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"Saturation" versus "Perceptual" rendering intent -- problems with yellow

"Saturation" versus "Perceptual" rendering intent -- problems with yellow

2007-11-14 by nealdryan

Using Spyder3Print with my new PrintFixPro I made a 255 color ICC 
profile for my HP B9180 and Epson Premium Presentation Paper Matte.

I then tested it using Bill Atkinson's LAB color test image in 
the "Profile Test Images archive here: 
http://homepage.mac.com/billatkinson/FileSharing2.html

On all the profiles that come with the B9180, when I soft proof in 
CS3, the perceptual and the saturation rendering intents give 
essentially the screen display (which look great) and they print 
very well and very much like the soft proof displays.

On the profile I made with PrintFixPro the bright yellows 
(especially around the sun in the sunset picture at the lower left 
but all yellows in other parts too) are muddy and have lots of black 
in them on perceptual and look good on saturation intent. And the 
prints look just like the soft proof--unusably muddy on the yellow 
colors with perceptual rendering.

You guys off course recomend saturation and not perceptual intent on 
rendering and that works fine for CS3.  Unfortunately I do almost 
all my printing with Lightroom which doesn't give me a choice of 
saturation -- it's perceptual or relative only as rendering intent 
with Lightroom.

Help!

Neal

Re: "Saturation" versus "Perceptual" rendering intent -- problems with yellow

2007-11-14 by nealdryan

I have QImage and it is a lovely program but printing from Lightroom
provides awesomely fast workflow (which QImage can't match once I'm
using Lightroom for everything else) and excepting this problem
provides really nice results.  

Also, using my other available profiles, saturation intent and
perceptual intent are extremely similar while with the PrintFixPro
generated profiles they are dramatically different.  To me that
suggests there is the possibility that some change in the ICC
generated would solve this problem in a good way.



--- In colorvision_group@yahoogroups.com, "J Bryan Kramer"
<codeburner@...> wrote:
>
> Think about getting QImage. A lot of people prefer it over CS3 or
LR. They
Show quoted textHide quoted text
> have a full function 30 day demo. The GUI stinks but it works very well.
> 
> <http://www.ddisoftware.com/qimage/>
> 
> BK
> 
> 
> 
> On Nov 14, 2007 11:33 AM, nealdryan <ryannd@...> wrote:
> 
> > Using Spyder3Print with my new PrintFixPro I made a 255 color ICC
> > profile for my HP B9180 and Epson Premium Presentation Paper Matte.
> >
> > I then tested it using Bill Atkinson's LAB color test image in
> > the "Profile Test Images archive here:
> > http://homepage.mac.com/billatkinson/FileSharing2.html
> >
> > On all the profiles that come with the B9180, when I soft proof in
> > CS3, the perceptual and the saturation rendering intents give
> > essentially the screen display (which look great) and they print
> > very well and very much like the soft proof displays.
> >
> > On the profile I made with PrintFixPro the bright yellows
> > (especially around the sun in the sunset picture at the lower left
> > but all yellows in other parts too) are muddy and have lots of black
> > in them on perceptual and look good on saturation intent. And the
> > prints look just like the soft proof--unusably muddy on the yellow
> > colors with perceptual rendering.
> >
> > You guys off course recomend saturation and not perceptual intent on
> > rendering and that works fine for CS3.  Unfortunately I do almost
> > all my printing with Lightroom which doesn't give me a choice of
> > saturation -- it's perceptual or relative only as rendering intent
> > with Lightroom.
> >
> > Help!
> >
> > Neal
> >
> >
> >
> >
> >
> > Yahoo! Groups Links
> >
> >
> >
> >
> 
> 
> -- 
> J Bryan Kramer
> North Florida, USA
> photos at:
> http://pbase.com/photoburner
>

Re: [colorvision_group] "Saturation" versus "Perceptual" rendering intent -- problems with yellow

2007-11-14 by CDTobie@aol.com


In a message dated 11/14/07 12:31:47 PM, ryannd@... writes:


On the profile I made with PrintFixPro the bright yellows
(especially around the sun in the sunset picture at the lower left
but all yellows in other parts too) are muddy and have lots of black
in them on perceptual and look good on saturation intent. And the
prints look just like the soft proof--unusably muddy on the yellow
colors with perceptual rendering.

