and 2 cents to the first to guess the mystery intrument!
--- In
motm@yahoogroups.com, "Mike Marsh <mmarsh@w...>" <mmarsh@w...>
wrote:
> Some could make it as demos, but I was thinking more on the order
of
> let's hear ∗everything∗ that's out there! Demos are usually pretty
> targeted.
>
> However, we could submit them to you for hosting with the
> understanding that some may be picked as demos and we would give
> permission (sort of in return for the hassle and cost of hosting).
>
> When I get home tonight, I'll send Paul an MP3 of "Pollock #1 2002"
> as my initial contribution. I was watching a documentary and then
a
> feature film on the life of Jackson Pollock and this was my first
> attempt at "action music" (as opposed to "action painting"). Paint
> (timbre) swirls of different tempo and location with bursts of
color
> and other stuff...BTW, there are 4 in the Pollock series. I like
#1
> best.
>
> Mike
>
> --- In motm@yahoogroups.com, "Paul Schreiber" <synth1@a...> wrote:
> > > How about we start an uncompetition? People submit a piece, a
> > > description, it gets hosted somewhere and people comment on the
> > > work. No winners or losers, just a chance to hear fellow
MOTMers'
> > > work.
> >
> >
> > Better yet: send them in as MOTM demos I can add to the website.
I
> need '190 RM demos,
> > especially. The demo files are getting 'rusty' in some cases.
Demos
> are the #1 reason quoted for
> > interest in MOTMs (well, it's not the low cost <snicker>). I'll
> take CD- ∗if∗ you put your NAME
> > on the CD (I have 4 mystery CDs laying on the shelf). They don't
> have to be the next Wendy
> > Carlos. Rather, many people ask about signal processing (vocals,
> guitar, etc) and I want to have
> > a dedicated demo section just on running external signals.
> >
> > Paul S.