2009-05-21 by lsf5275@aol.com
I recently had the privilege of seeing a band called Moon Safari
live at ROSfest. They are a young alternative/progressive band from Sweden. They
put on an amazing show. Imagine The vocal harmonies of the vintage Beach Boys
coupled progressive pop and tons of Mellotron. Excellent musicianship
throughout. I purchased their new double CD, "Blomljud." It's
great.
Go here and listen to Ghosts of Flowers Past.
Frank
2009-05-22 by marabus
Frank,
I have their first one(produced by Tomas Bodin of The Flower Kings)and
love it.
I'll have to get the new one.Glad they put on a good show.
Pete
lsf5275@aol.com wrote:
>
>
> I recently had the privilege of seeing a band called Moon Safari live
> at ROSfest. They are a young alternative/progressive band from Sweden.
> They put on an amazing show. Imagine The vocal harmonies of the
> vintage Beach Boys coupled progressive pop and tons of Mellotron.
> Excellent musicianship throughout. I purchased their new double CD,
> "Blomljud." It's great.
>
> http://www.myspace.com/wespintheworld
>
> Go here and listen to Ghosts of Flowers Past.
>
> Frank
2009-10-10 by marabus
2009-12-01 by lsf5275@aol.com
Even credited on the album
2009-12-01 by ClayE
2009-12-01 by tony1
Well titled, it's TOTAL rubbish to me.
Singers are NOT musicians to me.
Tony
----- Original Message -----
Sent: Tuesday, December 01, 2009 5:01
PM
Subject: [newmellotrongroup] Re:
Tronspotting
Even credited on the album
2009-12-02 by fdoddy@aol.com
Do you ever read the comments people leave on Youtube?
lol Many people are idiot IMHO lol. I think it like a Beatle songs lol. the bit at the middle is something lol it better in canadian lol
fd
-----Original Message-----
From: lsf5275@aol.com
To: newmellotrongroup@yahoogroups.com; Mellotronists@yahoogroups.com
Sent: Tue, Dec 1, 2009 5:01 pm
Subject: [newmellotrongroup] Re: Tronspotting
Even credited on the album
2009-12-02 by fdoddy@aol.com
Here's a guilty admission for you. I don't mind the latest Coldplay album. Eno did a nice job. There are some adventurous cuts buried in there.
So shoot me....
fd
-----Original Message-----
From: ClayE <ecclesreinson@rogers.com>
To: newmellotrongroup@yahoogroups.com
Sent: Tue, Dec 1, 2009 5:23 pm
Subject: [newmellotrongroup] Re: Tronspotting
2009-12-02 by fdoddy@aol.com
Ok, so I guess Bobby McFerrin, Cecilia Bartoli, Luther Vandross, Patsy Cline, Karen Carpenter and Nusrat Fateh Ali Khan aren't musicians then?
Tony, you have a very small mind
oh, and I guess turntables aren't musical instruments either?
fritz....singer/songwriter
-----Original Message-----
From: tony1 <atm655@verizon.net>
To: newmellotrongroup@yahoogroups.com; Mellotronists@yahoogroups.com
Sent: Tue, Dec 1, 2009 6:18 pm
Subject: Re: [newmellotrongroup] Re: Tronspotting
Well titled, it's TOTAL rubbish to me.
Singers are NOT musicians to me.
Tony
----- Original Message -----
Sent: Tuesday, December 01, 2009 5:01
PM
Subject: [newmellotrongroup] Re:
Tronspotting
Even credited on the album
2009-12-02 by Daniel Swanson
I agree. The last track's a real high point. "Death and All of His Friends." It's got all those great epic elements.
Here's a guilty admission for you. I don't mind the latest Coldplay album. Eno did a nice job. There are some adventurous cuts buried in there.
So shoot me....
fd
-----Original Message-----
From: ClayE <ecclesreinson@ rogers.com>
To: newmellotrongroup@ yahoogroups. com
Sent: Tue, Dec 1, 2009 5:23 pm
Subject: [newmellotrongroup] Re: Tronspotting
2009-12-02 by lsf5275@aol.com
Frit, you better go back to scool. lol
In a message dated 12/1/2009 11:00:40 P.M. Eastern Standard Time,
fdoddy@aol.com writes:
Do you ever read
the comments people leave on Youtube?
lol Many people are
idiot IMHO lol. I think it like a Beatle songs lol. the bit at the
middle is something lol it better in canadian
lol
fd
-----Original
Message-----
From: lsf5275@aol. com
To:
newmellotrongroup@ yahoogroups. com;
Mellotronists@ yahoogroups. com
Sent: Tue, Dec 1, 2009 5:01
pm
Subject: [newmellotrongroup] Re: Tronspotting
Even credited on the album
2009-12-02 by lsf5275@aol.com
Mellotrons aren't musical instruments either Fritz. They're keyboard
actuated tape players, right? And they are also nice sideboards.
Frank
In a message dated 12/1/2009 11:23:02 P.M. Eastern Standard Time,
fdoddy@aol.com writes:
Ok, so I guess Bobby McFerrin,
Cecilia Bartoli, Luther Vandross, Patsy Cline, Karen Carpenter and Nusrat
Fateh Ali Khan aren't musicians then?
Tony, you have a very small
mind
oh, and I guess turntables aren't musical instruments
either?
2009-12-02 by lsf5275@aol.com
Clay, throw Fritz off the list.
In a message dated 12/1/2009 11:16:05 P.M. Eastern Standard Time,
fdoddy@aol.com writes:
Here's a guilty admission for
you. I don't mind the latest Coldplay album. Eno did a nice
job. There are some adventurous cuts buried in there.
So shoot
me....
2009-12-02 by Andy Thompson
----- Original Message -----
Sent: Wednesday, December 02, 2009 3:59
AM
Subject: Re: [newmellotrongroup] Re:
Tronspotting
2009-12-02 by lsf5275@aol.com
I couldn't agree more, Andy.
Frank
In a message dated 12/2/2009 8:41:16 A.M. Eastern Standard Time,
andy.thompson@virgin.net writes:
----- Original Message -----
Sent: Wednesday, December 02, 2009 3:59
AM
Subject: Re: [newmellotrongroup] Re:
Tronspotting
2009-12-02 by ClayE
I don't mind Coldplay at all. Viva La Vida is a very good recording. Nice string arrangements. I didn't know that Eno produced it. Did he do some Enosification?
--- In newmellotrongroup@yahoogroups.com, fdoddy@... wrote:
>
>
> Here's a guilty admission for you. I don't mind the latest Coldplay album. Eno did a nice job. There are some adventurous cuts buried in there.
>
> So shoot me....
>
>
> fd
>
>
>
>
>
> -----Original Message-----
> From: ClayE <ecclesreinson@...>
> To: newmellotrongroup@yahoogroups.com
> Sent: Tue, Dec 1, 2009 5:23 pm
> Subject: [newmellotrongroup] Re: Tronspotting
>
>
>
>
>
> Sounds like a Coldplay song. You know... the one that sounds like somebody else's song, that sounds like another song, that sounds like the Beatles. Nice M Flute tho.
>
> --- In newmellotrongroup@yahoogroups.com, lsf5275@ wrote:
> >
> > Even credited on the album
> >
> >
> > _www.youtube.com/watch?v=Vi3cEzJnmWI_
> > (http://www.youtube.com/watch?v=Vi3cEzJnmWI)
> >
>
2009-12-02 by Andy Thompson
----- Original Message -----
Sent: Wednesday, December 02, 2009 2:14
PM
Subject: Re: [newmellotrongroup] Re:
Tronspotting
I couldn't agree more, Andy.
Frank
I have no idea why my posts sometimes come out
blank... Maybe Yahoo! deletes their content on the grounds of tedium? What I
tried to say was...
Fritz
Any idea who played the Mellotron
on the Leona Lewis track? No obvious references online.
Andy T.
2009-12-02 by fdoddy@aol.com
I don't remember if he was the sole producer, but under headphones it certainly feels like Eno throughout.
My wife likes Coldplay and I bought it for her and after listening to it on a trip I was..like..hey, this is ok lol brb gtg imho fotflol and sometimes Y
fd
-----Original Message-----
From: ClayE <ecclesreinson@rogers.com>
To: newmellotrongroup@yahoogroups.com
Sent: Wed, Dec 2, 2009 9:14 am
Subject: [newmellotrongroup] Re: Tronspotting
I don't mind Coldplay at all. Viva La Vida is a very good recording. Nice string arrangements. I didn't know that Eno produced it. Did he do some Enosification?
--- In newmellotrongroup@ yahoogroups. com, fdoddy@... wrote:
>
>
> Here's a guilty admission for you. I don't mind the latest Coldplay album. Eno did a nice job. There are some adventurous cuts buried in there.
>
> So shoot me....
>
>
> fd
>
>
>
>
>
> -----Original Message-----
> From: ClayE <ecclesreinson@ ...>
> To: newmellotrongroup@ yahoogroups. com
> Sent: Tue, Dec 1, 2009 5:23 pm
> Subject: [newmellotrongroup] Re: Tronspotting
>
>
>
>
>
> Sounds like a Coldplay song. You know... the one that sounds like somebody else's song, that sounds like another song, that sounds like the Beatles. Nice M Flute tho.
>
> --- In newmellotrongroup@ yahoogroups. com, lsf5275@ wrote:
> >
> > Even credited on the album
> >
> >
> > _www.youtube. com/watch? v=Vi3cEzJnmWI_
> > (http://www.youtube. com/watch? v=Vi3cEzJnmWI)
> >
>
2009-12-02 by fdoddy@aol.com
Ryan Tedder produced the track, played many of the instruments including the tron at Abbey Road Studios.
fd
-----Original Message-----
From: Andy Thompson <andy.thompson@virgin.net>
To: newmellotrongroup@yahoogroups.com
Sent: Wed, Dec 2, 2009 9:27 am
Subject: Re: [newmellotrongroup] Re: Tronspotting
----- Original Message -----
Sent: Wednesday, December 02, 2009 2:14
PM
Subject: Re: [newmellotrongroup] Re:
Tronspotting
I couldn't agree more, Andy.
