Hi Eric > In the past, I have used Hosa 8-channel snakes for most of this > wiring. My > results have been mostly good but I wonder if I could do better. Most > of > the runs will be under 20'. Should I: > > - Stick with the Hosa snakes > - Make my own snakes out of multiple cables using nice cable and > connectors > - cable recommendations welcome. > - Make snakes out of multi-conductor cable, again suggestions welcome. While the Hosa snakes aren't the most durable cabling in the world, where they always seem to fail is around those molded end connectors, and once those go it's not really worth fixing them. Sonically they're fine but not amazing, but it doesn't sound like you're building Real World in your basement. Since it sounds like you've already got plenty of them already, why don't you wire up as much as you can with those, then as they fail one-by-one start replacing with home-built patch cables made from the better stuff? In my case, as my old mic cables are failing, I'm building Mogami quad ones to replace them. I hate building snakes. It's a PITA. But that's a personal preference thing. > Finally, has anyone used balanced power systems and have any > information > good or bad about them? Can't answer that one, but all of these questions have been discussed at length on the rec.audio.pro newsgroup. Point Google to Groups and start poking around there. The general consensus on the balanced power is, yes, it makes a difference, but you're going to have to balance the fairly subtle difference (in Digital world) with a fairly expensive installation. Folks have said that it makes a much more noticeable difference with things like guitar amplifiers. e
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Re: Studio Cabling Advice
2003-02-17 by Eric Frampton
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