Oh, and I forgot to mention chaos patching. Put cables where you
don't think they belong, particularly where you think they might feed
back. There are a couple of great examples in the News section of
Paul's Web site.
Mike
--- In motm@y..., "Mike Marsh" <mmarsh@s...> wrote:
> Hey Richard -
>
> I'm not sure about the Shepard Function (maybe requires delay with
> feedback) but I'll share a few of my favortie tricks for getting
MOTM
> to play ∗ahem∗ himself.
>
> 1) Use the 101 S&H for well-known randomness. This is a cool way
to
> explore new timbres.
>
> 2) Use the 320 as the S&H IN. Try all the waveforms and play with
> SHAPE and RATE on the 320 and LEVEL and SPEED on the 101.
Seemingly
> endless variety of patterns emerge. This could even be more fun
with
> a quantizer (hint hint Paul and I know the MiniWave has a
quantizing
> trick up its sleeve).
>
> 3) Use a 300 into A IN of the 120 and the 320 SIN into B IN and put
> the 120 into CROSS mode. Vary RATE on the 320. Don't forget to
try
> the WHITE OUT of the 101 as B IN as well! Mayhem!
>
> 4) Use a sequencer: UEG, Mobius, or software. Total fun and much
> music results.
>
> Have fun!
>
> Mike
>
> --- In motm@y..., phaeton777@y... wrote:
> > Hi,
> >
> > Does anyone know how to patch existing MOTM modules to create the
> > Shepard Function "Barber Pole" effect? Or any other non-repeating
> > patches? I like listening to my synths play themselves...
> >
> > Richard.