Frank
I have no idea why my posts sometimes come out
blank... Maybe Yahoo! deletes their content on the grounds of tedium? What I
tried to say was...
Fritz
Any idea who played the Mellotron
on the Leona Lewis track? No obvious references online.
Andy T.
2009-12-02 by tony1
Fritz go soak your head.
If you think your opinion means anything
to me, you are very mistaken.
As with all opinions, we are entitled to
our own.
Tony
----- Original Message -----
Sent: Tuesday, December 01, 2009 11:22
PM
Subject: Re: [newmellotrongroup] Re:
Tronspotting
Ok, so I guess
Bobby McFerrin, Cecilia Bartoli, Luther Vandross, Patsy Cline, Karen Carpenter
and Nusrat Fateh Ali Khan aren't musicians then?
Tony, you have a very
small mind
oh, and I guess turntables aren't musical instruments
either?
fritz....singer/ songwriter
-----Original
Message-----
From: tony1 <
atm655@verizon. net>
To:
newmellotrongroup@ yahoogroups. com;
Mellotronists@ yahoogroups. com
Sent: Tue, Dec 1, 2009 6:18
pm
Subject: Re: [newmellotrongroup] Re: Tronspotting
Well titled, it's TOTAL rubbish to me.
Singers are NOT musicians to me.
Tony
-----
Original Message -----
Sent:
Tuesday, December 01, 2009 5:01 PM
Subject:
[newmellotrongroup] Re: Tronspotting
Even credited on the album
2009-12-02 by Andy Thompson
----- Original Message -----
Sent: Wednesday, December 02, 2009 4:18
PM
Subject: Re: [newmellotrongroup] Re:
Tronspotting
Ryan Tedder
produced the track, played many of the instruments including the tron at Abbey
Road Studios.
Thanks Fritz - the album's
predictablt bland, but compared to most of the jokers on that terrible show,
she can actually sing.
Andy T.
2009-12-02 by lsf5275@aol.com
I guess you didn't read the fine print, Tony. You have to pay extra if you
want to express your opinion. Fritz not only paid for that feature, but he also
got the sense of humor feature as well.
Frank
In a message dated 12/2/2009 11:38:54 A.M. Eastern Standard Time,
atm655@verizon.net writes:
Fritz go soak your head.
If you think your opinion means
anything to me, you are very mistaken.
As with all opinions, we are entitled
to our own.
Tony
2009-12-02 by Mike Dickson
Never even heard of her. Shit song anyway.
lsf5275@aol.com wrote:
Even credited on the album
2009-12-02 by Mike Dickson
You're insane.
tony1 wrote:
Singers are NOT musicians to me.
2009-12-03 by lsf5275@aol.com
I think almost everyone here would agree. The human voice is the greatest
of all instruments.
In a message dated 12/2/2009 6:00:42 P.M. Eastern Standard Time,
mike.dickson@gmail.com writes:
You're
insane.
2009-12-03 by Mark Wallis
I just wish mine was polyphonic. I could sound like 4 off-key Steve Howes all gargling at once.
Love and Scones,
msw/M400 #151
To: newmellotrongroup@yahoogroups.com
From: lsf5275@aol.com
Date: Wed, 2 Dec 2009 20:25:42 -0500
Subject: Re: [newmellotrongroup] Re: Tronspotting
I think almost everyone here would agree. The human voice is the greatest
of all instruments.
In a message dated 12/2/2009 6:00:42 P.M. Eastern Standard Time,
mike.dickson@ gmail.com writes:
You're
insane.
View your other email accounts from your Hotmail inbox.
Add them now.
2009-12-03 by fdoddy@aol.com
You got my vote!
My daughter was in the women's choir while at school. One Winter concert featured a bunch of Benjamin Britten's carols. My god it moved me to tears to hear such difficult yet beautiful material performed by only voice. As you might imagine the material required much practice and musicianship. Truly inspiring...
fritz
-----Original Message-----
From: lsf5275@aol.com
To: newmellotrongroup@yahoogroups.com
Sent: Wed, Dec 2, 2009 8:25 pm
Subject: Re: [newmellotrongroup] Re: Tronspotting
I think almost everyone here would agree. The human voice is the greatest
of all instruments.
In a message dated 12/2/2009 6:00:42 P.M. Eastern Standard Time,
mike.dickson@ gmail.com writes:
You're
insane.
2009-12-03 by jonesalley
Not me...
>
> I think almost everyone here would agree. The human voice is the greatest
> of all instruments.
>
2009-12-03 by Gary Brumm
Obviously you haven’t heard me sing….My voice may be an exception to that statement J
From: newmellotrongroup@yahoogroups.com [mailto:newmellotrongroup@yahoogroups.com] On Behalf Of lsf5275@aol.com
Sent: Wednesday, December 02, 2009 5:26 PM
To: newmellotrongroup@yahoogroups.com
Subject: Re: [newmellotrongroup] Re: Tronspotting
I think almost everyone here would agree. The human voice is the greatest of all instruments.
2009-12-03 by fdoddy@aol.com
Yeah well...you're a poopy head
-----Original Message-----
From: jonesalley <jonesalley@cox.net>
To: newmellotrongroup@yahoogroups.com
Sent: Wed, Dec 2, 2009 9:37 pm
Subject: [newmellotrongroup] Re: Tronspotting
Not me...
>
> I think almost everyone here would agree. The human voice is the greatest
> of all instruments.
>
2009-12-03 by lsf5275@aol.com
I love these two groups!
In a message dated 12/3/2009 10:05:52 A.M. Eastern Standard Time,
fdoddy@aol.com writes:
Yeah well...you're
a poopy
head
2009-12-03 by Bruce Daily
Polyphonic voice from a single person? Ian Anderson's flute & humming comes to mind. Maybe Martin could coax him into recording a new 'Tron voice!!
-Bruce D.
--- On Wed, 12/2/09, Mark Wallis <markstuartwallis@hotmail.com> wrote:
From: Mark Wallis <markstuartwallis@hotmail.com>
Subject: RE: [newmellotrongroup] Re: Tronspotting
To: "new trongroup" <newmellotrongroup@yahoogroups.com>
Date: Wednesday, December 2, 2009, 6:54 PM
I just wish mine was polyphonic. I could sound like 4 off-key Steve Howes all gargling at once.
Love and Scones,
msw/M400 #151
To: newmellotrongroup@ yahoogroups. com
From: lsf5275@aol. com
Date: Wed, 2 Dec 2009 20:25:42 -0500
Subject: Re: [newmellotrongroup] Re: Tronspotting
I think almost everyone here would agree. The human voice is the greatest of all instruments.
In a message dated 12/2/2009 6:00:42 P.M. Eastern Standard Time, mike.dickson@ gmail.com writes:
You're insane.
View your other email accounts from your Hotmail inbox.
Add them now.
2009-12-04 by fdoddy@aol.com
Harmonic singing anyone? Pretty easy to do, hard to master
http://www.youtube.com/watch?v=VGbFB91eM34
cue to 1:14. This is a simple example. I've heard folks do it amazingly well.
fritz
-----Original Message-----
From: Bruce Daily <pocotron@yahoo.com>
To: newmellotrongroup@yahoogroups.com
Sent: Thu, Dec 3, 2009 5:47 pm
Subject: RE: [newmellotrongroup] Re: Tronspotting
Polyphonic voice from a single person? Ian Anderson's flute & humming comes to mind. Maybe Martin could coax him into recording a new 'Tron voice!!
-Bruce D.
--- On Wed, 12/2/09, Mark Wallis <markstuartwallis@ hotmail.com> wrote:
From: Mark Wallis <markstuartwallis@ hotmail.com>
Subject: RE: [newmellotrongroup] Re: Tronspotting
To: "new trongroup" <newmellotrongroup@ yahoogroups. com>
Date: Wednesday, December 2, 2009, 6:54 PM
I just wish mine was polyphonic. I could sound like 4 off-key Steve Howes all gargling at once.
Love and Scones,
msw/M400 #151
To: newmellotrongroup@ yahoogroups. com
From: lsf5275@aol. com
Date: Wed, 2 Dec 2009 20:25:42 -0500
Subject: Re: [newmellotrongroup] Re: Tronspotting
I think almost everyone here would agree. The human voice is the greatest of all instruments.
In a message dated 12/2/2009 6:00:42 P.M. Eastern Standard Time, mike.dickson@ gmail.com writes:
You're insane.
View your other email accounts from your Hotmail inbox.
Add them now.
2009-12-04 by Bob Snyder
fdoddy@aol.com wrote:
> Harmonic singing anyone? Pretty easy to do, hard to master
>
> http://www.youtube.com/watch?v=VGbFB91eM34
>
> cue to 1:14. This is a simple example. I've heard folks do it amazingly well.
>
>
> fritz
>
Very interesting. It certainly shows off the voice as a musical
instrument. But can it be applied to actual singing? I mean words sung
to a tune. Any examples of that?
Bob S.
2009-12-05 by Mark Pring
What about drummers?
--- On Wed, 12/2/09, tony1 <atm655@verizon.net> wrote:
From: tony1 <atm655@verizon.net>
Subject: Re: [newmellotrongroup] Re: Tronspotting
To: newmellotrongroup@yahoogroups.com, Mellotronists@yahoogroups.com
Date: Wednesday, December 2, 2009, 12:18 PM
Well titled, it's TOTAL rubbish to me.
Singers are NOT musicians to me.
Tony
----- Original Message -----
Sent: Tuesday, December 01, 2009 5:01
PM
Subject: [newmellotrongroup] Re:
Tronspotting
Even credited on the album
2009-12-05 by MAinPsych@aol.com
In a message dated 12/5/2009 12:15:02 A.M. Pacific Standard Time,
markpringnz@yahoo.com writes:
What
about drummers?
What about them?
What do you call a drummer without a girlfriend?
Homeless.
2009-12-05 by Tron400
--- In
newmellotrongroup@yahoogroups.com, MAinPsych@... wrote:
>
>
> In a message dated 12/5/2009 12:15:02 A.M. Pacific Standard Time,
> markpringnz@... writes:
>
> What about drummers?
>
>
>
> What about them?
