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Off topic WOMAD 2010 Taranaki

Off topic WOMAD 2010 Taranaki

2010-03-15 by Mark Pring

Just back from a 3 day music festival at Taranaki. Babylon Circus, Dub Colossus and the Skaltalites were the stand out "modern" acts, Amal Murkus, Gochag Askarov and Kamel el Haraachi the stand out "traditional" players. No mellotrons alas. I was interested to see that Nords and Korgs dominated the keyboards used especially the Korg CX3 and X50.. The sounds used were mainly electric pianos, Rhodes and Wurlitzer and the Hammond B3. I suppose not many people will tour with the orginal instruments now. Odd that most of the keyboards seem to be designed mainly to emulate sounds from 50-70 years ago. I can't think of any really new keyboard sounds produced over the last 20 years. As the original instruments age, appreciate in value and crumble to dust I suppose emulations will be all that we are left with.


Mark


Re: [newmellotrongroup] Off topic WOMAD 2010 Taranaki

2010-03-16 by Bruce Daily

Hi Mark-
   Excellent point you brought up.  What can we do with keyboards now to produce truely original sounds?
   I remember when synthesizers were supposed to be able to be the "new orchestras".  Tomita made a noble try, but just as quickly flew into space.  Carlos made her own excellent mark (as did others), but kept a narrow style focus.
   Does David Byrne present a new direction in playing man-made objects from the keys?  Or, is it just another musique concrete?  Maybe the sounds of nature could be played from the keys in a musical sense.
   We play what we enjoy.  But, like movies or TV programming, there is a lot of imitation in the process.
 
   Can someone please invent a new mechanical keyboard so it can be imitated?
 
   -Bruce Daily


--- On Mon, 3/15/10, Mark Pring <markpringnz@yahoo.com> wrote:
Show quoted textHide quoted text
From: Mark Pring <markpringnz@yahoo.com>
Subject: [newmellotrongroup] Off topic WOMAD 2010 Taranaki
To: newmellotrongroup@yahoogroups.com
Date: Monday, March 15, 2010, 5:16 PM


  








Just back from a 3 day music festival at Taranaki. Babylon Circus, Dub Colossus and the Skaltalites were the stand out "modern" acts, Amal Murkus,  Gochag Askarov and Kamel el Haraachi the stand out "traditional"  players.  No mellotrons alas. I was interested to see that Nords and Korgs dominated the keyboards used especially the Korg CX3 and X50.. The sounds used were mainly electric pianos, Rhodes and Wurlitzer and the Hammond B3. I suppose not many people will tour with the orginal instruments now. Odd that most of the keyboards seem to be designed mainly to emulate sounds from 50-70 years ago. I can't think of any really new keyboard sounds produced over the last 20 years. As the original instruments age, appreciate in value and crumble to dust I suppose emulations will be all that we are left with.


Mark

Re: [newmellotrongroup] Off topic WOMAD 2010 Taranaki

2010-03-16 by fdoddy@aol.com

I want to invent the contra bass hammered dulcimer....really.
Show quoted textHide quoted text
-----Original Message-----
From: Bruce Daily <pocotron@yahoo.com>
To: newmellotrongroup@yahoogroups.com
Sent: Mon, Mar 15, 2010 11:29 pm
Subject: Re: [newmellotrongroup] Off topic WOMAD 2010 Taranaki


  
                  


Hi Mark-
   Excellent point you brought up.  What can we do with keyboards now to produce truely original sounds?
   I remember when synthesizers were supposed to be able to be the "new orchestras".  Tomita made a noble try, but just as quickly flew into space.  Carlos made her own excellent mark (as did others), but kept a narrow style focus.
   Does David Byrne present a new direction in playing man-made objects from the keys?  Or, is it just another musique concrete?  Maybe the sounds of nature could be played from the keys in a musical sense.
   We play what we enjoy.  But, like movies or TV programming, there is a lot of imitation in the process.
 
   Can someone please invent a new mechanical keyboard so it can be imitated?
 
   -Bruce Daily


--- On Mon, 3/15/10, Mark Pring <markpringnz@yahoo.com> wrote:


From: Mark Pring <markpringnz@yahoo.com>
Subject: [newmellotrongroup] Off topic WOMAD 2010 Taranaki
To: newmellotrongroup@yahoogroups.com
Date: Monday, March 15, 2010, 5:16 PM


  



Just back from a 3 day music festival at Taranaki. Babylon Circus, Dub Colossus and the Skaltalites were the stand out "modern" acts, Amal Murkus,  Gochag Askarov and Kamel el Haraachi the stand out "traditional"  players.  No mellotrons alas. I was interested to see that Nords and Korgs dominated the keyboards used especially the Korg CX3 and X50.. The sounds used were mainly electric pianos, Rhodes and Wurlitzer and the Hammond B3. I suppose not many people will tour with the orginal instruments now. Odd that most of the keyboards seem to be designed mainly to emulate sounds from 50-70 years ago. I can't think of any really new keyboard sounds produced over the last 20 years. As the original instruments age, appreciate in value and crumble to dust I suppose emulations will be all that we are left with.


