You could use an LFO routed through a VCA controlled by an EG to
modulate a VCO or VCF. Using the attack time on the EG to vary the time
it takes for the modulation to start. As for XLR connectors, I'd stay
away from them for power for a few reasons, 1) microphone cables are
made to carry small voltages at small currents, I think the wires are
only 24 or 28 gauge, not suitable for running a whole cabinet full of
MOTM. 2) I would never use an audio connector as a power connector, all
you need is some overzealous soundman to "help" you wire up your system,
see an XLR jack, and plug a direct line into it. Most people just
"assume" that an XLR means audio signal not power. If you know anyone
who has the correct crimper, I'd recommend the AMP circular CPC
connectors. They're made for repeat usage, they're non shorting, and
they lock. Bad news if you have to buy the crimper, it's about $400!!
-Nate
thomas white wrote:
> Here we go,
>
> I am fuzzy on this issue and I want to clear it up for myself once and
> for
> all. I would like to have a nice vibrato or filter modulation come
> rolling
> in about 2 seconds after I hit the key like on a Juno 106 or MC-202 or
> just
> about any Roland MKS- synth. How exactly do I do this with a modular?
> Extra
> EG and VCA? Gate/Trigger delay? DADSR? Somebody please give me a patch
> by
> patch description of how to do this. HELP!!! Thanks,
>
> Thomas White
>
> PS. Would it be OK to use a Microphone cable and connectors to run
> power
> from one panel to another on two separate SKB cases? Locking cable
> sounds
> inviting but I am not sure of any deeper drawbacks.
>
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