>
> What do you call a drummer without a girlfriend?
>
> Homeless.
>
Q. How can you tell when a drummer's at the door?
A. The knocking speeds up.
OK, just to be fair:
Q. What do you call someone who hangs out with musicians?
A. The lead singer.
2009-12-05 by ClayE
What about Ringo? What if Ringo was hit by a bus and they hired Mike Giles for Abbey Road? How different would the songs be? Would the album be successful without 'Octopus's Garden'? Giles would have done a nice job on 'I Want You (She's So Heavy)', don't you think?
--- In newmellotrongroup@yahoogroups.com, Mark Pring <markpringnz@...> wrote:
>
> What about drummers?
>
> --- On Wed, 12/2/09, tony1 <atm655@...> wrote:
>
> From: tony1 <atm655@...>
> Subject: Re: [newmellotrongroup] Re: Tronspotting
> To: newmellotrongroup@yahoogroups.com, Mellotronists@yahoogroups.com
> Date: Wednesday, December 2, 2009, 12:18 PM
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
> Â
>
>
>
>
>
>
>
>
>
>
>
>
> Well titled, it's TOTAL rubbish to me.
> Singers are NOT musicians to me.
> Tony
> Â
>
> ----- Original Message -----
> From:
> lsf5275@aol. com
>
> To: newmellotrongroup@ yahoogroups. com
> ; Mellotronists@ yahoogroups. com
>
> Sent: Tuesday, December 01, 2009 5:01
> PM
> Subject: [newmellotrongroup] Re:
> Tronspotting
>
> Â
>
>
> Even credited on the album
> Â
> Â
> www.youtube. com/watch? v=Vi3cEzJnmWI
>
2009-12-05 by Daniel Swanson
What's the difference between a musician and a pizza?
A pizza can feed a family of four.
On Dec 5, 2009, at 6:20 AM, Tron400 wrote:
--- In newmellotrongroup@ yahoogroups. com, MAinPsych@.. . wrote:
>
>
> In a message dated 12/5/2009 12:15:02 A.M. Pacific Standard Time,
> markpringnz@ ... writes:
>
> What about drummers?
>
>
>
> What about them?
>
> What do you call a drummer without a girlfriend?
>
> Homeless.
>
Q. How can you tell when a drummer's at the door?
A. The knocking speeds up.
OK, just to be fair:
Q. What do you call someone who hangs out with musicians?
A. The lead singer.
2009-12-05 by fdoddy@aol.com
very funny..oh yeah.
BTW, there is no equivalent word for "musician" in Bali....hmmm.
fd
-----Original Message-----
From: Mark Pring <markpringnz@yahoo.com>
To: newmellotrongroup@yahoogroups.com
Sent: Sat, Dec 5, 2009 3:14 am
Subject: Re: [newmellotrongroup] Re: Tronspotting
What about drummers?
--- On Wed, 12/2/09, tony1 <atm655@verizon. net> wrote:
From: tony1 <atm655@verizon. net>
Subject: Re: [newmellotrongroup] Re: Tronspotting
To: newmellotrongroup@ yahoogroups. com, Mellotronists@ yahoogroups. com
Date: Wednesday, December 2, 2009, 12:18 PM
Well titled, it's TOTAL rubbish to me.
Singers are NOT musicians to me.
Tony
----- Original Message -----
Sent: Tuesday, December 01, 2009 5:01
PM
Subject: [newmellotrongroup] Re:
Tronspotting
Even credited on the album
2009-12-05 by Rick Blechta
On Dec 5, 2009, at 7:20 AM, Tron400 wrote:
Q. How can you tell when a drummer's at the door?
A. The knocking speeds up.
OK, just to be fair:
Q. What do you call someone who hangs out with musicians?
A. The lead singer.
Q: How can you tell if a drummer's seat is level?
A: The drool comes out of both sides of his mouth.
Q: What's the difference between a bull and an orchestra?
A: On a bull, the horns are in the front and the asshole's in the back.
2009-12-05 by Andy Thompson
----- Original Message -----
Sent: Saturday, December 05, 2009 4:42
PM
Subject: Re: [newmellotrongroup] Re:
Tronspotting
Q: What's the difference between a bull and an orchestra?
A: On a bull, the horns are in the front and the asshole's in the
back.
I've always heard that one as 'a bull and the James Last
orchestra'...
Andy T.
2009-12-05 by Rick Blechta
On Dec 5, 2009, at 11:49 AM, Andy Thompson wrote:
I've always heard that one as 'a bull and the James Last orchestra'.. .
Believe me, ANY orchestra...
2009-12-05 by Thomas C. Doncourt
What's the first thing a lead vocalist does in the morning? Puts her
panties on and goes home.
In Bali it seems almost everyone is a musician.
>
> very funny..oh yeah.
>
> BTW, there is no equivalent word for "musician" in Bali....hmmm.
>
>
> fd
>
>
>
>
>
> -----Original Message-----
> From: Mark Pring <markpringnz@yahoo.com>
> To: newmellotrongroup@yahoogroups.com
> Sent: Sat, Dec 5, 2009 3:14 am
> Subject: Re: [newmellotrongroup] Re: Tronspotting
>
>
>
>
>
>
>
> What about drummers?
>
> --- On Wed, 12/2/09, tony1 <atm655@verizon.net> wrote:
>
>
> From: tony1 <atm655@verizon.net>
> Subject: Re: [newmellotrongroup] Re: Tronspotting
> To: newmellotrongroup@yahoogroups.com, Mellotronists@yahoogroups.com
> Date: Wednesday, December 2, 2009, 12:18 PM
>
>
>
>
>
>
>
> Well titled, it's TOTAL rubbish to me.
> Singers are NOT musicians to me.
> Tony
>
>
> ----- Original Message -----
>
> From: lsf5275@aol. com
>
> To: newmellotrongroup@ yahoogroups. com ; Mellotronists@ yahoogroups.
> com
>
> Sent: Tuesday, December 01, 2009 5:01 PM
>
> Subject: [newmellotrongroup] Re: Tronspotting
>
>
>
>
>
>
> Even credited on the album
>
>
>
>
>
> www.youtube. com/watch? v=Vi3cEzJnmWI
>
>
>
>
>
>
>
>
>
>
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>
2009-12-05 by Mark Pring
Just out of curiosity, what is a musician?
--- On Sun, 12/6/09, Thomas C. Doncourt <tomdcour@amnh.org> wrote:
From: Thomas C. Doncourt <tomdcour@amnh.org>
Subject: Re: [newmellotrongroup] Re: Tronspotting
To: newmellotrongroup@yahoogroups.com
Date: Sunday, December 6, 2009, 6:44 AM
What's the first thing a lead vocalist does in the morning? Puts her
panties on and goes home.
In Bali it seems almost everyone is a musician.
>
> very funny..oh yeah.
>
> BTW, there is no equivalent word for "musician" in Bali....hmmm.
>
>
> fd
>
>
>
>
>
> -----Original Message-----
> From: Mark Pring <markpringnz@ yahoo.com>
> To: newmellotrongroup@ yahoogroups. com
> Sent: Sat, Dec 5, 2009 3:14 am
> Subject: Re: [newmellotrongroup] Re: Tronspotting
>
>
>
>
>
>
>
> What about drummers?
>
> --- On Wed, 12/2/09, tony1 <atm655@verizon. net> wrote:
>
>
> From: tony1 <atm655@verizon. net>
> Subject: Re: [newmellotrongroup] Re: Tronspotting
> To: newmellotrongroup@ yahoogroups. com, Mellotronists@ yahoogroups. com
> Date: Wednesday, December 2, 2009, 12:18 PM
>
>
>
>
>
>
>
> Well titled, it's TOTAL rubbish to me.
> Singers are NOT musicians to me.
> Tony
>
>
> ----- Original Message -----
>
> From: lsf5275@aol. com
>
> To: newmellotrongroup@ yahoogroups. com ; Mellotronists@ yahoogroups.
> com
>
> Sent: Tuesday, December 01, 2009 5:01 PM
>
> Subject: [newmellotrongroup] Re: Tronspotting
>
>
>
>
>
>
> Even credited on the album
>
>
>
>
>
> www.youtube. com/watch? v=Vi3cEzJnmWI
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
2009-12-05 by Rick Blechta
On Dec 5, 2009, at 4:16 PM, Mark Pring wrote:
Just out of curiosity, what is a musician?
A group of people, most of whom are constantly short of money for love of their art. Except for Dickson. He works for the cops.
2009-12-06 by Pomeroy RH Ranch
I’ve been out of town away from my
computer for a few days, but couldn’t help but note this…….
The human voice is one of the only “perfect”
instruments. We all know that polyphonic instruments are well-tempered and thus
each chord produced is “close”, but imperfect. If you’ve ever
(Message over 64 KB, truncated)
2009-12-06 by fdoddy@aol.com
Exactly!!
Just out of curiosity, what is a musician?
-----Original Message-----
From: Mark Pring <markpringnz@yahoo.com>
To: newmellotrongroup@yahoogroups.com
Sent: Sat, Dec 5, 2009 4:16 pm
Subject: Re: [newmellotrongroup] Re: Tronspotting
Just out of curiosity, what is a musician?
--- On Sun, 12/6/09, Thomas C. Doncourt
<tomdcour@amnh. org> wrote:
From: Thomas C. Doncourt <tomdcour@amnh. org>
Subject: Re: [newmellotrongroup] Re: Tronspotting
To: newmellotrongroup@ yahoogroups. com
Date: Sunday, December 6, 2009, 6:44 AM
What's the first thing a lead vocalist does in the morning? Puts her
panties on and goes home.
In Bali it seems almost everyone is a musician.
>
> very funny..oh yeah.
>
> BTW, there is no equivalent word for "musician" in Bali....hmmm.
>
>
> fd
>
>
>
>
>
> -----Original Message-----
> From: Mark Pring <
markpringnz@ yahoo.com>
> To:
newmellotrongroup@ yahoogroups. com
> Sent: Sat, Dec 5, 2009 3:14 am
> Subject: Re: [newmellotrongroup] Re: Tronspotting
>
>
>
>
>
>
>
> What about drummers?
