I'd like to hear comments from any of you using PFP 2.0 to profile black and white printers. My biggest headache with digital printing of black and white images is the tendency for very dark tones to look posterized (paint-by- numbers look) instead of showing subtle gradations. This is especially problematic with matte papers. I am now using MIS UT3D inks on an Epson 2200, and trying to generate profiles for Epson EM, Moaba's Kayenta, Breathing Colour's Sterling Rag, and Kirkland glossy. So far nothing looks as good as the simple EZ system MIS sells for the Epson C86 (which just lets the printer think it is printing colour), or the HP system that had a special black cartridge for printing B&W images. I haven't begun experimenting with PFP 2.0's adjustments yet. If you have experimented, can you give me any direction? I've been printing "silver" for thirty some years, so my expectations and strategies are suitably skewed. Myron
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Posterized B&W
2007-01-06 by Myron Gochnauer
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