Re: Alternate flashing lights on an Epson 1400
2014-09-24 by paulmwhiting@...
I ve had very good luck with some refillable carts from Jon Cone: http://shopping.netsuite.com/s.nl/c.362672/sc.11/category.34585/.f
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Image Specialist sold
2014-09-24 by ernst.dinkla@...
Paul, I think this might influence MIS in a way: http://www.printerknowledge.com/threads/is-it-real-image-specialists-is-sold.9189/
Lightroom colour management
2014-09-24 by Richard Smallfield
Hi, I ve got a strange problem with Lightroom. I ve been printing some BW greeting cards, using a Datacolor Extended Grays profile. Though they are all BW,
Re: [Digital BW] Re: Alternate flashing lights on an Epson 1400
2014-09-23 by homershannon@...
Your old cartridges may or may not work. I also have a 1430 and a 1400. I purchased the 1430 about two years ago and the cartridges from the 1400 were about
Re: [Digital BW] Re: Alternate flashing lights on an Epson 1400
2014-09-21 by Andrew Sharpe
Thanks again for the workshop manual. I took apart as much as I dared, but everything worked smoothly when turned by hand, and there was no paper bits. So, my
Re: [Digital BW] Re: scanning b/w negs vs converting color digital file to b/w / Paul
2014-09-19 by paulmwhiting@...
Mark et al, I tried Magic Wand, and although I had tried it earlier, I paid a little more attention this time. Yes, it was better this time around, thank you
Re: [Digital BW] Re: scanning b/w negs vs converting color digital file to b/w / Paul
2014-09-19 by Mark Savoia
Pen tool is the old hard way. Try magic wand, or select by color range, then go into quick mask and fine tune or use select refine edges. Mark
Re: [Digital BW] Re: scanning b/w negs vs converting color digital file to b/w / Paul
2014-09-19 by pdesmidt tds.net
Pen tool? On Fri, Sep 19, 2014 at 1:07 PM, paulmwhiting@yahoo.com [DigitalBlackandWhiteThePrint]
Re: [Digital BW] Re: scanning b/w negs vs converting color digital file to b/w / Paul
2014-09-19 by Mark Savoia
Which selection tools are you using? I just did a quick magic wand with tolerance set to 5 and it selected your sky pretty easy, and thats on a screen capture
Re: [Digital BW] Re: scanning b/w negs vs converting color digital file to b/w / Paul
2014-09-19 by paulmwhiting@...
oops... forgot my website! it s: paulwhitingphotography.com
Re: [Digital BW] Re: scanning b/w negs vs converting color digital file to b/w / Paul
2014-09-19 by paulmwhiting@...
Thanks, Jimbo, I ve been studying your suggestions. I m having a problem because the area I m selecting is so close to the object. I think I mentioned I m
Re: [Digital BW] Re: scanning b/w negs vs converting color digital file to b/w / Paul
2014-09-18 by mrjimbo2
Hi again Paul, I agree with the suggestion of a second monitor.. It works great....... but back to your mission at hand.. Adjusting tonality selectively within
Re: scanning b/w negs vs converting color digital file to b/w
2014-09-18 by paulmwhiting@...
Thanks for the encouragement and for the second monitor suggestion. As luck would have it, when I got my new Desktop a few weeks ago I ended up with a second
Re: [Digital BW] Re: Storage - mould
2014-09-18 by Philip Lindsay
Are your print storage boxes fit with a lid? If so perhaps the box interior doesn t gain full access to the room dehumidifier. I have experienced a similar
Re: [Digital BW] Re: Storage - mould
2014-09-18 by Richard Smallfield
Hi Ron, thanks very much for your input. I will get some dessicant packs. The room is a tiny bunk room, so the dehumidifier is very efficient in that space.
Re: [Digital BW] Re: scanning b/w negs vs converting color digital file to b/w
2014-09-17 by pdesmidt tds.net
Another plus is that you can use the second monitor to hold your tool palettes. On Wed, Sep 17, 2014 at 11:49 AM, Elliot Puritz drpuritz@cfl.rr.com
RE: [Digital BW] Re: scanning b/w negs vs converting color digital file to b/w
2014-09-17 by Elliot Puritz
Hi Paul: Many of the analog crowd who are using digital in our work flow(s) are faced with similar issues as yours, i.e., the need to understand and learn some
Re: scanning b/w negs vs converting color digital file to b/w
2014-09-17 by paulmwhiting@...
Jimbo and Randall, Thank you... and good analogy to the darkroom. I only have PS Elements but it s version 9 - that s when masks began to be included in
Re: scanning b/w negs vs converting color digital file to b/w
2014-09-17 by lgrrrb@...
Jimbo is right. Think how you would have approached this problem printing in the wet darkroom. You would have burned one area or dodged the other to
Re: [Digital BW] scanning b/w negs vs converting color digital file to b/w
2014-09-16 by mrjimbo2
Hey Paul, Truth is some jobs are simply a challenge.. In the scenario I think your describing I typically scan in RGB as it slightly improves the ability to
scanning b/w negs vs converting color digital file to b/w
2014-09-16 by paulmwhiting@...
I ve been doing both and so far it s worked our rather well. I scan some of my old b/w negs, both 35mm and MF, and have been quite pleased with the results.