>
> --- On Wed, 12/2/09, tony1 <
atm655@verizon. net> wrote:
>
>
> From: tony1 <
atm655@verizon. net>
> Subject: Re: [newmellotrongroup] Re: Tronspotting
> To:
newmellotrongroup@ yahoogroups. com,
Mellotronists@ yahoogroups. com
> Date: Wednesday, December 2, 2009, 12:18 PM
>
>
>
>
>
>
>
> Well titled, it's TOTAL rubbish to me.
> Singers are NOT musicians to me.
> Tony
>
>
> ----- Original Message -----
>
> From: lsf5275@aol. com
>
> To: newmellotrongroup@ yahoogroups. com ; Mellotronists@ yahoogroups.
> com
>
> Sent: Tuesday, December 01, 2009 5:01 PM
>
> Subject: [newmellotrongroup] Re: Tronspotting
>
>
>
>
>
>
> Even credited on the album
>
>
>
>
>
>
www.youtube. com/watch? v=Vi3cEzJnmWI
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
2009-12-06 by Daniel Swanson
Brian Eno on singing:
On Dec 5, 2009, at 11:38 PM, Pomeroy RH Ranch wrote:
I’ve been out of town away from my computer for a few days, but couldn’t help but note this…….
The human voice is one of the only “perfect” instruments. We all know that polyphonic instruments are well-tempered and thus each chord produced is “close”, but imperfect. If you’ve ever sung in a group without accompaniment, whether it be madrigals, barbershop, etc., one of the great opportunities is you can sing each chord perfectly because the trained human ear can seek the perfect chord – and ring overtones (and undertones if you’re really good) all over the place – it’s one of the reasons that choral/ensemble singing is so fun!
Music began with someone humming….
Vance
-----Original Message-----
From: newmellotrongroup@ yahoogroups. com [mailto:newmellotro ngroup@yahoogrou ps.com] On Behalf Of lsf5275@aol. com
Sent: Wednesday, December 02, 2009 5:26 PM
To: newmellotrongroup@ yahoogroups. com
Subject: Re: [newmellotrongroup] Re: Tronspotting
I think almost everyone here would agree. The human voice is the greatest of all instruments.
In a message dated 12/2/2009 6:00:42 P.M. Eastern Standard Time, mike.dickson@ gmail.com writes:
You're insane.
2009-12-06 by jonesalley
This is all very nice, but it only rises to the level of unsupportable assertion of opinion, not independently verifiable empirical fact.
> > The human voice is one of the only "perfect" instruments. We all
> > know that polyphonic instruments are well-tempered and thus each
> > chord produced is "close", but imperfect. If you've ever sung in a
> > group without accompaniment, whether it be madrigals, barbershop,
> > etc., one of the great opportunities is you can sing each chord
> > perfectly because the trained human ear can seek the perfect chord
> > and ring overtones (and undertones if you're really good) all over
> > the place it's one of the reasons that choral/ensemble singing is
> > so fun!
> >
> >
> >
> > Music began with someone humming
.
> >
> >
> >
> >
> >
> > I think almost everyone here would agree. The human voice is the
> > greatest of all instruments.
2009-12-06 by MAinPsych@aol.com
In a message dated 12/6/2009 10:51:32 A.M. Pacific Standard Time,
jonesalley@cox.net writes:
This
is all very nice, but it only rises to the level of unsupportable assertion of
opinion, not independently verifiable empirical fact.
Who cares? I enjoy singing even though my voice sounds like
geese farts on a muggy day!
2009-12-06 by Mark Pring
I don't think anyone has produced a machine or measurement system that can state what is and isn't music and who is and isn't a musician. I think it can only be subjective, but still fun to discuss.
There are 3 types of music.
1) Music you like
2) Music you don't like
3) Music you haven't heard
Mark
--- On Mon, 12/7/09, jonesalley <jonesalley@cox.net> wrote:
From: jonesalley <jonesalley@cox.net>
Subject: [newmellotrongroup] Re: Tronspotting
To: newmellotrongroup@yahoogroups.com
Date: Monday, December 7, 2009, 7:50 AM
This is all very nice, but it only rises to the level of unsupportable assertion of opinion, not independently verifiable empirical fact.
> > The human voice is one of the only "perfect" instruments. We all
> > know that polyphonic instruments are well-tempered and thus each
> > chord produced is "close", but imperfect. If you've ever sung in a
> > group without accompaniment, whether it be madrigals, barbershop,
> > etc., one of the great opportunities is you can sing each chord
> > perfectly because the trained human ear can seek the perfect chord –
> > and ring overtones (and undertones if you're really good) all over
> > the place – it's one of the reasons that choral/ensemble singing is
> > so fun!
> >
> >
> >
> > Music began with someone humming….
> >
> >
> >
> >
> >
> > I think almost everyone here would agree. The human voice is the
> > greatest of all instruments.
2009-12-06 by jonesalley
And that's exactly the point. Music is where you find it. It's what speaks to YOU, not necessarily to anyone else. Enjoy it, love it, share it, but don't be surprised if it doesn't touch everyone else the same way.
> I don't think anyone has produced a machine or measurement system that can state what is and isn't music and who is and isn't a musician. I think it can only be subjective, but still fun to discuss.
2009-12-06 by Pomeroy RH Ranch
Ah, but it is a scientific fact that when
you play a chord on a correctly tuned piano , you will not be able to
ring much in the way of overtones with much power. But with a group of trained
musicians using their voices and ears, you can ring substantial tonic and
dominant overtones with power – this is the measurement of harmonic
perfection – the ringing of sympathetic vibrations across the medium of
air is how our ear works. You can try it with two instruments – one such
as a voice or reed instrument, the other a very sensitive instrument like a
guitar. If you play one and a string on the guitar vibrates just from the air,
you have demonstrated the harmonic sympathy of the instruments. With the
perfect chords of a trained group of voices, you can produce overtones without
any other instrument present other than the medium of the air itself –
that is the empirical demonstration of the perfect instrument.
(Message over 64 KB, truncated)
2009-12-06 by fdoddy@aol.com
Singing...it's a great thing. Wonderful short article.
fd
-----Original Message-----
From: Daniel Swanson <tspit74@comcast.net>
To: newmellotrongroup@yahoogroups.com
Sent: Sun, Dec 6, 2009 10:27 am
Subject: Re: [newmellotrongroup] Re: Tronspotting
Brian Eno on singing:
On Dec 5, 2009, at 11:38 PM, Pomeroy RH Ranch wrote:
I’ve been out of town away from my computer for a few days, but couldn’t help but note this…….
The human voice is one of the only “perfect” instruments. We all know that polyphonic instruments are well-tempered and thus each chord produced is “close”, but imperfect. If you’ve ever sung in a group without accompaniment, whether it be madrigals, barbershop, etc., one of the great opportunities is you can sing each chord perfectly because the trained human ear can seek the perfect chord – and ring overtones (and undertones if you’re really good) all over the place – it’s one of the reasons that choral/ensemble singing is so fun!
Music began with someone humming….
Vance
-----Original Message-----
From: newmellotrongroup@ yahoogroups. com [mailto:newmellotro ngroup@yahoogrou ps.com] On Behalf Of lsf5275@aol. com
Sent: Wednesday, December 02, 2009 5:26 PM
To: newmellotrongroup@ yahoogroups. com
Subject: Re: [newmellotrongroup] Re: Tronspotting
I think almost everyone here would agree. The human voice is the greatest of all instruments.
In a message dated 12/2/2009 6:00:42 P.M. Eastern Standard Time, mike.dickson@ gmail.com writes:
You're insane.
2009-12-06 by fdoddy@aol.com
That's the problem, modern folk are hell bent on everything being "verifiable empirical fact". If you can't see it, it ain't true. What a bunch of crap that ends up being when trying to create beauty, find God, or just plain old trying to feel joyful. So anecdotal evidence or instinct has no weight on things musical? I think it's more than just "very nice", it's essential for people to develop there own musical systems, no matter how unsupported they are. Laugh, go ahead, laugh at Yanni's own system of music notation or balk at the legitimacy of turntables as instruments, or question the "sonority" of a Balinese monkey chant. But they work...
I have never met Bernie Kornowicz face to face, but I'll guarantee you if I did, it would prove my intuition that he is a quality human being. Why? I've seen the smile on his face and read his emails and posts, however brief or trivial and gotten a feeling for him. Intuition and feeling but no verifiable empirical analysis needed.
My mother is dead. I loved her. Do you need me to show you that I loved her to prove it empirically?
fritz
-----Original Message-----
From: jonesalley <jonesalley@cox.net>
To: newmellotrongroup@yahoogroups.com
Sent: Sun, Dec 6, 2009 1:50 pm
Subject: [newmellotrongroup] Re: Tronspotting
This is all very nice, but it only rises to the level of unsupportable assertion of opinion, not independently verifiable empirical fact.
> > The human voice is one of the only "perfect" instruments. We all
> > know that polyphonic instruments are well-tempered and thus each
> > chord produced is "close", but imperfect. If you've ever sung in a
> > group without accompaniment, whether it be madrigals, barbershop,
> > etc., one of the great opportunities is you can sing each chord
> > perfectly because the trained human ear can seek the perfect chord –
> > and ring overtones (and undertones if you're really good) all over
> > the place – it's one of the reasons that choral/ensemble singing is
> > so fun!
> >
> >
> >
> > Music began with someone humming….
> >
> >
> >
> >
> >
> > I think almost everyone here would agree. The human voice is the
> > greatest of all instruments.
2009-12-06 by Daniel Swanson
Not just an article. There's a more in depth audio of Eno talking about it.
Singing...it's a great thing. Wonderful short article.
fd
-----Original Message-----
From: Daniel Swanson <tspit74@comcast. net>
To: newmellotrongroup@ yahoogroups. com
Sent: Sun, Dec 6, 2009 10:27 am
Subject: Re: [newmellotrongroup] Re: Tronspotting
Brian Eno on singing:
On Dec 5, 2009, at 11:38 PM, Pomeroy RH Ranch wrote:
I’ve been out of town away from my computer for a few days, but couldn’t help but note this…….
