Vladamir Ussechevsky had a famous quote to the effect that, once recorded, all sounds
become electronic sounds. This was in regard to "musique concrete".
Technically correct, but I think he was hinting at the deeper idea that all recorded sound
can become "grist for the mill" of the tape composer.
Not to take anything away from anyone else, but one long time Wiard customer, Michael
Truman of Alberta, truly excels at processing field recordings into pure electronic music.
Very impressive, he tells me he just uses Borg filters, but the results are amazing.
The people of this group never fail to surprise and please with their imagination, breadth
and depth of technique and the quality of the results.
A bit more self editing wouldn't hurt, but that holds true for every human art form!
<humor>
Here is a tip from the theatre. Time moves very fast on stage and very slow in the
audience. So a one minute gap may seem like 10 seconds to the performers, but like 10
minutes to the audience.
Just something to think about... no offense intended to anyone.
--- In wiardgroup@yahoogroups.com, davevosh@... wrote:
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> hello to all,
> with this brief discussion of frying bacon vs. frying tofu, i wonder if any
> of the scientific types here have recorded the sound of each and done a
> spectrum analysis of them then compared them to white and pink noise spectrums ?
> my aesthetic is open enough to see it all as "music" - frying bacon/tofu,
> trucks whooshing by me on the highway, jets zooming in my front door and out the
> back (not only do i live about 1000ft. from a major airbase but its also
> armed forces day / airshow weekend !), tortured woggled noises, "switched on
> bach", "telemusik" and all other forms of audio expression.
> i.m.h.o., one can never reject an audio construct as "musically invalid", i
> can merely decide whether i like it or not - everyones ears and experiences
> are different.
> best,
> dave
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