Re: Toning Methods?
2001-08-27 by jvlist@home.com
... between? ... what you see ... and I am incorrect ... Antonis, What do I know for sure? Oh man...I was afraid you were going to ask me that! For sure I know
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2001-08-27 by jvlist@home.com
... between? ... what you see ... and I am incorrect ... Antonis, What do I know for sure? Oh man...I was afraid you were going to ask me that! For sure I know
2001-08-27 by Johnny Deadman
... I use and endorse (!) the Rolleiflex if you don t need interchangeable lenses, and the Rollei SL66 if you do. The SL66 is *massively* underpriced at the
2001-08-26 by Antonis Ricos
John, when you choose ColorSync in the driver, what does it convert between? It allegedly tries to automate the process of giving you on print what you see on
2001-08-26 by dawmail@usa.net
Any recommendations would be helpful. I ve been using piezo with the 3000 for about a year, and expect to jump to the 7000 during the next month. While I think
2001-08-26 by Tyler Boley
... OK Martin, here goes. As concise as possible, if it s too concise just ask questions- Any Dan Culbertson method mentioned can be found on his pages in the
2001-08-26 by Martin Wesley
Jerry, As I said I may have a slightly off color vision. That brownish. but also had an olive green cast is what I am seeing on pretty much all papers with
2001-08-26 by Martin Wesley
Steve, I agree. There are so many subtle differences in lighting, paper and most importantly human eyeballs and the eyeball-to-brain connection. The very
2001-08-26 by Martin Wesley
Andre, No, I am afraid that they are just from the digital files. #1 from the unaltered drum scan and #2 the file after Photoshop just prior to printing which
2001-08-26 by jvlist@home.com
... uses your system ... everytime you ... (over time). ... I don t think that is correct. Your monitor profile does not control the output of the printer - it
2001-08-26 by jvlist@home.com
... is ... Mark, Have you used the soft-preview feature - command-Y -in Photoshop 6 for better accuracy in proofing? I t works pretty well for me. Also thanks
2001-08-26 by SKID Photography
... A few weeks ago we started to look into image compression for e-mailing large files to clients, and we specifically started researching Stuffit . It was
2001-08-26 by Tim Spragens
I ve been scanning images with Vuescan as compressed TIFF, 48- bit RGB. If I open these in Pshop and do anything, then resave, they grow. This made me stop to
2001-08-26 by Tim Spragens
I think it was Austin that pointed out here, or someplace else, that compressed TIFF often ends up with a *larger* image than uncompressed TIFF. I ve proved
2001-08-26 by Antonis Ricos
... ... But I was surprised to ... Sure. That s one factor (RGB vs CcMmYK). ... The problem with using colorsync at the driver level is that it uses your
2001-08-26 by Tim Atherton
... Really? of about 20,000 images saved as tiff so far, I can t say I ve ever noticed this. I ll look when I do the next 30,000 soon, but my experience so far
2001-08-26 by Mark Tucker
... I thought the same thing. It *always* looks close , and close is a very vague and subjective word here. But I was surprised to actually print out the
2001-08-26 by Jerry Olson
Martin, I see no green in any prints on EAM, but I do see a very brown image in daylight on pure white papers. Under tungsten lighting, they are completely
2001-08-26 by Ruhrfoto/Bernd L.
Just put a thick sheet of pastebord behind the one sheet of paper you want to print on (same format as your paper). Works in 99%. Bernd ... list pretty much
2001-08-26 by Jerry Olson
Placing a 1/4 sheet of foamcore behind your paper (same size as the paper) when printing will usually eliminate any paper feeding problems. I ve had feeding
2001-08-26 by Antonis Ricos
Hello Ed, welcome to the group! I haven t tried this particular paper / printer combo but here is what I do with my 1160 which may have similar feeding
2001-08-26 by Antonis Ricos
Mark, regarding monitor preview: this is unrelated to whether you tone or not. An RGB file should preview correctly if you follow good color management
2001-08-26 by Shire,Stanley
I had the same problem but a tip long ago (in digi time) on this list pretty much eliminated the feed problems. Use something hard and smooth as a burnisher
2001-08-26 by R Murai
From: Mark Tucker Reply-To: DigitalBlackandWhiteThePrint@yahoogroups.com Date: Sun, 26 Aug 2001 00:56:45 -0000 To:
2001-08-26 by Antonis Ricos
Bob, I am guessing you are working on a PC. What program are you saving your images from? If it is Photoshop, why PNG over, say, compressed TIFF? Tiff is a
2001-08-26 by ED HOME
Hello all. This is a great group. I am having a problem with feeding Somerset Photo Enhanced paper in my 1270. It won t feed about 99% of the time. Epson HWM
2001-08-26 by Julian Thomas
Mark, great stuff. Julian ... From: Mark Tucker To: Sent: Saturday, August 25, 2001
2001-08-26 by Robert Bollini
It s amazing how quickly you can fill a CD disk if you store several versions of an image. This is especially true if you are stitching a composite made of,
2001-08-26 by Andre Vallejo
The image Barracks in the files as I understand was printed and scanned back right?What printer,inks and paper you used?