The human voice is one of the only “perfect” instruments. We all know that polyphonic instruments are well-tempered and thus each chord produced is “close”, but imperfect. If you’ve ever sung in a group without accompaniment, whether it be madrigals, barbershop, etc., one of the great opportunities is you can sing each chord perfectly because the trained human ear can seek the perfect chord – and ring overtones (and undertones if you’re really good) all over the place – it’s one of the reasons that choral/ensemble singing is so fun!
Music began with someone humming….
Vance
-----Original Message-----
From: newmellotrongroup@ yahoogroups. com [mailto:newmellotro ngroup@yahoogrou ps.com] On Behalf Of lsf5275@aol. com
Sent: Wednesday, December 02, 2009 5:26 PM
To: newmellotrongroup@ yahoogroups. com
Subject: Re: [newmellotrongroup] Re: Tronspotting
I think almost everyone here would agree. The human voice is the greatest of all instruments.
In a message dated 12/2/2009 6:00:42 P.M. Eastern Standard Time, mike.dickson@ gmail.com writes:
You're insane.
2009-12-07 by Pomeroy RH Ranch
You said it Fritz – it is really about
emotion, feeling and the big picture questions about life – it’s really about
the perfection in the heart that we feel in the music – I do agree with you and
I do apologize….
Vance
-----Original Message-----
From:
newmellotrongroup@yahoogroups.com [mailto:newmellotrongroup@yahoogroups.com] <
(Message over 64 KB, truncated)
2009-12-07 by lsf5275@aol.com
If you want to, I'm cool with it.
In a message dated 12/6/2009 6:08:31 P.M. Eastern Standard Time,
fdoddy@aol.com writes:
Do you
need me to show you that I loved her to prove it
empirically?
2009-12-07 by jonesalley
When someone makes an assertion that something is "the greatest" of anything, then yes, it becomes a question of empirical reality. And the whole "god" argument doesn't carry any weight at all with those of us who see no reason to postulate the existence of such...
--- In newmellotrongroup@yahoogroups.com, fdoddy@... wrote:
>
>
> That's the problem, modern folk are hell bent on everything being "verifiable empirical fact". If you can't see it, it ain't true. What a bunch of crap that ends up being when trying to create beauty, find God, or just plain old trying to feel joyful. So anecdotal evidence or instinct has no weight on things musical? I think it's more than just "very nice", it's essential for people to develop there own musical systems, no matter how unsupported they are. Laugh, go ahead, laugh at Yanni's own system of music notation or balk at the legitimacy of turntables as instruments, or question the "sonority" of a Balinese monkey chant. But they work...
>
> I have never met Bernie Kornowicz face to face, but I'll guarantee you if I did, it would prove my intuition that he is a quality human being. Why? I've seen the smile on his face and read his emails and posts, however brief or trivial and gotten a feeling for him. Intuition and feeling but no verifiable empirical analysis needed.
>
> My mother is dead. I loved her. Do you need me to show you that I loved her to prove it empirically?
>
> fritz
>
>
>
>
>
> -----Original Message-----
> From: jonesalley <jonesalley@...>
> To: newmellotrongroup@yahoogroups.com
> Sent: Sun, Dec 6, 2009 1:50 pm
> Subject: [newmellotrongroup] Re: Tronspotting
>
>
>
>
>
> This is all very nice, but it only rises to the level of unsupportable assertion of opinion, not independently verifiable empirical fact.
>
> > > The human voice is one of the only "perfect" instruments. We all
> > > know that polyphonic instruments are well-tempered and thus each
> > > chord produced is "close", but imperfect. If you've ever sung in a
> > > group without accompaniment, whether it be madrigals, barbershop,
> > > etc., one of the great opportunities is you can sing each chord
> > > perfectly because the trained human ear can seek the perfect chord â"
> > > and ring overtones (and undertones if you're really good) all over
> > > the place â" it's one of the reasons that choral/ensemble singing is
> > > so fun!
> > >
> > >
> > >
> > > Music began with someone hummingâ¦.
> > >
> > >
> > >
> > >
> > >
> > > I think almost everyone here would agree. The human voice is the
> > > greatest of all instruments.
>
2009-12-07 by lsf5275@aol.com
Does anyone besides me wonder where that leaves P. T. Barnum?
In a message dated 12/6/2009 9:44:03 P.M. Eastern Standard Time,
jonesalley@cox.net writes:
When
someone makes an assertion that something is "the greatest" of anything, then
yes, it becomes a question of empirical reality. And the whole "god" argument
doesn't carry any weight at all with those of us who see no reason to
postulate the existence of
such...
2009-12-07 by jonesalley
2009-12-07 by fdoddy@aol.com
funny :>)
-----Original Message-----
From: lsf5275@aol.com
To: newmellotrongroup@yahoogroups.com
Sent: Sun, Dec 6, 2009 8:36 pm
Subject: Re: [newmellotrongroup] Re: Tronspotting
If you want to, I'm cool with it.
In a message dated 12/6/2009 6:08:31 P.M. Eastern Standard Time,
fdoddy@aol.com writes:
Do you
need me to show you that I loved her to prove it
empirically?
2009-12-07 by fdoddy@aol.com
I have no argument with "god" or those "who see no reason to postulate the existence of such". Most times they want to argue with me. "Do what you will, but do no harm" to paraphrase an old saying.
fd
-----Original Message-----
From: jonesalley <jonesalley@cox.net>
To: newmellotrongroup@yahoogroups.com
Sent: Sun, Dec 6, 2009 9:43 pm
Subject: [newmellotrongroup] Re: Tronspotting
When someone makes an assertion that something is "the greatest" of anything, then yes, it becomes a question of empirical reality. And the whole "god" argument doesn't carry any weight at all with those of us who see no reason to postulate the existence of such...
--- In newmellotrongroup@ yahoogroups. com, fdoddy@... wrote:
>
>
> That's the problem, modern folk are hell bent on everything being "verifiable empirical fact". If you can't see it, it ain't true. What a bunch of crap that ends up being when trying to create beauty, find God, or just plain old trying to feel joyful. So anecdotal evidence or instinct has no weight on things musical? I think it's more than just "very nice", it's essential for people to develop there own musical systems, no matter how unsupported they are. Laugh, go ahead, laugh at Yanni's own system of music notation or balk at the legitimacy of turntables as instruments, or question the "sonority" of a Balinese monkey chant. But they work...
>
> I have never met Bernie Kornowicz face to face, but I'll guarantee you if I did, it would prove my intuition that he is a quality human being. Why? I've seen the smile on his face and read his emails and posts, however brief or trivial and gotten a feeling for him. Intuition and feeling but no verifiable empirical analysis needed.
>
> My mother is dead. I loved her. Do you need me to show you that I loved her to prove it empirically?
>
> fritz
>
>
>
>
>
> -----Original Message-----
> From: jonesalley <jonesalley@ ...>
> To: newmellotrongroup@ yahoogroups. com
> Sent: Sun, Dec 6, 2009 1:50 pm
> Subject: [newmellotrongroup] Re: Tronspotting
>
>
>
>
>
> This is all very nice, but it only rises to the level of unsupportable assertion of opinion, not independently verifiable empirical fact.
>
> > > The human voice is one of the only "perfect" instruments. We all
> > > know that polyphonic instruments are well-tempered and thus each
> > > chord produced is "close", but imperfect. If you've ever sung in a
> > > group without accompaniment, whether it be madrigals, barbershop,
> > > etc., one of the great opportunities is you can sing each chord
> > > perfectly because the trained human ear can seek the perfect chord â€"
> > > and ring overtones (and undertones if you're really good) all over
> > > the place â€" it's one of the reasons that choral/ensemble singing is
> > > so fun!
> > >
> > >
> > >
> > > Music began with someone humming….
> > >
> > >
> > >
> > >
> > >
> > > I think almost everyone here would agree. The human voice is the
> > > greatest of all instruments.
>
2009-12-07 by jonesalley
I make it a point to avoid debates like that as the black holes of wasted time that they are. I never assert that there's "no such thing" when the subject comes up, but I always politely request those who flatly state that such exists to provide some concrete evidence before I accept it as a stipulation. I don't see the value for people on either side of that question arguing about it. Absence of evidence is not evidence of absence and there is no way to prove something affirmatively does not exist. On the other hand, extraordinary claims require extraordinary evidence, and the burden of proof is on those making the claim. That's not to say that I don't have strong personal convictions, but merely that they are of no importance to anybody but me!
--- In newmellotrongroup@yahoogroups.com, fdoddy@... wrote:
>
>
> I have no argument with "god" or those "who see no reason to postulate the existence of such". Most times they want to argue with me. "Do what you will, but do no harm" to paraphrase an old saying.
>
> fd
>
>
>
>
>
> -----Original Message-----
> From: jonesalley <jonesalley@...>
> To: newmellotrongroup@yahoogroups.com
> Sent: Sun, Dec 6, 2009 9:43 pm
> Subject: [newmellotrongroup] Re: Tronspotting
>
>
>
>
>
> When someone makes an assertion that something is "the greatest" of anything, then yes, it becomes a question of empirical reality. And the whole "god" argument doesn't carry any weight at all with those of us who see no reason to postulate the existence of such...
>
> --- In newmellotrongroup@yahoogroups.com, fdoddy@ wrote:
> >
> >
> > That's the problem, modern folk are hell bent on everything being "verifiable empirical fact". If you can't see it, it ain't true. What a bunch of crap that ends up being when trying to create beauty, find God, or just plain old trying to feel joyful. So anecdotal evidence or instinct has no weight on things musical? I think it's more than just "very nice", it's essential for people to develop there own musical systems, no matter how unsupported they are. Laugh, go ahead, laugh at Yanni's own system of music notation or balk at the legitimacy of turntables as instruments, or question the "sonority" of a Balinese monkey chant. But they work...
> >
> > I have never met Bernie Kornowicz face to face, but I'll guarantee you if I did, it would prove my intuition that he is a quality human being. Why? I've seen the smile on his face and read his emails and posts, however brief or trivial and gotten a feeling for him. Intuition and feeling but no verifiable empirical analysis needed.
