Emax

Something I forgot to say: the newest version of EMXP supports the 
Sound Designer for Emax file format now (version 2.06).
But you still have to copy the files between your PC and your Mac in 
order to transfer the banks to or from the Emax, just like with the 
Sound Designer for EII files.

FYI: 

1/ Sound Designer for Emax files are almost the same as EMX files, 
but they contain additional bytes. EMXP allows direct copy between 
EMX (.EMX), Sound Designer for Emax (.EMS), Emax Banks (.EB1) and 
Emax floppy disks. But all other conversions are also possible in an 
indirect way by using the .EB1 file as an intermediary.

2/ One interesting technical note: Sound Designer for Emax files also 
contain 8 bytes from the operating system part of the Emax memory. 
This due to the communication protocol which requires data packet 
sizes of 120 bytes and which results in "having to transfer" 8 
additional bytes which do not belong to the sound bank itself. 
Unfortunately these 8 bytes differ between the OS versions. I did 
some tests though and it seems that the Emax doesn't care about these 
bytes... So EMXP is filling them with blanks. I assume this is OK 
since Digidesign must have the same problem if they wanted the saved 
banks to be portable across many Emax versions. Anyway, if in the 
future some instabilities may occur on the Emax, I will add an option 
in EMXP which can replace the 8 bytes by the ones which belong to 
your Emax OS. 

3/ On the EMXP website (http://users.skynet.be/emxp) you can also 
download the modified emax operating systems which make bank transfer 
between the Mac and the Emax possible. Use is at own risk (but it 
works fine in my setup).

4/ I'm wondering how many Emax users actually have a copy of Sound 
Designer for Emax. Perhaps Wayne and I are the only ones :-)

Have fun.

///E-Synthesist

It's great to se that emxp still developing.

But there are 2 things that I would love to see in future versions of 
emxp.

1) sf2 conversion to emax format.
2) emxp develop to be an eos-link version to emax.

cheers/
niklas


--- In emax@yahoogroups.com, "esynthesist" <esynthesist@...> wrote:
>
> Something I forgot to say: the newest version of EMXP supports the 
> Sound Designer for Emax file format now (version 2.06).
> But you still have to copy the files between your PC and your Mac 
in 
> order to transfer the banks to or from the Emax, just like with the 
> Sound Designer for EII files.
> 
> FYI: 
> 
> 1/ Sound Designer for Emax files are almost the same as EMX files, 
> but they contain additional bytes. EMXP allows direct copy between 
> EMX (.EMX), Sound Designer for Emax (.EMS), Emax Banks (.EB1) and 
> Emax floppy disks. But all other conversions are also possible in 
an 
> indirect way by using the .EB1 file as an intermediary.
> 
> 2/ One interesting technical note: Sound Designer for Emax files 
also 
> contain 8 bytes from the operating system part of the Emax memory. 
> This due to the communication protocol which requires data packet 
> sizes of 120 bytes and which results in "having to transfer" 8 
> additional bytes which do not belong to the sound bank itself. 
> Unfortunately these 8 bytes differ between the OS versions. I did 
> some tests though and it seems that the Emax doesn't care about 
these 
> bytes... So EMXP is filling them with blanks. I assume this is OK 
> since Digidesign must have the same problem if they wanted the 
saved 
> banks to be portable across many Emax versions. Anyway, if in the 
> future some instabilities may occur on the Emax, I will add an 
option 
> in EMXP which can replace the 8 bytes by the ones which belong to 
> your Emax OS. 
> 
> 3/ On the EMXP website (http://users.skynet.be/emxp) you can also 
> download the modified emax operating systems which make bank 
transfer 

> between the Mac and the Emax possible. Use is at own risk (but it 
> works fine in my setup).
> 
> 4/ I'm wondering how many Emax users actually have a copy of Sound 
> Designer for Emax. Perhaps Wayne and I are the only ones :-)
> 
> Have fun.
> 
> ///E-Synthesist
>

--- In emax@yahoogroups.com, "Niklas Noren" <niklas627@...> wrote:
> it is great that someone is spending there hard time making software
for us to use its a pity that there is not a program like this for the
korg dss1 but i have to deal with a dos program to make images of
disks ive created and only then you have to have blank non formatted
dd disks for it to write the image to which are getting impossible to
get most are formatted to ms dos or windows format 

at least emxp works with the xp o.s. 

