filter) from an AH list member last year. The faceplate says it was custom made by Formula Sound for Patrick
1999-11-05 by Elhardt@xxx.xxx
... I was also able to do 19-tone Equal on my ESQ-M by editing every voice that I wanted to use and scaling the pitch control. So for a while I was using these
1999-11-05 by J. Larry Hendry
Just my $.02 - I doubt I would be interested in purchasing such a beast (since we are just whimmin and discussin ). However, perhaps those on the list that
1999-11-05 by Andrew Schrock
... Have you looked into Buchla s source of uncertainty ? A much different beast, but might give you some ideas. I would personally like to see more
1999-11-05 by william Hanson
I like it - I read about a thing called Chua s oscillator on the web a while back, but all analog design. This Chaos module sounds really Da-da /
1999-11-05 by JWBarlow@xxx.xxx
... Interesting idea -- what s the estimated price! Any other inputs? Additional CV input possibilities? ... Er! Uh! You mean this isn t what musicians are
1999-11-05 by Paul Schreiber
While sitting here trying to catch up with the backlog, the mind wandered to... ... This is just a whim/point of discussion (to distract those waiting for me
1999-11-05 by J. Larry Hendry
... Since MOTM has no blue book association, I consider Paul the only reliable source of estimated value of these vintage modules. Therefore, based on his
1999-11-04 by Paul Schreiber
The older, original panels were all screened manually. The newer ones are on an automated machine, this has 4X finer resolution and hence allows for the
1999-11-04 by Ben Vehorn
... Funny you should mention this... I have it--I bought it from an AH list member last year. The faceplate says it was custom made by Formula Sound for
1999-11-04 by Paul R Bower
... the Yamaha VL1m supports around 80 or so microtunings - but then again it would be pretty dim to design a (sorry, the ) flagship acoustic modelling synth
1999-11-04 by Tkacs, Ken
Yeah, it s a bit aggravating how some of these artists bad mouth analog all the time. I realize that they were at the vanguard, fighting with the older
1999-11-04 by Christopher Jeris
... I think there were a few more Yamaha synths from around that period with fairly sophisticated tuning abilities. Wendy Carlos did Switched-On Bach 2000
1999-11-04 by Tkacs, Ken
On the MOTM panels, is there a reason why some dial markings (such as those on the VCA) have only the fatter radial lines, not the finer in-between markings,
1999-11-04 by Tkacs, Ken
I have a TX81Z that allowed me to do some stuff, but it was a bear. I also bought a third-party operating system for my Mirage from John Lord that let me work
1999-11-04 by Eric S. Crawley
So, aside from the MIDI/CV converter doing your scale programming, you might consider some additional alternatives. Analog Systems makes a scale programmer
1999-11-04 by Paul Schreiber
Strangely, the only synth I know of that was *specifically designed* to support microtonal tunings is the Yamaha TX-802! (Well, and the Synergy!) BTW: it is
1999-11-04 by Tkacs, Ken
Simple stretching & squashing could at least offer 19-tone equal temperament, which is very musical. I was hoping to be able to do more off-beat tunings,
1999-11-04 by Tkacs, Ken
I would have to do some serious digging, but Keyboard Magazine ( Contemporary Keyboard at that time) ran a big article on the soundtrack at the time. The
1999-11-04 by Tkacs, Ken
Okay, I found it. It wasn t on the Analog Devices site; it was Harris, now Intersil. Go to Intersil.com and look under their application notes for Derive Pure
1999-11-04 by james holloway
I got one too, about a week ago. Awsome sounds. haven t been able to fully get into it yet though. FYI Soundriver has a editor module for it and Yahama UK has
1999-11-04 by DAVEVOSH@xxx.xxx
In a message dated 99-11-03 18:05:53 EST, you write:
1999-11-04 by DAVEVOSH@xxx.xxx
In a message dated 99-11-03 18:01:57 EST, you write:
1999-11-04 by DAVEVOSH@xxx.xxx
In a message dated 99-11-02 09:35:18 EST, you write:
1999-11-04 by J. Larry Hendry
Define real cheap Stooge Larry
1999-11-04 by Paul Schreiber
$165 free shipping. Does have mem cart, all manuals, ans there is bending around the rack ears (how I got it) but any Stooge with a hammer can fix that. Works
1999-11-03 by Eric S. Crawley
It depends on what you mean by other-than-equal tempered tuning . The Expressionist has a scaling control that can certainly squish and stretch an octave,
1999-11-03 by Eric S. Crawley
It depends on what you mean by other-than-equal tempered tuning . The Expressionist has a scaling control that can certainly squish and stretch an octave,
1999-11-03 by The Old Crow
... Generating a digital sine is pretty easy in uC code these days. I ll have to see what sort of stunts can be pulled... /**/
1999-11-03 by Paul Schreiber
And digital output pins for random gates/triggers , too. Let s make brown noise! Paul S. Too much FS1R fun today ... From: The Old Crow
1999-11-03 by Paul R Bower
hello all next question then: anyone any idea what coppola used on the soundtrack for Apocalypse Now as i think i ve just managed it (well the soaring
1999-11-03 by The Old Crow
... The MM5837. A 17-stage feedback shift register. Cute little device. I made a better one a few years ago, though: a 12C508 (8-pin) PIC program for a
1999-11-03 by Paul Schreiber
NO, but will explain no sleep tonite! Actually, I have the largest backlog ever, which includes 48 *built* modules. And Barlow is giving me Internet geetar
1999-11-03 by Christopher Jeris
... hey, does this explain why Paul has been quieter on the list, the last couple of days ? :) Chris
1999-11-03 by Paul Schreiber
Per hype. got a Yamaha FS1R. All I can say is: a) with one of these, list member Fred Becker could make his next 4 releases b) my TX802 is going cheap...real
1999-11-03 by Andrew Schrock
I believe Paul is referring to an op-amp configured with 1/.98 gain . If you re really concerned about accuracy (or you re using 5% resistors), you can add a
1999-11-03 by Tkacs, Ken
Hmm, I can t seem to find it anywhere here. It must be on my home PC; I ll check it out later. I was pretty sure it was a PDF under Application Notes on
1999-11-03 by Thomas Hudson
... Yes, I like to see it. Thanks Thomas
1999-11-03 by Cary Roberts
I don t see why I need gain. A MIDI to CV converter (ala MPU101) can only spit out 1v/oct. That means the Multimoog which has a response of .98v/oct would be
1999-11-03 by J. Larry Hendry
I spent last night listening to this very collection myself. I must echo Chris s comments. There are some nice photos and information in a booklet that comes
1999-11-03 by Tkacs, Ken
I think the server is dogging it again. Emails that I ve sent to this list over the last three hours are showing up all at once in a big chunk.
1999-11-03 by Tkacs, Ken
I was searching for easy ways of turning pulse from divider networks into Sines at one point, and came upon a PDF somewhere that showed one way to do it using
1999-11-03 by Tkacs, Ken
What if you clocked the digital noise registered with a Chaos oscillator? ... From: Paul Schreiber [mailto:synth1@airmail.net] But the thermal noise is
1999-11-03 by Tkacs, Ken
LOL!!! ... From: Paul Schreiber [mailto:synth1@airmail.net] a) Anybody buying a Trimity over a MOTM deserves to get punched out
1999-11-03 by Tkacs, Ken
Do the Kenton units, Expressionist, etc. provide for other-than-equal tempered tuning by any chance? It seems a natural (to me, anyway), but I ve seen no