> >
> > My mother is dead. I loved her. Do you need me to show you that I loved her to prove it empirically?
> >
> > fritz
> >
> >
> >
> >
> >
> > -----Original Message-----
> > From: jonesalley <jonesalley@>
> > To: newmellotrongroup@yahoogroups.com
> > Sent: Sun, Dec 6, 2009 1:50 pm
> > Subject: [newmellotrongroup] Re: Tronspotting
> >
> >
> >
> >
> >
> > This is all very nice, but it only rises to the level of unsupportable assertion of opinion, not independently verifiable empirical fact.
> >
> > > > The human voice is one of the only "perfect" instruments. We all
> > > > know that polyphonic instruments are well-tempered and thus each
> > > > chord produced is "close", but imperfect. If you've ever sung in a
> > > > group without accompaniment, whether it be madrigals, barbershop,
> > > > etc., one of the great opportunities is you can sing each chord
> > > > perfectly because the trained human ear can seek the perfect chord ââ¬"
> > > > and ring overtones (and undertones if you're really good) all over
> > > > the place ââ¬" it's one of the reasons that choral/ensemble singing is
> > > > so fun!
> > > >
> > > >
> > > >
> > > > Music began with someone hummingââ¬Â¦.
> > > >
> > > >
> > > >
> > > >
> > > >
> > > > I think almost everyone here would agree. The human voice is the
> > > > greatest of all instruments.
> >
>
2009-12-07 by Mark Pring
Well I think Wittgenstein pretty much summed it up:
"The sense of the world must lie outside the world. In the world everything is as it is, and everything happens as it does happen: in it no value exists -and if it did exist it would have no value.
If there is any value that does have value, it must lie outside the whole sphere of what happens and is the case. For all that happens and is the case is accidental.
What makes it non-accidental cannot lie within the world, since if it did it would itself be accidental.
It must lie outside the world."
Tractatus Logico-Philosophicus 6.4 1
Well I think that makes everything clear.
Now what does that have to do with mellotrons? How did we get here?
Mark
--- On Mon, 12/7/09, jonesalley <jonesalley@cox.net> wrote:
From: jonesalley <jonesalley@cox.net>
Subject: [newmellotrongroup] Re: Tronspotting
To: newmellotrongroup@yahoogroups.com
Date: Monday, December 7, 2009, 6:19 PM
I make it a point to avoid debates like that as the black holes of wasted time that they are. I never assert that there's "no such thing" when the subject comes up, but I always politely request those who flatly state that such exists to provide some concrete evidence before I accept it as a stipulation. I don't see the value for people on either side of that question arguing about it. Absence of evidence is not evidence of absence and there is no way to prove something affirmatively does not exist. On the other hand, extraordinary claims require extraordinary evidence, and the burden of proof is on those making the claim. That's not to say that I don't have strong personal convictions, but merely that they are of no importance to anybody but me!
--- In newmellotrongroup@ yahoogroups. com, fdoddy@... wrote:
>
>
> I have no argument with "god" or those "who see no reason to postulate the existence of such". Most times they want to argue with me. "Do what you will, but do no harm" to paraphrase an old saying.
>
> fd
>
>
>
>
>
> -----Original Message-----
> From: jonesalley <jonesalley@ ...>
> To: newmellotrongroup@ yahoogroups. com
> Sent: Sun, Dec 6, 2009 9:43 pm
> Subject: [newmellotrongroup] Re: Tronspotting
>
>
>
>
>
> When someone makes an assertion that something is "the greatest" of anything, then yes, it becomes a question of empirical reality. And the whole "god" argument doesn't carry any weight at all with those of us who see no reason to postulate the existence of such...
>
> --- In newmellotrongroup@ yahoogroups. com, fdoddy@ wrote:
> >
> >
> > That's the problem, modern folk are hell bent on everything being "verifiable empirical fact". If you can't see it, it ain't true. What a bunch of crap that ends up being when trying to create beauty, find God, or just plain old trying to feel joyful. So anecdotal evidence or instinct has no weight on things musical? I think it's more than just "very nice", it's essential for people to develop there own musical systems, no matter how unsupported they are. Laugh, go ahead, laugh at Yanni's own system of music notation or balk at the legitimacy of turntables as instruments, or question the "sonority" of a Balinese monkey chant. But they work...
> >
> > I have never met Bernie Kornowicz face to face, but I'll guarantee you if I did, it would prove my intuition that he is a quality human being. Why? I've seen the smile on his face and read his emails and posts, however brief or trivial and gotten a feeling for him. Intuition and feeling but no verifiable empirical analysis needed.
> >
> > My mother is dead. I loved her. Do you need me to show you that I loved her to prove it empirically?
> >
> > fritz
> >
> >
> >
> >
> >
> > -----Original Message-----
> > From: jonesalley <jonesalley@ >
> > To: newmellotrongroup@ yahoogroups. com
> > Sent: Sun, Dec 6, 2009 1:50 pm
> > Subject: [newmellotrongroup] Re: Tronspotting
> >
> >
> >
> >
> >
> > This is all very nice, but it only rises to the level of unsupportable assertion of opinion, not independently verifiable empirical fact.
> >
> > > > The human voice is one of the only "perfect" instruments. We all
> > > > know that polyphonic instruments are well-tempered and thus each
> > > > chord produced is "close", but imperfect. If you've ever sung in a
> > > > group without accompaniment, whether it be madrigals, barbershop,
> > > > etc., one of the great opportunities is you can sing each chord
> > > > perfectly because the trained human ear can seek the perfect chord â€"
> > > > and ring overtones (and undertones if you're really good) all over
> > > > the place â€" it's one of the reasons that choral/ensemble singing is
> > > > so fun!
> > > >
> > > >
> > > >
> > > > Music began with someone humming….
> > > >
> > > >
> > > >
> > > >
> > > >
> > > > I think almost everyone here would agree. The human voice is the
> > > > greatest of all instruments.
> >
>
2009-12-07 by MAinPsych@aol.com
In a message dated 12/6/2009 9:38:37 P.M. Pacific Standard Time,
markpringnz@yahoo.com writes:
Now
what does that have to do with mellotrons? How did we get
here?
Mark
Good question.
Hey, Voltaires of the list, X number of people
times X number of opinions = a verbal cluster fuck that goes
nowhere and generates resentments and hostility. Save that shit for
Twitter.
BTW, Merry Christmas everyone. :-)
Now about Mellotrons......
2009-12-07 by jonesalley
Good point. There's no use for opinions on a list like this...
--- In newmellotrongroup@yahoogroups.com, MAinPsych@... wrote:
>
>
> In a message dated 12/6/2009 9:38:37 P.M. Pacific Standard Time,
> markpringnz@... writes:
>
> Now what does that have to do with mellotrons? How did we get here?
>
> Mark
>
>
>
>
> Good question.
> Hey, Voltaires of the list, X number of people times X number of opinions
> = a verbal cluster fuck that goes nowhere and generates resentments and
> hostility. Save that shit for Twitter.
>
> BTW, Merry Christmas everyone. :-)
>
> Now about Mellotrons......
>
2009-12-07 by James Parthun
Ah yes, Mellotrons. I played mine over the
weekend. It was a very nice experience.
From: newmellotrongroup@yahoogroups.com
[mailto:newmellotrongroup@yahoogroups.com] On
Behalf Of MAinPsych@aol.com
Sent: Sunday, December 06, 2009
11:52 PM
To:
newmellotrongroup@yahoogroups.com
Subject: Re: [newmellotrongroup]
Re: Tronspotting
In a message
dated 12/6/2009 9:38:37 P.M. Pacific Standard Time, markpringnz@ yahoo.com
writes:
Now what does that
have to do with mellotrons? How did we get here?
Mark
Hey, Voltaires
of the list, X number of people times X number of opinions = a verbal
cluster fuck that goes nowhere and generates resentments and hostility.
Save that shit for Twitter.
BTW, Merry
Christmas everyone. :-)
Now about
Mellotrons.. ....
No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 9.0.709 / Virus Database: 270.14.96/2549 - Release Date: 12/06/09 13:37:00
2009-12-07 by fdoddy@aol.com
well put.
fd
-----Original Message-----
From: jonesalley <jonesalley@cox.net>
To: newmellotrongroup@yahoogroups.com
Sent: Mon, Dec 7, 2009 12:19 am
Subject: [newmellotrongroup] Re: Tronspotting
I make it a point to avoid debates like that as the black holes of wasted time that they are. I never assert that there's "no such thing" when the subject comes up, but I always politely request those who flatly state that such exists to provide some concrete evidence before I accept it as a stipulation. I don't see the value for people on either side of that question arguing about it. Absence of evidence is not evidence of absence and there is no way to prove something affirmatively does not exist. On the other hand, extraordinary claims require extraordinary evidence, and the burden of proof is on those making the claim. That's not to say that I don't have strong personal convictions, but merely that they are of no importance to anybody but me!
--- In newmellotrongroup@ yahoogroups. com, fdoddy@... wrote:
>
>
> I have no argument with "god" or those "who see no reason to postulate the existence of such". Most times they want to argue with me. "Do what you will, but do no harm" to paraphrase an old saying.
>
> fd
>
>
>
>
>
> -----Original Message-----
> From: jonesalley <jonesalley@ ...>
> To: newmellotrongroup@ yahoogroups. com
> Sent: Sun, Dec 6, 2009 9:43 pm
> Subject: [newmellotrongroup] Re: Tronspotting
>
>
>
>
>
> When someone makes an assertion that something is "the greatest" of anything, then yes, it becomes a question of empirical reality. And the whole "god" argument doesn't carry any weight at all with those of us who see no reason to postulate the existence of such...
>
> --- In newmellotrongroup@ yahoogroups. com, fdoddy@ wrote:
> >
> >
> > That's the problem, modern folk are hell bent on everything being "verifiable empirical fact". If you can't see it, it ain't true. What a bunch of crap that ends up being when trying to create beauty, find God, or just plain old trying to feel joyful. So anecdotal evidence or instinct has no weight on things musical? I think it's more than just "very nice", it's essential for people to develop there own musical systems, no matter how unsupported they are. Laugh, go ahead, laugh at Yanni's own system of music notation or balk at the legitimacy of turntables as instruments, or question the "sonority" of a Balinese monkey chant. But they work...