 a good program that i found for dumping samples to the older samplers
 is sample wrench xe it works very fast 
 i make single cycle waves with various mathematical programs for 
 making waves then i use these as oscillators and use the synth  
 section to make the waves sound like old analogs you can get loads of
these multi sample single cycles on 1 disk they make fat basses /pads
strings and by layering you can get very fat lush sounds for vary
little sample memory 

i developed this style of sampling because i used the mirage and the
dss1 which have 64k 8bit memory for the mirage and only 256k 12bit for
the dss1 emax1 memory is double of that of these instruments and is
compressed to 8bits.

i find you are more creative with less memory because it makes you a
better programmer of patches i find today's soft samplers have no
character because some one records the hole performance of the sound
and its replayed as is no performance by the player .

cant you do bank dumps just by midi it would be cheaper and the
interfaces are cheap and with your program skills you could write a
utility to perform it then you would not have to bother with the rs
interface .

or you might be better off getting an old mac one and putting an usb
interface to that card atleast it will have the external clock 
does any one know what chips are used for the mac one i could
prototype one if you want to write the software for it as long as i
can get the schematics for the ic of the mac interface.

jammie

does any one want the matrix 12 15 type filter switch for there emax 
i have some prototype boards working with a mirage it sounds sweet
havind band stop and notch filters at your disposal it still uses the
same filter modulations of the original filter ic but uses a resister
network and a s+hold multiplexer to switch between different filter
responces the circuit works with any low pass filter 4 pole filter 
the switching of the multiplex is done by voltage control
potentiometer and an led to tell you what filter response its on  

> It's great to se that emxp still developing.
> 
> But there are 2 things that I would love to see in future versions of 
> emxp.
> 
> 1) sf2 conversion to emax format.
> 2) emxp develop to be an eos-link version to emax.
> 
> cheers/
> niklas
> 
> 
> --- In emax@yahoogroups.com, "esynthesist" <esynthesist@> wrote:
> >
> > Something I forgot to say: the newest version of EMXP supports the 
> > Sound Designer for Emax file format now (version 2.06).
> > But you still have to copy the files between your PC and your Mac 
> in 
> > order to transfer the banks to or from the Emax, just like with the 
> > Sound Designer for EII files.
> > 
> > FYI: 
> > 
> > 1/ Sound Designer for Emax files are almost the same as EMX files, 
> > but they contain additional bytes. EMXP allows direct copy between 
> > EMX (.EMX), Sound Designer for Emax (.EMS), Emax Banks (.EB1) and 
> > Emax floppy disks. But all other conversions are also possible in 
> an 
> > indirect way by using the .EB1 file as an intermediary.
> > 
> > 2/ One interesting technical note: Sound Designer for Emax files 
> also 
> > contain 8 bytes from the operating system part of the Emax memory. 
> > This due to the communication protocol which requires data packet 
> > sizes of 120 bytes and which results in "having to transfer" 8 
> > additional bytes which do not belong to the sound bank itself. 
> > Unfortunately these 8 bytes differ between the OS versions. I did 
> > some tests though and it seems that the Emax doesn't care about 
> these 
> > bytes... So EMXP is filling them with blanks. I assume this is OK 
> > since Digidesign must have the same problem if they wanted the 
> saved 
> > banks to be portable across many Emax versions. Anyway, if in the 
> > future some instabilities may occur on the Emax, I will add an 
> option 
> > in EMXP which can replace the 8 bytes by the ones which belong to 
> > your Emax OS. 
> > 
> > 3/ On the EMXP website (http://users.skynet.be/emxp) you can also 
> > download the modified emax operating systems which make bank 
> transfer 
> > between the Mac and the Emax possible. Use is at own risk (but it 
> > works fine in my setup).
> > 
> > 4/ I'm wondering how many Emax users actually have a copy of Sound 
> > Designer for Emax. Perhaps Wayne and I are the only ones :-)
> > 
> > Have fun.
> > 
> > ///E-Synthesist
> >
>

I would love the first one too :-)
The second one I don't understand, are you referring to the Emu EOS 
series ??

