Moe,
Thanks so much for sharing this!! I only now had time
to listen to your glorps and it blew me away.
I had to try this immediately and it's immensly funny!
The sonic differences are really impressive. Since I
only have one 440 I did the experiment with the 440
and an Oakley Superladder - you can clearly hear the
differences between the two filters. The interactions
are amazing. I hooked the 1V/Oct inputs of the two
filters to the output of a MOTM850 in order to
modulate the frequencies together - just wonderful.
Thanks again!
Dino
--- mate_stubb <
mate_stubb@...> wrote:
> That patch sounds pretty complex, doesn't it?
> Nothing could be further
> from the truth. You are listening to only 3 modules
> - 2 MOTM-440s and
> 1 MOTM-480.
>
> The 480 adds nothing more than a little swept color
> to the sound. All
> the frying sounds, moans, thunder cracks, etc. are
> generated by the
> two 440 filters oscillating, and feeding each
> other's FM1 input, which
> is cranked all the way to -5.
>
> Everything else is just tuning the frequencies until
> you get an
> interesting interaction. Because you are using
> feedback, you can get
> it to teeter in and out of an unstable situation.
> You can spend hours
> conjuring up howls from hell out of this basic
> simple patch.
>
> Try sticking 3 or more in a feedback loop, using
> oscillators as well
> as filters too. When doing this kind of heavy FM, I
> like to use sine
> waves as starters because if you use saws or
> something rich the
> harmonics can overwhelm you.
>
> Moe
> http://www.stoogeindustries.com
>
> --- In motm@yahoogroups.com, Geoff <overand@...>
> wrote:
> >
> > Man, nothing like a little MOTM-list glorp
> listening to make me feel
> > like one hell of a mediocre amateur! =]
> >
>
>
>
>
>
>
>
> Yahoo! Groups Links
>
>
> motm-unsubscribe@yahoogroups.com
>
>
>
>
>
>
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