You guys off course recomend saturation and not perceptual intent on
rendering and that works fine for CS3. Unfortunately I do almost
all my printing with Lightroom which doesn't give me a choice of
saturation -- it's perceptual or relative only as rendering intent
with Lightroom.

Help!


In one sense, this is a Lightroom issue, in that they do not support the full list of intents. What is happening is that you are asking for out of gamut yellows, and the match is being selected based by Hue and Brightness, without an emphasis on Saturation, in our Perceptual intent. The color with the closest density and hue angle does not suit you. Between now and the next major update to Spyder3Print, there will not be any changes to our color engine, so what you get is what you get, for the time being. This is only one of several reasons I don't print from Lightroom.

On the other hand, the test images you note are filled with oversaturated colors, colors that you don't actually find in photos, only in vector images and heavily adjusted images. This test image has lots of yellows that hit 255 red, and well over 200 green in AdobeRGB. Not colors you're likely to bump into with actual images. So be sure this problem is a problem for your own files before you panic, based on this over-the-top test image. Don't judge the "reasonableness" of these test image yellows by looking at them on your monitor. They are all outside the gamut of a typical display; most are also outside the gamut of a Wide Gamut Eizo display...

C. David Tobie
Product Technology Manager
Digital Imaging & Home Theater
Datacolor
CDTobie@...
www.datacolor.com/Spyder3



**************************************
See what's new at http://www.aol.com

Re: [colorvision_group] Re: "Saturation" versus "Perceptual" rendering intent -- problems with yellow

2007-11-14 by CDTobie@aol.com


In a message dated 11/14/07 1:32:07 PM, ryannd@... writes:



Also, using my other available profiles, saturation intent and
perceptual intent are extremely similar while with the PrintFixPro
generated profiles they are dramatically different. To me that
suggests there is the possibility that some change in the ICC
generated would solve this problem in a good way.


Then someone who is looking for the other type of results would be equally unhappy, because we had turned their taxicabs lemon yellow. Thats why there are different intents, for different uses. Unfortuantely Adobe assumes they know which intents "matter" and has simplified Lightroom to the point of not offering what you need. I suspect this will change in the future, as they have gotten quite a bit of critical feedback on the matter.

My preferred solution is to bring colors in-gamut prior to printing myself, the way I want them, instead of sending out-of-gamut colors to the profile, and hoping it will automatically do what I want it to with all of them.

C. David Tobie
Product Technology Manager
Digital Imaging & Home Theater
Datacolor
CDTobie@...m
www.datacolor.com/Spyder3





**************************************
See what's new at http://www.aol.com

Re: "Saturation" versus "Perceptual" rendering intent -- problems with yellow

2008-07-24 by marko.mili

This is an old thread, but my question ties into it. I have been
trying to profile Canon iP4500 and iP4300 printers, with both OEM and
Image Specialists inks. It quickly becomes obvious that these printers
suffer in reproduction of dark saturated colors, especially reds and
to lesser degree greens. Not so bad in yellows and blues. With OEM
profiles, the way Canon gets around this is by having perceptual
rendering quite a bit lighter then actual colors, which brings dark
colors into gamut. This is just eyeballing soft proofs and a few
output samples. I don't know really if Canon does this with images
when all colors are in gamut. These printers suck and most images have
plenty out of gamut. The main difference is in how OEM and Colorvision
differ in perceptual intent, with OEM being about a stop too light.
Other intents look about the same between OEM and Colorvision.

The end result of this, due to how poorly these printers render dark
saturated reds and browns is that none of intents made by Colorvision
look photographically natural. Not that colors don't match source, but
relationships between colors look unnatural. For example, if someone
is wearing a red sweater, in folds of the fabric where red is in a
shadow, it looks weirdly brown/grayish in all intents (some more some
less, but none satisfactory). With OEM perceptual, all colors are
wrong (mainly in that they are too light, but also in hue and
saturation), but at least they preserve relationship between colors
and it looks believable.

