Err, because Yamaha patented Chowning's work and sued anybody who
dared to try to use it?
Moe
>>>>
Anyone have any insight as to why greater-than-2-operator FM
synthesis never
left Yamaha, aside from Clavia's peek in the Nord Lead 3? Or are
there
synths aside from the DX family and the recent FS1R and DX200 that do
intensive FM?
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