Oops, sorry, my bad! Yes the end is fantastic, too. That's one of
my favorite pop-type synth pieces.
I'll post a few MP3s to the files section so you can hear what I
did. I'll also post one that I did with an Oakley filter (the
svf). The key is a good envelope follower/gate extractor and Tony
makes a great one.
--- In motm@yahoogroups.com, jwbarlow@a... wrote:
> In a message dated 5/3/2003 4:28:29 PM Pacific Daylight Time,
> mmarsh@w... writes:
>
> > Karnevil #9 was actually done
> > with the output of a sample&hold to the FM input of a filter (I
> > think I read that in a long-ago keyboard interview with KE's
> > tech). But that's ∗not∗ to say that same effect couldn't be
> > achieved with a sequencer - the pattern would just be more
> > repetitive.
> >
>
> Actually, I meant the very end of the record (where the Moog goes
crazy and
> blows up with all the smoke coming out of it, and the sequence
spins around
> your head in ... QUAROPHONIC!!) not the "Welcome back my
friends..." bit.
>
> > In the guitar world, the AdrenaLinn is a very cool device that
uses
> > a sequencers to modify the parameters of various well-known
guitar
> > effects. The results are spectacular, particularly when the
> > sequencer is sync'd to the tempo of the tune. Move over all you
> > keyboard players (oops, now I'm in for it).
> >
> > More boring syuff: when the AdrenaLinn first came out, I REALLY
> > REALLY wanted one but I had an addiction problem (MOTM). So
> > instead, I hooked my guitar through a 440 gated by an 800 driven
by
> > a 101 and got really nice results. I put the output of that
through
> > either an Oakley Equinoxe or a 410 for more funkiness. Coolio!
> >
>
> I'd very much like to check this out. There are actually quite a
few of us
> geetar players out here in MOTM land and we're ready to take on
all them
> keyboard players!
>
> JB