MOTM

Hmmm... here's a brain hiccup:

Audio In -> Pulse Divider In
Pulse Divider Out -> EG Trigger (gate?)
EG Out -> VCA Trigger
Audio In -> VCA Audio In
VCA Audio Out -> Audio Out

I think you'd get a rapid-fire shuttering effect on the audio based on the
frequency (and amplitude?) of the signal.  Play with the envelope settings
and the pulse division to get different shutters.

Thoughts?

--PBr

> -----Original Message-----
> From:	The Old Crow [SMTP:oldcrow@...]
> Sent:	Tuesday, June 20, 2000 9:15 AM
> To:	motm@egroups.com
> Subject:	Re: [motm] (was Blacet-MOTM adaptor) Pulse divider
> 
> 
> On Tue, 20 Jun 2000, thomas white wrote:
> 
> > PS. How is a pulse divider typically patched into a system?
> 
>   A source of a pulse or pulses is needed.  Note that this does not have
> to be anything in particular: the input is similar to those of an MOTM-120
> in that any waveform can be used.
> 
>   Here are a few uses I can think of:
> 
>   *) Triggering an event on the Nth trigger pulse received.
> 
>   *) Generating an interval harmonic of a frequency (e.g., f/1.5)
> 
>   *) Synchronzing an oscillator at a rate that is f/N of the "master" osc.
> 
>   *) Use an LFO to constantly vary the divisor, N.  Mix some of the dry
> input frequency (such as another waveform off an osc) together with the
> variable rate output of the pulse divider to obtain a geometric
> progression and/or (depends on LFO waveform) recession of the harmonic
> structure.
> 
>   Of course, a lot more can be tried--these are just things I thought of
> off the cuff while replying to the email.
> 
> Crow
> 
> /**/
>