Hey folks,
I've posted another track to mp3.com; this one is off-kilter techno or house
or whatever you think it is.
Title: Bigshot
Gear used: TR-909; FR777; Yamaha E1005 analog delay; MOTM-300, 320, 420, 440
The 777 is barely heard (it's the input into the delay--has kind of a
chime-y guitar sound) but it's the sequencer of the MOTM line.
The MOTM line is pretty obvious--it's the "in your face" 6 note synth lead
line. The sine output of the 300 is modulating the cutoff frequency of the
420 in HPF mode, the 320 is modulating the pulse width of the 320, and the
inputs into the 420 (then 440) are pulse and saw. Pretty simple, but in full
bandwidth (esp. live) it's a helluva patch. Totally raw and beautiful.
Maybe Joe P can guess what I'm doing with the E1005 to get those godawful
sounds ;)
Feedback is always appreciated!
David Bivins
Associate Creative Director
Fry Multimedia | New York City
vox: 212.285.2600 x103
fax: 212.285.2546
http://www.frymulti.com"When you listen to someone, you should give up all your preconceived ideas
and your subjective opinions; you just listen to him, just observe what his
way is." - Shunryu Suzuki