>
> How do you wire it?
>
> Say I have a 310 uVCO and a 300, can I run the output of the 310 into
> the "hard sync" jack on the 300? If so, the CV going into the 310
> controls the pitch, whereas the CV going into the 300 only controls
> the timbre of the sound? (they could both track the main CV i'm
> playing with the coarse adjustment on the 300 set to give me a
> specific sound)
Correct, and use the SHAPE of the '310 on PULSE.
The "pitch" and "timbre" depends on which VCO is faster (higher frequency). That is the dominant
VCO.
> The resonant sound, naer sine wave, of the filter ∗tracking∗ the
> harmonic content of the source wave. So, say if this patch were set
> with no oscillator, and the filter self oscillating, you'd here a
> continuous pitch shift. That's not what I want. With the oscillator
> going, I'm looking for that resonant peak to follow the content of
> the wave...
You want a '440. The key here is to have the CV of the VCO being dominant in the VCF as well, and
carefully adjusting the VCF FREQ and FM to cause the VCF to "track" the VCO. Also, this effect
will be more audible for saw and Pulse waveforms. You need to set the ADSR into the VCF to be in
the Sustain portion when you want to hear the effect, and the 'tracking' will be the Sustain
voltage attenuated by the FM pot.
Paul S.