I like the idea of additive synthesis. The only "successful" additive synth I'm aware of is either the Kawai or Kurzweil line (I forget which). I know these are digital, but how are patches constructed in those? Do you literally sit down and program each of the 128 oscillators, or is there a bunched scheme (as you propose) going on? --PBr > -----Original Message----- > From: Tkacs, Ken [SMTP:ken.tkacs@...] > Sent: Tuesday, December 05, 2000 9:07 AM > To: 'motm@egroups.com' > Subject: [motm] Long rave: Additive Synth VCO (was: MOTM 910 Nice Job > Paul !!) > > > This will take a lot more coffee and daydreaming. I keep thinking that > through meditation or experimentation (which is harder) there might be a > "eureka!!" solution to this, some way of making nifty changes to an > additive > signal through broad methods. >
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RE: [motm] Long rave: Additive Synth VCO (was: MOTM 910 Nice Job Paul !!)
2000-12-05 by Brousseau, Paul E (Paul)