The SF2 conversion is a big challenge, because SF2 is a very flexible 
format. This means that a lot of choices must be made when converting 
banks to a "simple" format such as the Emax one. E.g. if there are 6 
layered voices in SF2, which two of them must be selected for pri and 
sec voice in the emax, and which ones will not be translated at all. 
This is just an example, there are tens/hundreds of other problems 
like this.
The other way around is a lot easier ! So I was going to implement 
that one first (SF2 to Emax, Emulator II and Emulator III). But I 
have to admit I didn't spent a lot of time yet on the SF2 features. 
It's on my list, together with Ensoniq Mirage support and perhaps 
also Korg DSS1 and Casio FZ1 support. 
And the serial communication for Emu samplers of course !

///E-Synthesist


--- In emax@yahoogroups.com, "Niklas Noren" <niklas627@...> wrote:
>
> It's great to se that emxp still developing.
> 
> But there are 2 things that I would love to see in future versions 
of 
> emxp.
> 
> 1) sf2 conversion to emax format.
> 2) emxp develop to be an eos-link version to emax.
> 
> cheers/
> niklas
> 
> 
> --- In emax@yahoogroups.com, "esynthesist" <esynthesist@> wrote:
> >
> > Something I forgot to say: the newest version of EMXP supports 
the 
> > Sound Designer for Emax file format now (version 2.06).
> > But you still have to copy the files between your PC and your Mac 
> in 
> > order to transfer the banks to or from the Emax, just like with 
the 
> > Sound Designer for EII files.
> > 
> > FYI: 
> > 
> > 1/ Sound Designer for Emax files are almost the same as EMX 
files, 
> > but they contain additional bytes. EMXP allows direct copy 
between 
> > EMX (.EMX), Sound Designer for Emax (.EMS), Emax Banks (.EB1) and 
> > Emax floppy disks. But all other conversions are also possible in 
> an 
> > indirect way by using the .EB1 file as an intermediary.
> > 
> > 2/ One interesting technical note: Sound Designer for Emax files 
> also 
> > contain 8 bytes from the operating system part of the Emax 
memory. 
> > This due to the communication protocol which requires data packet 
> > sizes of 120 bytes and which results in "having to transfer" 8 
> > additional bytes which do not belong to the sound bank itself. 
> > Unfortunately these 8 bytes differ between the OS versions. I did 
> > some tests though and it seems that the Emax doesn't care about 
> these 
> > bytes... So EMXP is filling them with blanks. I assume this is OK 
> > since Digidesign must have the same problem if they wanted the 
> saved 
> > banks to be portable across many Emax versions. Anyway, if in the 
> > future some instabilities may occur on the Emax, I will add an 
> option 
> > in EMXP which can replace the 8 bytes by the ones which belong to 
> > your Emax OS. 
> > 
> > 3/ On the EMXP website (http://users.skynet.be/emxp) you can also 
> > download the modified emax operating systems which make bank 
> transfer 
> > between the Mac and the Emax possible. Use is at own risk (but it 
> > works fine in my setup).
> > 
> > 4/ I'm wondering how many Emax users actually have a copy of 
Sound 

> > Designer for Emax. Perhaps Wayne and I are the only ones :-)
> > 
> > Have fun.
> > 
> > ///E-Synthesist
> >
>

hell YES!
:-)

I've been meaning to play around with that idea myself for a while, but 
never got to it.

Emax would be truly awesome with that kind of flexibility on the filters.



jammie.emma wrote:

>does any one want the matrix 12 15 type filter switch for there emax 
>i have some prototype boards working with a mirage it sounds sweet
>havind band stop and notch filters at your disposal it still uses the
>same filter modulations of the original filter ic but uses a resister
>network and a s+hold multiplexer to switch between different filter
>responces the circuit works with any low pass filter 4 pole filter 
>the switching of the multiplex is done by voltage control
>potentiometer and an led to tell you what filter response its on  
>  
>

Jammie,

I have a DSS1 too and I'm using *used* floppy disks which had been 
formatted for DOS before. So far I have had no problems at all with 
re-using them on a DSS1...

One day I hope to support the DSS1 also in EMXP, but I haven't 
started any reverse engineering or analysis yet.
Your suggestion to use the normal MIDI ports instead of fast RS422 is 
only feasible for small chunks of data. I unloaded a sample of 150000 
bytes once via normal MIDI SDS data dump at 31.25 kbaud from the Emax-
II: it felt like it took hours ! Moreover the bank load/unload 
protocol on the Emax only works via RS422, not with normal MIDI. Even 
if it would work, it would take at least 3-4 minutes to transfer 
banks in that way.

I was also thinking about your suggestion to take an Apple 
communication board and add USB support to it. But that probably 
sounds much easier than it is... perhaps an idea for the hardware 
guys among us ?

