So would that be like accetuating the resonance of the effect with the
feedback loop? I do this with my tape echo to get the classic dub sounds
drifting off for days. Good point Tony, I'll have to try it tonight. Wonder
how this works for filters like the upcoming 480 CS-80 that has been
described as bland in its overall resonance characteristics?
Thomas White
PS. JUNO VCF< JUNO VCF< JUNO VCF
>From: "Tony Allgood" <oakley@...>
>Reply-To: "Tony Allgood" <oakley@...>
>To: "MOTM List" <motm@yahoogroups.com>
>Subject: Re: [motm] MOTM Flanger?
>Date: Thu, 11 Apr 2002 08:38:18 +0100
>
>Here's one I liked for real heavy flanging with all sort of crazy
>audible things going on. Take one RS-09 cheesy keyboard from Roland.
>Shove its headphone output back into the external input via a MOTM
>mixer. This applies feedback to the internal chorus unit. Use another of
>the mixer's inputs to feed in your chosen program material. With fine
>tweaking on the feedback path, you can get it to scream wonderfully.
>
>This sort of thing will work with most analogue chorus pedals. Its not
>strictly flanging, but its very very interesting.
>
>Regards,
>
>Tony Allgood Penrith, Cumbria, England
>
>Oakley Sound Systems www.oakleysound.com
>
>
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