Re: Storage - mould
2014-09-15 by Ron Williams
Most dehumidifiers won t drive moisture levels much below 30% RH. Mould will definitely grow at that level. I never store photos in wood or cardboard
Storage - mould
2014-09-15 by Richard Smallfield
Hi, I have been storing some prints in boxes in my spare room, which has a dehumidifier running, so the air is very dry. Nevertheless, some have started to be
RE: [Digital BW] warm tone
2014-09-12 by Elliot Puritz
Hi Keith: Thanks for the interesting and detailed information you provided. I agree completely that the paper used can have a considerably impact on the tones
Re: [Digital BW] Re: Roark vs. Cone
2014-09-12 by Paul Roark
I mostly agree with the last posts. Jon s system is more turn-key. What I do is simply publish what I m doing, including profiles I ve made. Much of the old
Re: [Digital BW] Re: Roark vs. Cone
2014-09-11 by pdesmidt tds.net
One difference is image color. Cone s pure carbon inkset has a warmer image tone than can be gotten with Eboni and certain papers, such as Epson Hot Press
Re: [Digital BW] warm tone
2014-09-11 by Jacques Caron
Hi Keith, maybe long but very informative. After more than 40 years in the darkroom, I went with EB-6 inks on Epson Cold Press. Found the results (tone, d-max
Re: [Digital BW] warm tone
2014-09-11 by Keith Schreiber
I have a Canon iPF6400, a couple of Epson 3800s, and used to run a couple of Epson 7600s. The iPF series (I have no experience with smaller Canon printers) has
Re: Roark vs. Cone
2014-09-11 by richard@...
I would describe the two approaches as two different systems. This is not meant to be a criticism of Paul Roark, who we can all agree has done an amazing
Re: Roark vs. Cone
2014-09-11 by homershannon@...
LoL! I couldn t have said it better: and you would still have to pay Epson¹s $6000 per gallon ink prices, instead of using inksupply.com¹s, by comparison,
Re: warm tone
2014-09-11 by richard@...
Portriga Rapid, if I remember correctly, (I last used an old expired box 12 years ago and the prints are now in storage) was somewhat of a warm-reddish paper
RE: [Digital BW] warm tone
2014-09-11 by Elliot Puritz
Hi Again David and others making black and white prints: First: I have nothing to do with Canon other than being interested. I own and use Epson printers.
RE: [Digital BW] warm tone
2014-09-11 by Elliot Puritz
HI David: Well, I certainly don t know very much about the details except to write that the Canon site and other sites allude to printing of black and white
Re: [Digital BW] warm tone
2014-09-11 by David Kachel
Are you referring to the 2880? Probably. I don╣t keep up with printers I╣m not using. Incidentally, alluding to black and white printing using OEM inks:
RE: [Digital BW] warm tone
2014-09-11 by Elliot Puritz
Hi David: Are you referring to the 2880? Incidentally, alluding to black and white printing using OEM inks: Have any considered the Canon models with their
Re: [Digital BW] warm tone
2014-09-11 by David Kachel
I want to do matte warm tone prints sort of like the old Portriga. Which ink should I look at? If you have an Epson K3 printer, start with Epson╣s built-in
warm tone
2014-09-11 by geodesiq@...
I want to do matte warm tone prints sort of like the old Portriga. Which ink should I look at?
Re: [Digital BW] Roark vs. Cone
2014-09-11 by David Kachel
I do not claim or receive any royalties or cut of MIS B&W ink sales. What I have received from the cooperation is being able to find the inks I want to use.
Re: [Digital BW] Roark vs. Cone
2014-09-11 by Paul Roark
I do not claim or receive any royalties or cut of MIS B&W ink sales. What I have received from the cooperation is being able to find the inks I want to use.
Re: [Digital BW] Roark vs. Cone
2014-09-10 by David Kachel
I want to get into high quality b&w printing and I m researching my options. As I understand it there are 2 systems, Paul Roark & Jon Cone, is that correct?
Roark vs. Cone
2014-09-10 by geodesiq@...
I want to get into high quality b&w printing and I m researching my options. As I understand it there are 2 systems, Paul Roark & Jon Cone, is that correct?
MIS UT-14 for sale..
2014-09-10 by J.F. Felinik
Making my Epson 1400 a color printer again, and selling a full 4 oz bottle set of UT-14 (Glop is only half full but the rest are full and sealed). Shipping
Re: Epson R1800 to good home
2014-09-10 by paulmwhiting@...
I think you meant me, Paul W, not Paul R - me, I had to look that word up! Thanks, John, I never understood the edge effect. Now I get it! Paul W.
Re: [Digital BW] Re: Alternate flashing lights on an Epson 1400
2014-09-08 by asharpe@...
Wow. This may be more than I can handle, but this is really excellent! Thanks very much. Andrew On Mon, September 8, 2014 6:27 am, homershannon@gmail.com
Re: Alternate flashing lights on an Epson 1400
2014-09-08 by homershannon@...
What you need is an Epson 1400 workshop manual... I just happen to have one and it is posted at Epson 1400 work shop manual.pdf http://1drv.ms/1s2cMwu
Alternate flashing lights on an Epson 1400
2014-09-08 by Andrew Sharpe
Hi folks, Well, after printing a small proof sheet, my Epson 1400 started flashing red the paper feed light and the ink light, alternately. The feed backplate
UK based print exchange
2014-09-06 by lithprinter@...
Over the last few years we have run a digital print exchange. It is primarily UK based, but we have had participants from all over the world including the USA
Re: [Digital BW] Re: Epson R1800 to good home
2014-09-05 by John Castronovo
Yeah, it’s all about Mackie lines Paul. Been there, done that. From: mailto:DigitalBlackandWhiteThePrint@yahoogroups.com Sent: Friday, September 05, 2014
Re: Epson R1800 to good home
2014-09-05 by paulmwhiting@...
Maybe my memory had that backwards! Anyway, my standard was D-76 1:3 (not 1:1 which was more common). I heard it referred to as the English dilution, for some
Re: [Digital BW] Re: Epson R1800 to good home
2014-09-05 by Paul Roark
... Real men used Rodinal 1:100! (Actually, the more dilute the developer was, the greater edge effect and chemical sharpening of the image. My old standard