2001-08-26 by Stephen Kundell, MD
Thanks to all for the responses. Mark, that is an awesome collection from India. Stephen [Non-text portions of this message have been removed]
2001-08-26 by tyork@accesscable.net
Hi Mark, I attempt to tonr using one of the canned duotones in PS6.01 and then adjust the color curve that I have chosen to get the look I want. I am new to
2001-08-26 by sdmey4@aol.com
In a message dated 08/25/2001 11:37:51 PM Pacific Daylight Time, mwesley250@earthlink.net writes:
2001-08-26 by Martin Wesley
Antonis, That is good news. The word is getting out and inkjet output is gaining acceptance. I am also very relieved to know that my Piezo prints will last
2001-08-26 by Martin Wesley
Paul, Jerry, Jon has said there are dyes in Piezo to achieve the desired tone. He did not clarify their nature or amount other than that it was small. I think
2001-08-26 by Paul Roark
Jerry, ... I thought his position was that there had to be some dyes in the pigmented inks to give them proper color. For example, the carbon black is said to
2001-08-26 by Mark Tucker
This prior post makes me think of yet another variable in this whole quest to eliminate color-crossovers when printing neutral B/W images using color inks.
2001-08-26 by Mark Tucker
I don t want this to be true, but reading Paul Roark s post makes me suspect of my combination of inks/paper too. I use the lightfast MIS dyes, which are
2001-08-25 by Jerry Olson
Paul, hasn t Cone repeatedly stated his inks are pure pigment? I thought he had. jerry
2001-08-25 by Paul Roark
... I suspect it is an ink problem more than an Archival Matte problem. The context of Cone s statement is a battle over the increasingly famous green cast
2001-08-25 by Ruhrfoto/Bernd L.
There is no replacement for EAM/EHM if you use it for proofing. Nothing prints as good and is as cheap. After proofing: forget about your EAM prints. Print
2001-08-25 by Jerry Olson
Andrea, I think that everybody should print an identical print on about a dozen sheets of paper, and then take them to the chemistry lab at your local
2001-08-25 by Andre Vallejo
Just saw the India pictures.Stunning.I always disliked this BW C41 films.You got me confused about it...!
2001-08-25 by Austin Franklin
... Bzzzzt. I believe you did state an opinion, that they are not the same animal... . They are designed by the same Zeiss engineers that design the
2001-08-25 by Antonis Ricos
I thought the list should be aware of page 41 in the current issue of PhotoTechniques (Sep/Oct 2001): Collector Prints: Landscapes - Piezography Printed. John
2001-08-25 by am1000@videotron.ca
Hi, Here s a snippet from a recent Jon Cone message on the other list. DO NOT PRINT ON EPSON ARCHIVAL MATTE! IT IS KNOWN TO TURN GREEN IN THE PRESENCE OF
2001-08-25 by Antonis Ricos
Stephen, you already got all the advice one can hope for and more. I am very impressed. So I am just adding my two cents: The issue of format in 120 is also
2001-08-25 by Austin Franklin
... I completely agree that the Rollei GX is an exceptional camera (I have one, I do love it)...but...it is not a fast camera IMO. There is no way to use it
2001-08-25 by Paul Roark
... I, too, am a medium format (mf) fan. It is the smallest format that gives me what I consider sharp 16x20s. As I ve gotten older (or lazier) I ve moved
2001-08-25 by Mark Tucker
You are venturing into uncharted territory here. This obviously could evolve into a whole maillist of its own. But briefly, I ve owned everything, and for
2001-08-25 by Austin Franklin
... I have traveled with a Hasselblad, sans prism and winder, with 110/2, shade and strap...most everywhere (hiking, biking etc.) with no case...and never had
2001-08-25 by Jerry Olson
The pentax 645 is fairly light weight, but is only 645. J