Archive of the former Yahoo!Groups mailing list: MOTM

----- Original Message -----
From: bleeped <bleep@...>
> i often use my 120 in square/sub mode to distort beats and such... but
> turning up subs 3 and 4 basically just outputs a very, very lf square
> wave in that situation. i was wondering if anyone does anything similar,
> but puts the output through an 820 to get some sort of tone... or less
> popping and more beef (or tofu) at least. if you're out there, i'd
> appreciate it if you'd let me know what this does!

hello all,
i love putting my 120 over vocals - the more sub 3 & 4 the better
(the only humane treatment for some vocal tracks i've been presented with)
anyway, as i ran up to the attic thinking about this one i realised what
paul s said originally
you're basically putting audio thru the 820 in-which case it will act like a
low pass filter
so i tried it and it does...
so then i tried mult-ing the output to the hard sync input of a vco...
more my first attempt at making seitan from scratch ("urgh it looks like
slugs") than tofu
however if you were mucking around with an oakley wavefolder or the
forthcoming MOTM waveshaping module, i'm sure something very useful would
come of those pesky sub 3&4s

cheers
paul b
knackered off to bed now