I also agree with your remark that creativity increases with 
decreasing sampler memory. I'm still surprised about my DSS1 and the 
sound disks supplied with it. It's amazing how many different 
sounds/presets are fitted into one 256K system. Even the Emax library 
is not "that memory efficient".


///E-Synthesist

--- In emax@yahoogroups.com, "jammie.emma" <jammie.emma@...> wrote:
>
> --- In emax@yahoogroups.com, "Niklas Noren" <niklas627@> wrote:
> > it is great that someone is spending there hard time making 
software
> for us to use its a pity that there is not a program like this for 
the
> korg dss1 but i have to deal with a dos program to make images of
> disks ive created and only then you have to have blank non formatted
> dd disks for it to write the image to which are getting impossible 
to
> get most are formatted to ms dos or windows format 
> 
> at least emxp works with the xp o.s. 
> 
>  a good program that i found for dumping samples to the older 
samplers
>  is sample wrench xe it works very fast 
>  i make single cycle waves with various mathematical programs for 
>  making waves then i use these as oscillators and use the synth  
>  section to make the waves sound like old analogs you can get loads 
of
> these multi sample single cycles on 1 disk they make fat 
basses /pads
> strings and by layering you can get very fat lush sounds for vary
> little sample memory 
> 
> i developed this style of sampling because i used the mirage and the
> dss1 which have 64k 8bit memory for the mirage and only 256k 12bit 
for
> the dss1 emax1 memory is double of that of these instruments and is
> compressed to 8bits.
> 
> i find you are more creative with less memory because it makes you a
> better programmer of patches i find today's soft samplers have no
> character because some one records the hole performance of the sound
> and its replayed as is no performance by the player .
> 
> cant you do bank dumps just by midi it would be cheaper and the
> interfaces are cheap and with your program skills you could write a
> utility to perform it then you would not have to bother with the rs
> interface .
> 
> or you might be better off getting an old mac one and putting an usb
> interface to that card atleast it will have the external clock 
> does any one know what chips are used for the mac one i could
> prototype one if you want to write the software for it as long as i
> can get the schematics for the ic of the mac interface.
> 
> jammie
> 
> does any one want the matrix 12 15 type filter switch for there 
emax 
> i have some prototype boards working with a mirage it sounds sweet
> havind band stop and notch filters at your disposal it still uses 
the
> same filter modulations of the original filter ic but uses a 
resister
> network and a s+hold multiplexer to switch between different filter
> responces the circuit works with any low pass filter 4 pole filter 
> the switching of the multiplex is done by voltage control
> potentiometer and an led to tell you what filter response its on  
>   
> > It's great to se that emxp still developing.
> > 
> > But there are 2 things that I would love to see in future 
versions of 
> > emxp.
> > 
> > 1) sf2 conversion to emax format.
> > 2) emxp develop to be an eos-link version to emax.
> > 
> > cheers/
> > niklas
> > 
> > 
> > --- In emax@yahoogroups.com, "esynthesist" <esynthesist@> wrote:
> > >
> > > Something I forgot to say: the newest version of EMXP supports 
the 
> > > Sound Designer for Emax file format now (version 2.06).
> > > But you still have to copy the files between your PC and your 
Mac 
> > in 
> > > order to transfer the banks to or from the Emax, just like with 
the 
> > > Sound Designer for EII files.
> > > 
> > > FYI: 
> > > 
> > > 1/ Sound Designer for Emax files are almost the same as EMX 
files, 
> > > but they contain additional bytes. EMXP allows direct copy 
between 
> > > EMX (.EMX), Sound Designer for Emax (.EMS), Emax Banks (.EB1) 
and 
> > > Emax floppy disks. But all other conversions are also possible 
in 
> > an 
> > > indirect way by using the .EB1 file as an intermediary.
> > > 
> > > 2/ One interesting technical note: Sound Designer for Emax 
files 
> > also 
> > > contain 8 bytes from the operating system part of the Emax 
memory. 
> > > This due to the communication protocol which requires data 
packet 
> > > sizes of 120 bytes and which results in "having to transfer" 8 
> > > additional bytes which do not belong to the sound bank itself. 
> > > Unfortunately these 8 bytes differ between the OS versions. I 
did 
> > > some tests though and it seems that the Emax doesn't care about 
> > these 
> > > bytes... So EMXP is filling them with blanks. I assume this is 
OK 
> > > since Digidesign must have the same problem if they wanted the 
> > saved 
> > > banks to be portable across many Emax versions. Anyway, if in 
the 
> > > future some instabilities may occur on the Emax, I will add an 
> > option 
> > > in EMXP which can replace the 8 bytes by the ones which belong 
to 
> > > your Emax OS. 
> > > 
> > > 3/ On the EMXP website (http://users.skynet.be/emxp) you can 
also 
> > > download the modified emax operating systems which make bank 
> > transfer 
> > > between the Mac and the Emax possible. Use is at own risk (but 
it 
> > > works fine in my setup).
> > > 
> > > 4/ I'm wondering how many Emax users actually have a copy of 
Sound 

