Agreed Frank - and listening to any Roy Thomas Baker, Nick Chapman or Mutt Lange-produced record also evokes a particular musical sound. I like Tony Clarke's production work - you can hear a definite improvement through the 'classic seven' Moodies albums and even especially on the Blue Jays album. Pip Williams and Tony Visconti made a show of it, but the sound was different for certain. Vance On 10/11/2011 7:23 PM, lsf5275@aol.com wrote: > > What's not to like? Alan Parsons was substantially responsible for > Dark Side of the Moon. > In a message dated 10/11/2011 9:00:07 P.M. Eastern Daylight Time, > vance@juniperpacific.com writes: > > Ah! The miracle of a talented producer.....The Sixth Moody, Tony > Clarke, had a major part to play in their sound, like it or not. > > Vance (with shields up) > > On 10/11/2011 5:22 PM, Chris Dale wrote: > >> It's the same string sound a 400 has but the sound is coming from >> (at that time) the MK II tube preamps, miked up speakers, and an >> plate reverb. >> >> It's more the processing than the actual tapes. Modifying the >> Mellotron came later. >> >> >> On Wed, Oct 12, 2011 at 8:34 AM, Mark <markpringnz@gmail.com >> <mailto:markpringnz@gmail.com>> wrote: >> >> I'm not a Moody Blues fan but just been listening to "nights" >> again, not a song I like but the mellotron sound really is >> wonderful, I think the Mark II has a sound of it's own I >> don't believe you could make an M400 sound like that. >> >> Mark >> >> >
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Re: [newmellotrongroup] Nights in White Satin
2011-10-12 by Vance Pomeroy
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