I would suggest that Colorvision perceptual rendering shouldn't match
on just hue and brightness and ignore saturation (if that is how it
works, although I suspect that explanation given below is simplified).

In a difficult situation at least the way OEM perceptual works is
effective. How can similar results be achieved with Colorvision
profiles, without bringing each image into gamut by hand (which is
fine for exhibition, but not when I want to print 100 vacation
snapshots for my mom)?

Marko

--- In colorvision_group@yahoogroups.com, CDTobie@... wrote:
>
> 
> In a message dated 11/14/07 12:31:47 PM, ryannd@... writes:
> 
> 
> > On the profile I made with PrintFixPro the bright yellows
> > (especially around the sun in the sunset picture at the lower left
> > but all yellows in other parts too) are muddy and have lots of black
> > in them on perceptual and look good on saturation intent. And the
> > prints look just like the soft proof--unusably muddy on the yellow
> > colors with perceptual rendering.
> > 
> > You guys off course recomend saturation and not perceptual intent on
> > rendering and that works fine for CS3.  Unfortunately I do almost
> > all my printing with Lightroom which doesn't give me a choice of
> > saturation -- it's perceptual or relative only as rendering intent
> > with Lightroom.
> > 
> > Help!
> > 
> 
> In one sense, this is a Lightroom issue, in that they do not support
the full 
> list of intents. What is happening is that you are asking for out of
gamut 
> yellows, and the match is being selected based by Hue and
Brightness, without an 
> emphasis on Saturation, in our Perceptual intent. The color with the
closest 
> density and hue angle does not suit you. Between now and the next
major update 
> to Spyder3Print, there will not be any changes to our color engine,
so what 
> you get is what you get, for the time being. This is only one of
several 
> reasons I don't print from Lightroom.
> 
> On the other hand, the test images you note are filled with
oversaturated 
> colors, colors that you don't actually find in photos, only in
vector images and 
> heavily adjusted images. This test image has lots of yellows that
hit 255 red, 
> and well over 200 green in AdobeRGB. Not colors you're likely to
bump into 
> with actual images. So be sure this problem is a problem for your
own files 
> before you panic, based on this over-the-top test image. Don't judge
the 
> "reasonableness" of these test image yellows by looking at them on
your monitor. They 
> are all outside the gamut of a typical display; most are also
outside the gamut 
> of a Wide Gamut Eizo display...

Re: [colorvision_group] Re: "Saturation" versus "Perceptual" rendering intent -- problems with yellow

2008-07-24 by Cdtobie

Have you turned off BPC?

C. D. Tobie
WW Product Technology Mngr.
Digital Imaging & Home Theater
DataColor.com
CDTobie@...
Show quoted textHide quoted text
On Jul 24, 2008, at 4:52 PM, "marko.mili" <marko.mili@...> wrote:

