> From: JWBarlow@...
> For those interested in a good temporary scribble
> strip solution, let me recommend getting some 3M Drafting Tape, which is
very
> much like masking tape except the adhesive will not leave a residue (even
> after many years) when stuck to a mixer or other audio equipment -- I
love
> the stuff.
Thanks for the tip Curley
> What I've been thinking is having a 1U 9X0 patching module at the extreme
> left of each MOTM row as well as a bus strip below each MOTM row. Given 8
> colors (white plus the rainbow) on the 16 jack 1U panel, the 1U 9X0 would
> have separate top patching and bottom patching sections. The bottom
section
> (of 8 jacks) would patch (exclusively) to the bus strip below that MOTM
row,
> while the upper section could patch (exclusively) to a bus strip above
that
> MOTM row, if one was present.
>
> So it differs from your idea Larry, in that not all blue jacks would have
the
> same signal on them, only those in the same "area." This would also allow
> signals to be distributed "upwards" through the system on the very
left-hand
> side -- eliminating the pesky cord interference problem.
Ok, I am getting your drift. However, I am missing something. If you have
9X0 on a 16 IU, you can only have one (9X2=18). Does each 9 on this panel
connect to the 9 on the other panels or what? "Splain it to be a little
better please Lucy"
Thanks
Larry (alias stooge name Larry)
>
> Now, as to the VCF/gutair patch, might I recommend the soon to be
released
> Fabulous MOTM Envelope Follower/Gate & Trigger Extractor. I think several
> people on this list are waiting for that module, and I can only hope that
> when it becomes available, the envelope follower output will have an
> amplifier on the output. Why, you ask? I was using my 420 with one of my
> other envelope followers, and noticed that I liked it more when I had the
> followers output plugged into two CV inputs of the 420; one input
couldn't
> provide the gain I wanted.
>
> John "nothing more to say here" Barlow
>
> >From: "J. Larry Hendry" <jlarryh@...>
>
> >> From: JWBarlow@...
> >> Color coded washers are a great start, but I still think a patchbay
> >> legending strip would be better.
>
> >OK, I agree. BUT (darn, there's always that but), my diy 19" panel
would
> >not dedicate any of the multis to anything. So, if you had the colors
> >distributed on all the 19" I U panels, then you could just pick one and
> >make it whatever you wanted. For example, blue might be connected as
the
> >gate today. Anyplace on the system you needed that gate, you just plug
> >into blue. Next week, that same blue distributed multiple might be used
> >for CV that is connected to 4 oscillators (if I was as fortunate as Dave
> >to
> >have 4). This would be easy even if 2 oscillators were on one row and
> >two
> >were on another row at a differnet level.
>
> >> So Larry, now that you've been doing the modular thing for a while,
> >>what's
> >> your general take on it?
>
> >Well, after spending 1 hour standing in front of mine tonight trying to
> >get
> >the audio of my guitar to make a decent gate so I could drive an EG, so
> >I
> >could use that EG to CV control the VCF that my guitar audio was running
> >through, I have to say. DAMN, this is fun and frustrating. Fun because
> >of all you can do. Frustrating, 'cause I wanted that little module that
I
> >don't have to do that one thing I wanted to do. I NEED MORE STUFF. I
> >did
> >get some success using the MOTM-700 as my audio to gate converter by
> >putting DC on one of the inputs. However, I needed something to mix the
> >guitar audio with DC so I could bias the signal so it was always on one
> >side of zero so I could gate the 700 with the two added together. That
> >would have made my MOTM-auto-wah guitar sound complete. Now, what was
> >your
> >question?
>
>
>
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