I think those are Andy Thompson's words and not Jasun's, but he seems
to have latched onto them. I tend to agree - not an awful lot happens,
and the stuff that
does is pretty uninteresting. As for the
fabled Mellotron solo, it leaves me pretty lukewarm. Arrhythmic, atonal
music with little harmonic centre is something that usually pleases me,
but this sounds like the sort of stuff I have
trawled out whilst
tuning up The Beast That Is #996.
Then again, the first time I heard it I thought it was pleasing enough,
but I imagine that was down to its novelty more than anything else. As
a piece of
music it's pretty thin on thrills. However, it's a
splendid
soundtrack. In that sense I find it bears a lot of
thematic similarity to The Residents' record
Eskimo. You might
be able to play it only once every five years, but when you do, turn
the lights out and try and lose yourself in it. I adore
Eskimo
but I couldn't play it more often than that because I'd hate to get
used to it. Jasun's work may yet fall into that category, but I've only
had it for a year or so. I've had
Eskimo since it was released.
The only thing non-musical they have in common is that both were signed
by the artists. Yes, I have a signed album...
by the Residents.
(Or two of them. My copy of
The Commercial Album also also
vandalised in this way) When I first got it I had people wanting to
come to come to my house to see it. The same thing happened when I got
the Mellotron. '
I awoke one morning and found myself famous', as
one notorious dope-addled fuckwit once blubbered.
Oddly enough, for all his (mostly Jackson/Zappa-centric) chest puffing,
I find Jasun quite an engaging figure and his enthusiasm for the
Mellotron is very endearing. I'm not sure I'd recommend his album for
its Mellotronacious content, but I might just to do him a favour.
Mike
lsf5275@aol.com wrote: