mate_stubb@... wrote:
>
> One of my personal favorites is CV stage selection.
Mine too. Imagine using the output of the 320 to control
stage selection and then playing with the shape to change
the time relationships between notes with the overall
sequence length remaining constant.
I also like the implementation used in the Wiard sequencer,
in that if both clock and VC stage select are present the
resulting stage selected is an XOR of the two inputs. By
manually changing the VC stage select you can change the
order the stages play on the fly.
However, I've gone down the same road and reached the same
conclusions as you. A kitchen sink sequencer just won't do.
I'd rather see the sequencer broken out into separate modules
like the SuperMoe. Alternately, try to keep the cost down on
the first MOTM sequencer. As soon as you have one you'll
want two, ad infinitum. Four simple sequencers are probably
more useful than one monster sequencer.
And while I'm at it, I'd like to vote for a SuperMoe Panel
run.
Tomy