If you connect one VCO to the input and another to the Up/Down modulation
control then the VC Lag makes a pretty nice timbre modulator or waveshaper.
The output will still be periodic and therefore harmonic, but will have many
shifting overtones due to the frequency offsets of the two VCOs.
Controlling the modulation input VCO frequency or amplitude creates
additional animation of the signal. This works into the low to mid audio
frequency range.
John Loffink
microtonal@... >
> I have been searching the archive for about the last hour and
> stumbled upon a post made over a year ago about the MOTM Lag
> processor. It says it can be used for things other than "glide",
> like "turning pulse/square LFO's into bizzare shapes". So how does
> the Lag do this? What do the up, down, up/down and shape controls do
> when running an LFO (or audible audio for that matter) through the
> Lag?
>
>