>If I were *either* >of the Mellotron suppliers, I would be buying as much >of the newer, high quality tape that I could get my >hands on and engineer the machines and repairs to just >DEAL with it. Easier said than done. Newer tape stock is thinner and has a different formulation on the drive side that doesn't drive as well as the old stuff. Our tape providers have experimented with different stock, and I have some from a few years back that's not really playable because of the formulation (the stock in question is no longer used for obvious reasons). Pierre V. did an experiment once where he put something on the capstan (or was it the pinch rollers?) that gave much more grip, but he snapped a few tapes when they got to the end. :-) So it's a balancing act. For the pinch rollers I tend to take off the edges and scuff them with emery cloth, clean them, and apply CAIG rubber rejuvenator. Does it work? Pah! Some stock still sucks. That EMI stock is no problem, and I've even had mostly good luck with the Ampex 456 sets I have. Martin turns his pinch rollers into tyres (tires for us American types :-) ) by really rounding off the edges. They look like what' you'd see on a motorcycle when done. But maybe it's not the pinch rollers but some other part of the machine that could use adjustment in order to better drive the tapes. Keep in mind that there's constant back tension on the tape due to the return spring---that doesn't help. Markus/Martin: Are you looking into the designs of your machines to drive the newer tape formulations? It sounds like there is general satisfaction with the way available tape stock is running, so there's no real need for a redesign. >I'm not interested in buying antiquated >tapes at 250.00 a set. The tapes from the 70s do hold up really well, strangely enough. I've seen enough sets of them. The set that I got in the Mouseotron would have been fine except for the mouse goo all over them (and 2 tapes being spliced with masking tape). I bet I could still clean them up and get them to play OK. I never liked "planned obsolescence", as the Quantegy people have foisted on their customers (reportedly) to make more money when they have to rework archive tapes. But it is understandable that tape has a shelf life and will eventually go downhill, just like anything else. ...kl... M400 #805 - kl is going downhill M400 #1037 - ...and is largely obsolete
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Re: [Mellotronists] Last Manufacturer of Pro Analog Audio Tape Closes
2005-01-07 by Ken Leonard
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