> This is an old thread, but my question ties into it. I have been
> trying to profile Canon iP4500 and iP4300 printers, with both OEM and
> Image Specialists inks. It quickly becomes obvious that these printers
> suffer in reproduction of dark saturated colors, especially reds and
> to lesser degree greens. Not so bad in yellows and blues. With OEM
> profiles, the way Canon gets around this is by having perceptual
> rendering quite a bit lighter then actual colors, which brings dark
> colors into gamut. This is just eyeballing soft proofs and a few
> output samples. I don't know really if Canon does this with images
> when all colors are in gamut. These printers suck and most images have
> plenty out of gamut. The main difference is in how OEM and Colorvision
> differ in perceptual intent, with OEM being about a stop too light.
> Other intents look about the same between OEM and Colorvision.
>
> The end result of this, due to how poorly these printers render dark
> saturated reds and browns is that none of intents made by Colorvision
> look photographically natural. Not that colors don't match source, but
> relationships between colors look unnatural. For example, if someone
> is wearing a red sweater, in folds of the fabric where red is in a
> shadow, it looks weirdly brown/grayish in all intents (some more some
> less, but none satisfactory). With OEM perceptual, all colors are
> wrong (mainly in that they are too light, but also in hue and
> saturation), but at least they preserve relationship between colors
> and it looks believable.
>
> I would suggest that Colorvision perceptual rendering shouldn't match
> on just hue and brightness and ignore saturation (if that is how it
> works, although I suspect that explanation given below is simplified).
>
> In a difficult situation at least the way OEM perceptual works is
> effective. How can similar results be achieved with Colorvision
> profiles, without bringing each image into gamut by hand (which is
> fine for exhibition, but not when I want to print 100 vacation
> snapshots for my mom)?
>
> Marko
>
> --- In colorvision_group@yahoogroups.com, CDTobie@... wrote:
>>
>>
>> In a message dated 11/14/07 12:31:47 PM, ryannd@... writes:
>>
>>
>>> On the profile I made with PrintFixPro the bright yellows
>>> (especially around the sun in the sunset picture at the lower left
>>> but all yellows in other parts too) are muddy and have lots of black
>>> in them on perceptual and look good on saturation intent. And the
>>> prints look just like the soft proof--unusably muddy on the yellow
>>> colors with perceptual rendering.
>>>
>>> You guys off course recomend saturation and not perceptual intent on
>>> rendering and that works fine for CS3.  Unfortunately I do almost
>>> all my printing with Lightroom which doesn't give me a choice of
>>> saturation -- it's perceptual or relative only as rendering intent
>>> with Lightroom.
>>>
>>> Help!
>>>
>>
>> In one sense, this is a Lightroom issue, in that they do not support
> the full
>> list of intents. What is happening is that you are asking for out of
> gamut
>> yellows, and the match is being selected based by Hue and
> Brightness, without an
>> emphasis on Saturation, in our Perceptual intent. The color with the
> closest
>> density and hue angle does not suit you. Between now and the next
> major update
>> to Spyder3Print, there will not be any changes to our color engine,
> so what
>> you get is what you get, for the time being. This is only one of
> several
>> reasons I don't print from Lightroom.
>>
>> On the other hand, the test images you note are filled with
> oversaturated
>> colors, colors that you don't actually find in photos, only in
> vector images and
>> heavily adjusted images. This test image has lots of yellows that
> hit 255 red,
>> and well over 200 green in AdobeRGB. Not colors you're likely to
> bump into
>> with actual images. So be sure this problem is a problem for your
> own files
>> before you panic, based on this over-the-top test image. Don't judge
> the
>> "reasonableness" of these test image yellows by looking at them on
> your monitor. They
>> are all outside the gamut of a typical display; most are also
> outside the gamut
>> of a Wide Gamut Eizo display...
>
>
>
> ------------------------------------
>
> Yahoo! Groups Links
>
>
>

Re: "Saturation" versus "Perceptual" rendering intent -- problems with yellow

2008-07-25 by marko.mili

Yes. Please see http://www.cognistudio.com/profile_test/

OEM looks most natural, at the cost of blown highlights. Spyder looks bad color-wise. I 
didn't manipulate scanned images in any way other then assigning them scanner icc 
profile, but I would say that prints are even lighter then shown here, so OEM print is way 
too light, while Spyder prints match original digital photo in luminosity.

