The original version, the Buchla 148, was a triangle vco that was fed into a bunch of waveshapers that gave 10 different partials. Apparently there was a later version that included voltage control over each output. Don't know much more than that. -----Original Message----- From: davevosh@... [mailto:davevosh@...] Sent: Tuesday, December 05, 2000 4:48 PM To: motm@egroups.com Subject: Re: [motm] Long rave: Additive Synth VCO (was: MOTM 910 Nice Job Paul !!) In a message dated 00-12-05 12:10:17 EST, you write: << This will take a lot more coffee and daydreaming. I keep thinking that through meditation or experimentation (which is harder) there might be a "eureka!!" solution to this, some way of making nifty changes to an additive signal through broad methods. >> i`ve guzzled my share of coffee and spent my share of time in trance-land but no readily "do-able" solution has popped up. years back, buchla offered a harmonic bank vco ( but with only 6 partials, if i remember correctly ). i`ve never seen a picture of one though so i`m not sure what his solutions to the problem of control were ( even on this much smaller scale). also, seawright designed one, but as a complete instrument, at either columbia-princeton or univ. of illinois. was used on a piece of e.m. called "lemon drops" (again, if i remember correctly) way, way back in the late 60`s.
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RE: [motm] Long rave: Additive Synth VCO (was: MOTM 910 Nice Job Paul !!)
2000-12-06 by Fahl, Romeo
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