Mark

RE: [newmellotrongroup] Off topic WOMAD 2010 Taranaki

2010-03-16 by Pomeroy RH Ranch

Can I get one with MIDI-actuated solenoid hammers??

  

I want to invent the contra bass hammered dulcimer....really.
Show quoted textHide quoted text
-----Original Message-----
From: Bruce Daily <pocotron@yahoo.com>
To: newmellotrongroup@yahoogroups.com
Sent: Mon, Mar 15, 2010 11:29 pm
Subject: Re: [newmellotrongroup] Off topic WOMAD 2010 Taranaki

  


Hi Mark-

   Excellent point you brought up.  What can we do with keyboards now to
produce truely original sounds?

   I remember when synthesizers were supposed to be able to be the "new
orchestras".  Tomita made a noble try, but just as quickly flew into space.
Carlos made her own excellent mark (as did others), but kept a narrow style
focus.

   Does David Byrne present a new direction in playing man-made objects from
the keys?  Or, is it just another musique concrete?  Maybe the sounds of
nature could be played from the keys in a musical sense.

   We play what we enjoy.  But, like movies or TV programming, there is a
lot of imitation in the process.

 

   Can someone please invent a new mechanical keyboard so it can be
imitated?

 

   -Bruce Daily



--- On Mon, 3/15/10, Mark Pring <markpringnz@yahoo.com> wrote:


From: Mark Pring <markpringnz@yahoo.com>
Subject: [newmellotrongroup] Off topic WOMAD 2010 Taranaki
To: newmellotrongroup@yahoogroups.com
Date: Monday, March 15, 2010, 5:16 PM

  


Just back from a 3 day music festival at Taranaki. Babylon Circus, Dub
Colossus and the Skaltalites were the stand out "modern" acts, Amal Murkus,
Gochag Askarov and Kamel el Haraachi the stand out "traditional"  players.
No mellotrons alas. I was interested to see that Nords and Korgs dominated
the keyboards used especially the Korg CX3 and X50.. The sounds used were
mainly electric pianos, Rhodes and Wurlitzer and the Hammond B3. I suppose
not many people will tour with the orginal instruments now. Odd that most of
the keyboards seem to be designed mainly to emulate sounds from 50-70 years
ago. I can't think of any really new keyboard sounds produced over the last
20 years. As the original instruments age, appreciate in value and crumble
to dust I suppose emulations will be all that we are left with.

 

Mark

RE: [newmellotrongroup] Off topic WOMAD 2010 Taranaki

2010-03-17 by Bruce Daily

Sounds like electro heavy metal.


--- On Tue, 3/16/10, Pomeroy RH Ranch <punchbowl4@earthlink.net> wrote:
Show quoted textHide quoted text
From: Pomeroy RH Ranch <punchbowl4@earthlink.net>
Subject: RE: [newmellotrongroup] Off topic WOMAD 2010 Taranaki
To: newmellotrongroup@yahoogroups.com
Date: Tuesday, March 16, 2010, 9:29 AM


  





 
 
Can I get one with MIDI-actuated solenoid hammers??
  




I want to invent the contra bass hammered dulcimer.... really.

 

 

 

-----Original Message-----
From: Bruce Daily <pocotron@yahoo. com>
To: newmellotrongroup@ yahoogroups. com
Sent: Mon, Mar 15, 2010 11:29 pm
Subject: Re: [newmellotrongroup] Off topic WOMAD 2010 Taranaki

  









Hi Mark-

   Excellent point you brought up.  What can we do with keyboards now to produce truely original sounds?

   I remember when synthesizers were supposed to be able to be the "new orchestras".  Tomita made a noble try, but just as quickly flew into space.  Carlos made her own excellent mark (as did others), but kept a narrow style focus.

   Does David Byrne present a new direction in playing man-made objects from the keys?  Or, is it just another musique concrete?  Maybe the sounds of nature could be played from the keys in a musical sense.

   We play what we enjoy.  But, like movies or TV programming, there is a lot of imitation in the process.

 

   Can someone please invent a new mechanical keyboard so it can be imitated?

 

   -Bruce Daily



--- On Mon, 3/15/10, Mark Pring <markpringnz@ yahoo.com> wrote:


From: Mark Pring <markpringnz@ yahoo.com>
Subject: [newmellotrongroup] Off topic WOMAD 2010 Taranaki
To: newmellotrongroup@ yahoogroups. com
Date: Monday, March 15, 2010, 5:16 PM

  







Just back from a 3 day music festival at Taranaki. Babylon Circus, Dub Colossus and the Skaltalites were the stand out "modern" acts, Amal Murkus,  Gochag Askarov and Kamel el Haraachi the stand out "traditional"  players.  No mellotrons alas. I was interested to see that Nords and Korgs dominated the keyboards used especially the Korg CX3 and X50.. The sounds used were mainly electric pianos, Rhodes and Wurlitzer and the Hammond B3. I suppose not many people will tour with the orginal instruments now. Odd that most of the keyboards seem to be designed mainly to emulate sounds from 50-70 years ago. I can't think of any really new keyboard sounds produced over the last 20 years. As the original instruments age, appreciate in value and crumble to dust I suppose emulations will be all that we are left with.

 

Mark