I like the idea of additive synthesis. The only "successful" additive synth
I'm aware of is either the Kawai or Kurzweil line (I forget which). I know
these are digital, but how are patches constructed in those? Do you
literally sit down and program each of the 128 oscillators, or is there a
bunched scheme (as you propose) going on?
--PBr
> -----Original Message-----
> From:Tkacs, Ken [SMTP:ken.tkacs@...]
> Sent:Tuesday, December 05, 2000 9:07 AM
> To:'motm@egroups.com'
> Subject:[motm] Long rave: Additive Synth VCO (was: MOTM 910 Nice Job
> Paul !!)
>
>
> This will take a lot more coffee and daydreaming. I keep thinking that
> through meditation or experimentation (which is harder) there might be a
> "eureka!!" solution to this, some way of making nifty changes to an
> additive
> signal through broad methods.
>