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Tomita Con Brio

1999-11-05 by Tkacs, Ken

Yeah, as soon as Tomita started forsaking his Moog in favor of the Con Brio and other digital stuff, it seemed like the life went out of his music. I haven t

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RE: Panel Dial Indicators

1999-11-05 by Tkacs, Ken

Cool. I can see a new generation of synthesists scrutinizing photos of MOTM systems, saying, Wow, look-this is a Rev 1 module! the way people now talk about

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Re: Proposed module: ChaosFactory

1999-11-05 by Paul R Bower

hello, i think the random scales / sequences etc would really have to be sync-able to something for the best practical (and highly amusing halfway through a

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Re: Proposed module: ChaosFactory

1999-11-05 by improv@xxxx.xxxxxxxxxxxxxxxxx)

... This sounds too cool! Sounds like my kinda module! ________________________________________________________ Dave Trenkel : improv@peak.org :

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Re: Microtonal

1999-11-05 by Elhardt@xxx.xxx

... I was also able to do 19-tone Equal on my ESQ-M by editing every voice that I wanted to use and scaling the pitch control. So for a while I was using these

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Re: Proposed module: ChaosFactory

1999-11-05 by J. Larry Hendry

Just my $.02 - I doubt I would be interested in purchasing such a beast (since we are just whimmin and discussin ). However, perhaps those on the list that

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Re: Proposed module: ChaosFactory

1999-11-05 by Andrew Schrock

... Have you looked into Buchla s source of uncertainty ? A much different beast, but might give you some ideas. I would personally like to see more

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Re: Proposed module: ChaosFactory

1999-11-05 by JWBarlow@xxx.xxx

... Interesting idea -- what s the estimated price! Any other inputs? Additional CV input possibilities? ... Er! Uh! You mean this isn t what musicians are

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Proposed module: ChaosFactory

1999-11-05 by Paul Schreiber

While sitting here trying to catch up with the backlog, the mind wandered to... ... This is just a whim/point of discussion (to distract those waiting for me

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Re: Panel Dial Indicators

1999-11-04 by Paul Schreiber

The older, original panels were all screened manually. The newer ones are on an automated machine, this has 4X finer resolution and hence allows for the

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Re: Microtonal

1999-11-04 by Paul R Bower

... the Yamaha VL1m supports around 80 or so microtunings - but then again it would be pretty dim to design a (sorry, the ) flagship acoustic modelling synth

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Re: Microtonal

1999-11-04 by Christopher Jeris

... I think there were a few more Yamaha synths from around that period with fairly sophisticated tuning abilities. Wendy Carlos did Switched-On Bach 2000

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Panel Dial Indicators

1999-11-04 by Tkacs, Ken

On the MOTM panels, is there a reason why some dial markings (such as those on the VCA) have only the fatter radial lines, not the finer in-between markings,

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RE: Microtonal

1999-11-04 by Tkacs, Ken

I have a TX81Z that allowed me to do some stuff, but it was a bear. I also bought a third-party operating system for my Mirage from John Lord that let me work

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RE: MIDI-CV Converters

1999-11-04 by Eric S. Crawley

So, aside from the MIDI/CV converter doing your scale programming, you might consider some additional alternatives. Analog Systems makes a scale programmer

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Microtonal

1999-11-04 by Paul Schreiber

Strangely, the only synth I know of that was *specifically designed* to support microtonal tunings is the Yamaha TX-802! (Well, and the Synergy!) BTW: it is

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RE: MIDI-CV Converters

1999-11-04 by Tkacs, Ken

Simple stretching & squashing could at least offer 19-tone equal temperament, which is very musical. I was hoping to be able to do more off-beat tunings,

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Apocalyse Now

1999-11-04 by Tkacs, Ken

I would have to do some serious digging, but Keyboard Magazine ( Contemporary Keyboard at that time) ran a big article on the soundtrack at the time. The

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Square 2 Sine Shaping

1999-11-04 by Tkacs, Ken

Okay, I found it. It wasn t on the Analog Devices site; it was Harris, now Intersil. Go to Intersil.com and look under their application notes for Derive Pure

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Re: [OT] Yamaha has a winner!!

1999-11-04 by james holloway

I got one too, about a week ago. Awsome sounds. haven t been able to fully get into it yet though. FYI Soundriver has a editor module for it and Yahama UK has

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Re: [OT] Yamaha has a winner!!

1999-11-04 by Paul Schreiber

$165 free shipping. Does have mem cart, all manuals, ans there is bending around the rack ears (how I got it) but any Stooge with a hammer can fix that. Works

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Re: MIDI-CV Converters

1999-11-03 by Eric S. Crawley

It depends on what you mean by other-than-equal tempered tuning . The Expressionist has a scaling control that can certainly squish and stretch an octave,

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Re: MIDI-CV Converters

1999-11-03 by Eric S. Crawley

It depends on what you mean by other-than-equal tempered tuning . The Expressionist has a scaling control that can certainly squish and stretch an octave,

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Re: Pulse to Sine

1999-11-03 by The Old Crow

... Generating a digital sine is pretty easy in uC code these days. I ll have to see what sort of stunts can be pulled... /**/

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Re: [OT] Yamaha has a winner!!

1999-11-03 by Paul Schreiber

NO, but will explain no sleep tonite! Actually, I have the largest backlog ever, which includes 48 *built* modules. And Barlow is giving me Internet geetar

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[OT] Yamaha has a winner!!

1999-11-03 by Paul Schreiber

Per hype. got a Yamaha FS1R. All I can say is: a) with one of these, list member Fred Becker could make his next 4 releases b) my TX802 is going cheap...real

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Pulse to Sine

1999-11-03 by Tkacs, Ken

Hmm, I can t seem to find it anywhere here. It must be on my home PC; I ll check it out later. I was pretty sure it was a PDF under Application Notes on

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Onelist Server

1999-11-03 by Tkacs, Ken

I think the server is dogging it again. Emails that I ve sent to this list over the last three hours are showing up all at once in a big chunk.

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RE: Anderton PWM (pulse to triangle)

1999-11-03 by Tkacs, Ken

I was searching for easy ways of turning pulse from divider networks into Sines at one point, and came upon a PDF somewhere that showed one way to do it using

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MIDI-CV Converters

1999-11-03 by Tkacs, Ken

Do the Kenton units, Expressionist, etc. provide for other-than-equal tempered tuning by any chance? It seems a natural (to me, anyway), but I ve seen no

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