I also think the comb filter is awesome. I was
speaking with Grant and he mentioned the reason he was less than enthusiastic
about manufacturing it was the effect it produced was too subtle.
Grant, what if you modified it as a comb filter/ resonant equalizer
whereby you could voltage control both frequency ranges and volumes within the
comb? That might create a more dramatic effect for the
frequency ranges within the high and low end of the band?
Just a thought. I'd love to see the ball get
rolling on that module.
I'm also interested in the boogie filter which you described
as making everything sound like a tuba. Sounds fun.
Finally could you post a patch diagram that would demonstrate
how to patch up the wiard to fulfill the same function as the drone
tone (the main reason that module is not going to see the light of
day)?
Thanks
Chris