MOTM

Wow, tough question. The 410 is an absolute must-have in my 
opinion.  It is so versatile, you will rapidly not want to live 
without it.  

The 420 has a very particular character that I love, and it distorts 
nicely when overloaded.  the 440 is beautiful, too, but it doesn't 
always works distorted.

The 480 is completely amazing.  You get a real bouncy, moogy sound 
out of it.  Of all, the 480 is less versatile, but definately 
has 'that sound'.

The 120 is also a very multi-faceted module.  You can use it as a 
straight 'octaver' (but down to *4* octaves!).  You can make it ring 
modulate the octaves to produce really weird timbres.  And you can 
use it as a kind-of sequencer.

Yep.  They are all must-haves...I'd hate to have to choose!

Mike

--- In motm@y..., "auddog33" <matthew_macdonald@u...> wrote:
> Hi all,
> 
> I'm new to your group and have just begun work on my MOTM synth.  
> I've just finished my cabinet and power supply and expect my first 
> shipment of modules any day now.  My cabinet can hold 20 rack-
spaces 
> worth of modules, and my current plan includes 13 modules.  I will 
> definiately be building the 440 filter and would like to include 
> another but I'm not sure which one.  My question is: has anyone 
> heard/used all of Paul's filters and prefer one over the other?  
> Also, is the sub-octave multiplexer a must-have module?
> 
> I welcome any/all advice.  Thanks!
> 
> Matt