I should also mention that the Sallen-Key is lambasted in the engineering article, while the state variable is praised. So I guess the point is, the more engineering precise a filter, the less musical it is. Ironic, eh? So if you want to clean up shortwave broadcasts to make a voice more intellegible, use a state variable. If you want to smack the sucker with a big pulse and get an acoustic sounding audio response, use a Sallen-Key. What they are talking about with limited Q, I have no idea. Sallen-Key filters are resonant as Hell. --- In wiardgroup@yahoogroups.com, "Grant Richter" <grichter@a...> wrote: > > The description "state variable filter" refers to a specific filter topology in engineering. > > See: "A Beginner Guide to Filter Topologies" > > http://www.maxim-ic.com/appnotes.cfm/appnote_number/1762 > > A state variable filter is the analogue computer simulation of a mass suspended on a spring. > You will find it in all analogue computing books as an introduction to analogue computer > patching. > > It is literally, the oldest trick in the book. >
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Re: the variable state of nomenclature
2006-01-12 by Grant Richter
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