> > > Designer for Emax. Perhaps Wayne and I are the only ones :-)
> > > 
> > > Have fun.
> > > 
> > > ///E-Synthesist
> > >
> >
>

--- In emax@yahoogroups.com, "esynthesist" <esynthesist@...> wrote:
> ITS NOT THE DSS1 THATS THE PROBLEM ITS COPYQM it wont write to disks
unless they are blank unformated it would be nice to have emxp to copy
disks and re write them in xp it would then do away with the crappy
dos copyqm and would make it easier to put patches on net 

as the hardware side i can do that it should no be to hard to enable
usb to communicate with the rs422 chip of the old mac card a small
fpga micro controller should do it and as for the protocols they are
freely available through the free licence 

making multi sounds on the dss1 is so easy and and the hardsync is out
of this would the filter is fatter than any cem chip i have ever heard
dumping samples to it is fast sample wrench is excellent for dumping
to emax as well 

its great for fat unison sync bass lead sounds better than any soft
synth  pads great and morphing sync is amazing the sweeps are the best
ever and the delays make it great for trance and techno /electro

single cycle waves multi samples are tiny i get upto 16 multisound on
1 system 256k and you can have 32 variation patches with that system

im going to upgrade mine to 2mb and scsi and am going to do away with
the floppy and fit a scsi cf flasn card internal drive from
scsi4samplers i got one in my emax which i use 32mb flash cards i
brought 20 from ebay for £25 cheap as chips.