> >
> > I have never met Bernie Kornowicz face to face, but I'll guarantee you if I did, it would prove my intuition that he is a quality human being. Why? I've seen the smile on his face and read his emails and posts, however brief or trivial and gotten a feeling for him. Intuition and feeling but no verifiable empirical analysis needed.
> >
> > My mother is dead. I loved her. Do you need me to show you that I loved her to prove it empirically?
> >
> > fritz
> >
> >
> >
> >
> >
> > -----Original Message-----
> > From: jonesalley <jonesalley@ >
> > To: newmellotrongroup@ yahoogroups. com
> > Sent: Sun, Dec 6, 2009 1:50 pm
> > Subject: [newmellotrongroup] Re: Tronspotting
> >
> >
> >
> >
> >
> > This is all very nice, but it only rises to the level of unsupportable assertion of opinion, not independently verifiable empirical fact.
> >
> > > > The human voice is one of the only "perfect" instruments. We all
> > > > know that polyphonic instruments are well-tempered and thus each
> > > > chord produced is "close", but imperfect. If you've ever sung in a
> > > > group without accompaniment, whether it be madrigals, barbershop,
> > > > etc., one of the great opportunities is you can sing each chord
> > > > perfectly because the trained human ear can seek the perfect chord â€"
> > > > and ring overtones (and undertones if you're really good) all over
> > > > the place â€" it's one of the reasons that choral/ensemble singing is
> > > > so fun!
> > > >
> > > >
> > > >
> > > > Music began with someone humming….
> > > >
> > > >
> > > >
> > > >
> > > >
> > > > I think almost everyone here would agree. The human voice is the
> > > > greatest of all instruments.
> >
>
2009-12-07 by ClayE
Wittgenstein later said: "the clarity we are aiming at is indeed complete clarity. But this simply means that the philosophical problems should completely disappear."
This Tractatus quote is about as clear as mud to me.
Clay
--- In newmellotrongroup@yahoogroups.com, Mark Pring <markpringnz@...> wrote:
>
> Well I think Wittgenstein pretty much summed it up:
>
> "The sense of the world must lie outside the world. In the world everything is as it is, and everything happens as it does happen: in it no value exists -and if it did exist it would have no value.
>
> If there is any value that does have value, it must lie outside the whole sphere of what happens and is the case. For all that happens and is the case is accidental.
>
> What makes it non-accidental cannot lie within the world, since if it did it would itself be accidental.
>
> It must lie outside the world."
>
> Tractatus Logico-Philosophicus 6.4 1
>
> Well I think that makes everything clear.
>
> Now what does that have to do with mellotrons? How did we get here?
>
> Mark
>
>
>
> --- On Mon, 12/7/09, jonesalley <jonesalley@...> wrote:
>
> From: jonesalley <jonesalley@...>
> Subject: [newmellotrongroup] Re: Tronspotting
> To: newmellotrongroup@yahoogroups.com
> Date: Monday, December 7, 2009, 6:19 PM
>
>
>
>
>
>
>
> Â
>
>
>
>
>
>
>
>
>
> I make it a point to avoid debates like that as the black holes of wasted time that they are. I never assert that there's "no such thing" when the subject comes up, but I always politely request those who flatly state that such exists to provide some concrete evidence before I accept it as a stipulation. I don't see the value for people on either side of that question arguing about it. Absence of evidence is not evidence of absence and there is no way to prove something affirmatively does not exist. On the other hand, extraordinary claims require extraordinary evidence, and the burden of proof is on those making the claim. That's not to say that I don't have strong personal convictions, but merely that they are of no importance to anybody but me!
>
>
>
> --- In newmellotrongroup@ yahoogroups. com, fdoddy@ wrote:
>
> >
>
> >
>
> > I have no argument with "god" or those "who see no reason to postulate the existence of such". Most times they want to argue with me. "Do what you will, but do no harm" to paraphrase an old saying.
>
> >
>
> > fd
>
> >
>
> >
>
> >
>
> >
>
> >
>
> > -----Original Message-----
>
> > From: jonesalley <jonesalley@ ...>
>
> > To: newmellotrongroup@ yahoogroups. com
>
> > Sent: Sun, Dec 6, 2009 9:43 pm
>
> > Subject: [newmellotrongroup] Re: Tronspotting
>
> >
>
> >
>
> >
>
> >
>
> >
>
> > When someone makes an assertion that something is "the greatest" of anything, then yes, it becomes a question of empirical reality. And the whole "god" argument doesn't carry any weight at all with those of us who see no reason to postulate the existence of such...
>
> >
>
> > --- In newmellotrongroup@ yahoogroups. com, fdoddy@ wrote:
>
> > >
>
> > >
>
> > > That's the problem, modern folk are hell bent on everything being "verifiable empirical fact". If you can't see it, it ain't true. What a bunch of crap that ends up being when trying to create beauty, find God, or just plain old trying to feel joyful. So anecdotal evidence or instinct has no weight on things musical? I think it's more than just "very nice", it's essential for people to develop there own musical systems, no matter how unsupported they are. Laugh, go ahead, laugh at Yanni's own system of music notation or balk at the legitimacy of turntables as instruments, or question the "sonority" of a Balinese monkey chant. But they work...
>
> > >
>
> > > I have never met Bernie Kornowicz face to face, but I'll guarantee you if I did, it would prove my intuition that he is a quality human being. Why? I've seen the smile on his face and read his emails and posts, however brief or trivial and gotten a feeling for him. Intuition and feeling but no verifiable empirical analysis needed.
>
> > >
>
> > > My mother is dead. I loved her. Do you need me to show you that I loved her to prove it empirically?
>
> > >
>
> > > fritz
>
> > >
>
> > >
>
> > >
>
> > >
>
> > >
>
> > > -----Original Message-----
>
> > > From: jonesalley <jonesalley@ >
>
> > > To: newmellotrongroup@ yahoogroups. com
>
> > > Sent: Sun, Dec 6, 2009 1:50 pm
>
> > > Subject: [newmellotrongroup] Re: Tronspotting
>
> > >
>
> > >
>
> > >
>
> > >
>
> > >
>
> > > This is all very nice, but it only rises to the level of unsupportable assertion of opinion, not independently verifiable empirical fact.
>
> > >
>
> > > > > The human voice is one of the only "perfect" instruments. We all
>
> > > > > know that polyphonic instruments are well-tempered and thus each
>
> > > > > chord produced is "close", but imperfect. If you've ever sung in a
>
> > > > > group without accompaniment, whether it be madrigals, barbershop,
>
> > > > > etc., one of the great opportunities is you can sing each chord
>
> > > > > perfectly because the trained human ear can seek the perfect chord âââ¬"
>
> > > > > and ring overtones (and undertones if you're really good) all over
>
> > > > > the place âââ¬" it's one of the reasons that choral/ensemble singing is
>
> > > > > so fun!
>
> > > > >
>
> > > > >
>
> > > > >
>
> > > > > Music began with someone hummingâââ¬Ã¦.
>
> > > > >
>
> > > > >
>
> > > > >
>
> > > > >
>
> > > > >
>
> > > > > I think almost everyone here would agree. The human voice is the
>
> > > > > greatest of all instruments.
>
> > >
>
> >
>
2009-12-07 by Sean
--- In
newmellotrongroup@yahoogroups.com, Mark Pring <markpringnz@...> wrote:
>
> Well I think Wittgenstein pretty much summed it up:
>
> "The sense of the world must lie outside the world. In the world everything is as it is, and everything happens as it does happen: in it no value exists -and if it did exist it would have no value.
>
> If there is any value that does have value, it must lie outside the whole sphere of what happens and is the case. For all that happens and is the case is accidental.
>
> What makes it non-accidental cannot lie within the world, since if it did it would itself be accidental.
>
> It must lie outside the world."
>
> Tractatus Logico-Philosophicus 6.4 1
>
> Well I think that makes everything clear.
>
> Now what does that have to do with mellotrons? How did we get here?
>
> Mark
>
I'd be curious to see what the Hitchhiker's Guide to the Galaxy would have to say about Mellotrons...
-Sean
2009-12-07 by Mark Pring
Mostly harmless, in the latest edition.
I'd be curious to see what the Hitchhiker's Guide to the Galaxy would have to say about Mellotrons.. .
-Sean
2009-12-07 by william Beith
42
From: Mark Pring <markpringnz@yahoo.com>
To: newmellotrongroup@yahoogroups.com
Sent: Mon, December 7, 2009 2:00:54 PM
Subject: Re: [newmellotrongroup] Re: Tronspotting
Mostly harmless, in the latest edition.
I'd be curious to see what the Hitchhiker's Guide to the Galaxy would have to say about Mellotrons.. .
-Sean
2009-12-07 by Tron400
Well Zimmern said "If it looks good, eat it!".
Bernie
--- In newmellotrongroup@yahoogroups.com, "ClayE" <ecclesreinson@...> wrote:
>
> Wittgenstein later said: "the clarity we are aiming at is indeed complete clarity. But this simply means that the philosophical problems should completely disappear."
>
> This Tractatus quote is about as clear as mud to me.
>
> Clay
>
>
> --- In newmellotrongroup@yahoogroups.com, Mark Pring <markpringnz@> wrote:
> >
> > Well I think Wittgenstein pretty much summed it up:
> >
> > "The sense of the world must lie outside the world. In the world everything is as it is, and everything happens as it does happen: in it no value exists -and if it did exist it would have no value.
> >
> > If there is any value that does have value, it must lie outside the whole sphere of what happens and is the case. For all that happens and is the case is accidental.
> >
> > What makes it non-accidental cannot lie within the world, since if it did it would itself be accidental.
> >
> > It must lie outside the world."
> >
> > Tractatus Logico-Philosophicus 6.4 1
> >
> > Well I think that makes everything clear.
> >
> > Now what does that have to do with mellotrons? How did we get here?