Marko

--- In colorvision_group@yahoogroups.com, Cdtobie <CDTobie@...> wrote:
Show quoted textHide quoted text
>
> Have you turned off BPC?
> 
> C. D. Tobie
> WW Product Technology Mngr.
> Digital Imaging & Home Theater
> DataColor.com
> CDTobie@...
> 
> On Jul 24, 2008, at 4:52 PM, "marko.mili" <marko.mili@...> wrote:
> 
> > This is an old thread, but my question ties into it. I have been
> > trying to profile Canon iP4500 and iP4300 printers, with both OEM and
> > Image Specialists inks. It quickly becomes obvious that these printers
> > suffer in reproduction of dark saturated colors, especially reds and
> > to lesser degree greens. Not so bad in yellows and blues. With OEM
> > profiles, the way Canon gets around this is by having perceptual
> > rendering quite a bit lighter then actual colors, which brings dark
> > colors into gamut. This is just eyeballing soft proofs and a few
> > output samples. I don't know really if Canon does this with images
> > when all colors are in gamut. These printers suck and most images have
> > plenty out of gamut. The main difference is in how OEM and Colorvision
> > differ in perceptual intent, with OEM being about a stop too light.
> > Other intents look about the same between OEM and Colorvision.
> >
> > The end result of this, due to how poorly these printers render dark
> > saturated reds and browns is that none of intents made by Colorvision
> > look photographically natural. Not that colors don't match source, but
> > relationships between colors look unnatural. For example, if someone
> > is wearing a red sweater, in folds of the fabric where red is in a
> > shadow, it looks weirdly brown/grayish in all intents (some more some
> > less, but none satisfactory). With OEM perceptual, all colors are
> > wrong (mainly in that they are too light, but also in hue and
> > saturation), but at least they preserve relationship between colors
> > and it looks believable.
> >
> > I would suggest that Colorvision perceptual rendering shouldn't match
> > on just hue and brightness and ignore saturation (if that is how it
> > works, although I suspect that explanation given below is simplified).
> >
> > In a difficult situation at least the way OEM perceptual works is
> > effective. How can similar results be achieved with Colorvision
> > profiles, without bringing each image into gamut by hand (which is
> > fine for exhibition, but not when I want to print 100 vacation
> > snapshots for my mom)?
> >
> > Marko
> >
> > --- In colorvision_group@yahoogroups.com, CDTobie@ wrote:
> >>
> >>
> >> In a message dated 11/14/07 12:31:47 PM, ryannd@ writes:
> >>
> >>
> >>> On the profile I made with PrintFixPro the bright yellows
> >>> (especially around the sun in the sunset picture at the lower left
> >>> but all yellows in other parts too) are muddy and have lots of black
> >>> in them on perceptual and look good on saturation intent. And the
> >>> prints look just like the soft proof--unusably muddy on the yellow
> >>> colors with perceptual rendering.
> >>>
> >>> You guys off course recomend saturation and not perceptual intent on
> >>> rendering and that works fine for CS3.  Unfortunately I do almost
> >>> all my printing with Lightroom which doesn't give me a choice of
> >>> saturation -- it's perceptual or relative only as rendering intent
> >>> with Lightroom.
> >>>
> >>> Help!
> >>>
> >>
> >> In one sense, this is a Lightroom issue, in that they do not support
> > the full
> >> list of intents. What is happening is that you are asking for out of
> > gamut
> >> yellows, and the match is being selected based by Hue and
> > Brightness, without an
> >> emphasis on Saturation, in our Perceptual intent. The color with the
> > closest
> >> density and hue angle does not suit you. Between now and the next
> > major update
> >> to Spyder3Print, there will not be any changes to our color engine,
> > so what
> >> you get is what you get, for the time being. This is only one of
> > several
> >> reasons I don't print from Lightroom.
> >>
> >> On the other hand, the test images you note are filled with
> > oversaturated
> >> colors, colors that you don't actually find in photos, only in
> > vector images and
> >> heavily adjusted images. This test image has lots of yellows that
> > hit 255 red,
> >> and well over 200 green in AdobeRGB. Not colors you're likely to
> > bump into
> >> with actual images. So be sure this problem is a problem for your
> > own files
> >> before you panic, based on this over-the-top test image. Don't judge
> > the
> >> "reasonableness" of these test image yellows by looking at them on
> > your monitor. They
> >> are all outside the gamut of a typical display; most are also
> > outside the gamut
> >> of a Wide Gamut Eizo display...
> >
> >
> >
> > ------------------------------------
> >
> > Yahoo! Groups Links
> >
> >
> >
>

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