> Jammie, 
> 
> I have a DSS1 too and I'm using *used* floppy disks which had been 
> formatted for DOS before. So far I have had no problems at all with 
> re-using them on a DSS1...
> 
> One day I hope to support the DSS1 also in EMXP, but I haven't 
> started any reverse engineering or analysis yet.
> Your suggestion to use the normal MIDI ports instead of fast RS422 is 
> only feasible for small chunks of data. I unloaded a sample of 150000 
> bytes once via normal MIDI SDS data dump at 31.25 kbaud from the Emax-
> II: it felt like it took hours ! Moreover the bank load/unload 
> protocol on the Emax only works via RS422, not with normal MIDI. Even 
> if it would work, it would take at least 3-4 minutes to transfer 
> banks in that way.
> 
> I was also thinking about your suggestion to take an Apple 
> communication board and add USB support to it. But that probably 
> sounds much easier than it is... perhaps an idea for the hardware 
> guys among us ?
> 
> I also agree with your remark that creativity increases with 
> decreasing sampler memory. I'm still surprised about my DSS1 and the 
> sound disks supplied with it. It's amazing how many different 
> sounds/presets are fitted into one 256K system. Even the Emax library 
> is not "that memory efficient".
> 
> 
> ///E-Synthesist
> 
> --- In emax@yahoogroups.com, "jammie.emma" <jammie.emma@> wrote:
> >
> > --- In emax@yahoogroups.com, "Niklas Noren" <niklas627@> wrote:
> > > it is great that someone is spending there hard time making 
> software
> > for us to use its a pity that there is not a program like this for 
> the
> > korg dss1 but i have to deal with a dos program to make images of
> > disks ive created and only then you have to have blank non formatted
> > dd disks for it to write the image to which are getting impossible 
> to
> > get most are formatted to ms dos or windows format 
> > 
> > at least emxp works with the xp o.s. 
> > 
> >  a good program that i found for dumping samples to the older 
> samplers
> >  is sample wrench xe it works very fast 
> >  i make single cycle waves with various mathematical programs for 
> >  making waves then i use these as oscillators and use the synth  
> >  section to make the waves sound like old analogs you can get loads 
> of
> > these multi sample single cycles on 1 disk they make fat 
> basses /pads
> > strings and by layering you can get very fat lush sounds for vary
> > little sample memory 
> > 
> > i developed this style of sampling because i used the mirage and the
> > dss1 which have 64k 8bit memory for the mirage and only 256k 12bit 
> for
> > the dss1 emax1 memory is double of that of these instruments and is
> > compressed to 8bits.
> > 
> > i find you are more creative with less memory because it makes you a
> > better programmer of patches i find today's soft samplers have no
> > character because some one records the hole performance of the sound
> > and its replayed as is no performance by the player .
> > 
> > cant you do bank dumps just by midi it would be cheaper and the
> > interfaces are cheap and with your program skills you could write a
> > utility to perform it then you would not have to bother with the rs
> > interface .
> > 
> > or you might be better off getting an old mac one and putting an usb
> > interface to that card atleast it will have the external clock 
> > does any one know what chips are used for the mac one i could
> > prototype one if you want to write the software for it as long as i
> > can get the schematics for the ic of the mac interface.
> > 
> > jammie
> > 
> > does any one want the matrix 12 15 type filter switch for there 
> emax 
> > i have some prototype boards working with a mirage it sounds sweet
> > havind band stop and notch filters at your disposal it still uses 
> the
> > same filter modulations of the original filter ic but uses a 
> resister
> > network and a s+hold multiplexer to switch between different filter
> > responces the circuit works with any low pass filter 4 pole filter 
> > the switching of the multiplex is done by voltage control
> > potentiometer and an led to tell you what filter response its on  
> >   
> > > It's great to se that emxp still developing.
> > > 
> > > But there are 2 things that I would love to see in future 
> versions of 
> > > emxp.
> > > 
> > > 1) sf2 conversion to emax format.
> > > 2) emxp develop to be an eos-link version to emax.
> > > 
> > > cheers/
> > > niklas
> > > 
> > > 
> > > --- In emax@yahoogroups.com, "esynthesist" <esynthesist@> wrote:
> > > >
> > > > Something I forgot to say: the newest version of EMXP supports 
> the 
> > > > Sound Designer for Emax file format now (version 2.06).
> > > > But you still have to copy the files between your PC and your 
> Mac 
> > > in 
> > > > order to transfer the banks to or from the Emax, just like with 
> the 
> > > > Sound Designer for EII files.
> > > > 
> > > > FYI: 
> > > > 
> > > > 1/ Sound Designer for Emax files are almost the same as EMX 
> files, 
> > > > but they contain additional bytes. EMXP allows direct copy 
> between 
> > > > EMX (.EMX), Sound Designer for Emax (.EMS), Emax Banks (.EB1) 
> and 
> > > > Emax floppy disks. But all other conversions are also possible 
> in 
> > > an 
> > > > indirect way by using the .EB1 file as an intermediary.
> > > > 
> > > > 2/ One interesting technical note: Sound Designer for Emax 
> files 
> > > also 
> > > > contain 8 bytes from the operating system part of the Emax 
> memory. 
> > > > This due to the communication protocol which requires data 
> packet 
> > > > sizes of 120 bytes and which results in "having to transfer" 8 
> > > > additional bytes which do not belong to the sound bank itself. 
> > > > Unfortunately these 8 bytes differ between the OS versions. I 
> did 
> > > > some tests though and it seems that the Emax doesn't care about 
> > > these 
> > > > bytes... So EMXP is filling them with blanks. I assume this is 
> OK 
> > > > since Digidesign must have the same problem if they wanted the 
> > > saved 
> > > > banks to be portable across many Emax versions. Anyway, if in 
> the 
> > > > future some instabilities may occur on the Emax, I will add an 
> > > option 
> > > > in EMXP which can replace the 8 bytes by the ones which belong 
> to 
> > > > your Emax OS. 
> > > > 
> > > > 3/ On the EMXP website (http://users.skynet.be/emxp) you can 
> also 
> > > > download the modified emax operating systems which make bank 
> > > transfer 
> > > > between the Mac and the Emax possible. Use is at own risk (but 
> it 
> > > > works fine in my setup).
> > > > 
> > > > 4/ I'm wondering how many Emax users actually have a copy of 
> Sound 
> > > > Designer for Emax. Perhaps Wayne and I are the only ones :-)
> > > > 
> > > > Have fun.
> > > > 
> > > > ///E-Synthesist
> > > >
> > >
> >
>