> >
> > Mark
> >
> >
> >
> > --- On Mon, 12/7/09, jonesalley <jonesalley@> wrote:
> >
> > From: jonesalley <jonesalley@>
> > Subject: [newmellotrongroup] Re: Tronspotting
> > To: newmellotrongroup@yahoogroups.com
> > Date: Monday, December 7, 2009, 6:19 PM
> >
> >
> >
> >
> >
> >
> >
> > Â
> >
> >
> >
> >
> >
> >
> >
> >
> >
> > I make it a point to avoid debates like that as the black holes of wasted time that they are. I never assert that there's "no such thing" when the subject comes up, but I always politely request those who flatly state that such exists to provide some concrete evidence before I accept it as a stipulation. I don't see the value for people on either side of that question arguing about it. Absence of evidence is not evidence of absence and there is no way to prove something affirmatively does not exist. On the other hand, extraordinary claims require extraordinary evidence, and the burden of proof is on those making the claim. That's not to say that I don't have strong personal convictions, but merely that they are of no importance to anybody but me!
> >
> >
> >
> > --- In newmellotrongroup@ yahoogroups. com, fdoddy@ wrote:
> >
> > >
> >
> > >
> >
> > > I have no argument with "god" or those "who see no reason to postulate the existence of such". Most times they want to argue with me. "Do what you will, but do no harm" to paraphrase an old saying.
> >
> > >
> >
> > > fd
> >
> > >
> >
> > >
> >
> > >
> >
> > >
> >
> > >
> >
> > > -----Original Message-----
> >
> > > From: jonesalley <jonesalley@ ...>
> >
> > > To: newmellotrongroup@ yahoogroups. com
> >
> > > Sent: Sun, Dec 6, 2009 9:43 pm
> >
> > > Subject: [newmellotrongroup] Re: Tronspotting
> >
> > >
> >
> > >
> >
> > >
> >
> > >
> >
> > >
> >
> > > When someone makes an assertion that something is "the greatest" of anything, then yes, it becomes a question of empirical reality. And the whole "god" argument doesn't carry any weight at all with those of us who see no reason to postulate the existence of such...
> >
> > >
> >
> > > --- In newmellotrongroup@ yahoogroups. com, fdoddy@ wrote:
> >
> > > >
> >
> > > >
> >
> > > > That's the problem, modern folk are hell bent on everything being "verifiable empirical fact". If you can't see it, it ain't true. What a bunch of crap that ends up being when trying to create beauty, find God, or just plain old trying to feel joyful. So anecdotal evidence or instinct has no weight on things musical? I think it's more than just "very nice", it's essential for people to develop there own musical systems, no matter how unsupported they are. Laugh, go ahead, laugh at Yanni's own system of music notation or balk at the legitimacy of turntables as instruments, or question the "sonority" of a Balinese monkey chant. But they work...
> >
> > > >
> >
> > > > I have never met Bernie Kornowicz face to face, but I'll guarantee you if I did, it would prove my intuition that he is a quality human being. Why? I've seen the smile on his face and read his emails and posts, however brief or trivial and gotten a feeling for him. Intuition and feeling but no verifiable empirical analysis needed.
> >
> > > >
> >
> > > > My mother is dead. I loved her. Do you need me to show you that I loved her to prove it empirically?
> >
> > > >
> >
> > > > fritz
> >
> > > >
> >
> > > >
> >
> > > >
> >
> > > >
> >
> > > >
> >
> > > > -----Original Message-----
> >
> > > > From: jonesalley <jonesalley@ >
> >
> > > > To: newmellotrongroup@ yahoogroups. com
> >
> > > > Sent: Sun, Dec 6, 2009 1:50 pm
> >
> > > > Subject: [newmellotrongroup] Re: Tronspotting
> >
> > > >
> >
> > > >
> >
> > > >
> >
> > > >
> >
> > > >
> >
> > > > This is all very nice, but it only rises to the level of unsupportable assertion of opinion, not independently verifiable empirical fact.
> >
> > > >
> >
> > > > > > The human voice is one of the only "perfect" instruments. We all
> >
> > > > > > know that polyphonic instruments are well-tempered and thus each
> >
> > > > > > chord produced is "close", but imperfect. If you've ever sung in a
> >
> > > > > > group without accompaniment, whether it be madrigals, barbershop,
> >
> > > > > > etc., one of the great opportunities is you can sing each chord
> >
> > > > > > perfectly because the trained human ear can seek the perfect chord âââ¬"
> >
> > > > > > and ring overtones (and undertones if you're really good) all over
> >
> > > > > > the place âââ¬" it's one of the reasons that choral/ensemble singing is
> >
> > > > > > so fun!
> >
> > > > > >
> >
> > > > > >
> >
> > > > > >
> >
> > > > > > Music began with someone hummingâââ¬Ã¦.
> >
> > > > > >
> >
> > > > > >
> >
> > > > > >
> >
> > > > > >
> >
> > > > > >
> >
> > > > > > I think almost everyone here would agree. The human voice is the
> >
> > > > > > greatest of all instruments.
> >
> > > >
> >
> > >
> >
>
2009-12-08 by fdoddy@aol.com
haha!
-----Original Message-----
From: Tron400 <kornowicz@cox.net>
To: newmellotrongroup@yahoogroups.com
Sent: Mon, Dec 7, 2009 5:17 pm
Subject: [newmellotrongroup] Re: Tronspotting
Well Zimmern said "If it looks good, eat it!".
Bernie
--- In newmellotrongroup@ yahoogroups. com, "ClayE" <ecclesreinson@ ...> wrote:
>
> Wittgenstein later said: "the clarity we are aiming at is indeed complete clarity. But this simply means that the philosophical problems should completely disappear."
>
> This Tractatus quote is about as clear as mud to me.
>
> Clay
>
>
> --- In newmellotrongroup@ yahoogroups. com, Mark Pring <markpringnz@ > wrote:
> >
> > Well I think Wittgenstein pretty much summed it up:
> >
> > "The sense of the world must lie outside the world. In the world everything is as it is, and everything happens as it does happen: in it no value exists -and if it did exist it would have no value.
> >
> > If there is any value that does have value, it must lie outside the whole sphere of what happens and is the case. For all that happens and is the case is accidental.
> >
> > What makes it non-accidental cannot lie within the world, since if it did it would itself be accidental.
> >
> > It must lie outside the world."
> >
> > Tractatus Logico-Philosophicu s 6.4 1
> >
> > Well I think that makes everything clear.
> >
> > Now what does that have to do with mellotrons? How did we get here?
> >
> > Mark
> >
> >
> >
> > --- On Mon, 12/7/09, jonesalley <jonesalley@ > wrote:
> >
> > From: jonesalley <jonesalley@ >
> > Subject: [newmellotrongroup] Re: Tronspotting
> > To: newmellotrongroup@ yahoogroups. com
> > Date: Monday, December 7, 2009, 6:19 PM
> >
> >
> >
> >
> >
> >
> >
> > Â
> >
> >
> >
> >
> >
> >
> >
> >
> >
> > I make it a point to avoid debates like that as the black holes of wasted time that they are. I never assert that there's "no such thing" when the subject comes up, but I always politely request those who flatly state that such exists to provide some concrete evidence before I accept it as a stipulation. I don't see the value for people on either side of that question arguing about it. Absence of evidence is not evidence of absence and there is no way to prove something affirmatively does not exist. On the other hand, extraordinary claims require extraordinary evidence, and the burden of proof is on those making the claim. That's not to say that I don't have strong personal convictions, but merely that they are of no importance to anybody but me!
> >
> >
> >
> > --- In newmellotrongroup@ yahoogroups. com, fdoddy@ wrote:
> >
> > >
> >
> > >
> >
> > > I have no argument with "god" or those "who see no reason to postulate the existence of such". Most times they want to argue with me. "Do what you will, but do no harm" to paraphrase an old saying.
> >
> > >
> >
> > > fd
> >
> > >
> >
> > >
> >
> > >
> >
> > >
> >
> > >
> >
> > > -----Original Message-----
> >
> > > From: jonesalley <jonesalley@ ...>
> >
> > > To: newmellotrongroup@ yahoogroups. com
> >
> > > Sent: Sun, Dec 6, 2009 9:43 pm
> >
> > > Subject: [newmellotrongroup] Re: Tronspotting
> >
> > >
> >
> > >
> >
> > >
> >
> > >
> >
> > >
> >
> > > When someone makes an assertion that something is "the greatest" of anything, then yes, it becomes a question of empirical reality. And the whole "god" argument doesn't carry any weight at all with those of us who see no reason to postulate the existence of such...
> >
> > >
> >
> > > --- In newmellotrongroup@ yahoogroups. com, fdoddy@ wrote:
> >
> > > >
> >
> > > >
> >
> > > > That's the problem, modern folk are hell bent on everything being "verifiable empirical fact". If you can't see it, it ain't true. What a bunch of crap that ends up being when trying to create beauty, find God, or just plain old trying to feel joyful. So anecdotal evidence or instinct has no weight on things musical? I think it's more than just "very nice", it's essential for people to develop there own musical systems, no matter how unsupported they are. Laugh, go ahead, laugh at Yanni's own system of music notation or balk at the legitimacy of turntables as instruments, or question the "sonority" of a Balinese monkey chant. But they work...
> >
> > > >
> >
> > > > I have never met Bernie Kornowicz face to face, but I'll guarantee you if I did, it would prove my intuition that he is a quality human being. Why? I've seen the smile on his face and read his emails and posts, however brief or trivial and gotten a feeling for him. Intuition and feeling but no verifiable empirical analysis needed.
> >
> > > >
> >
> > > > My mother is dead. I loved her. Do you need me to show you that I loved her to prove it empirically?
> >
> > > >
> >
> > > > fritz
> >
> > > >
> >
> > > >
> >
> > > >
> >
> > > >
> >
> > > >
> >
> > > > -----Original Message-----
> >
> > > > From: jonesalley <jonesalley@ >
> >
> > > > To: newmellotrongroup@ yahoogroups. com
> >
> > > > Sent: Sun, Dec 6, 2009 1:50 pm
> >
> > > > Subject: [newmellotrongroup] Re: Tronspotting
> >
> > > >
> >
> > > >
> >
> > > >
> >
> > > >
> >
> > > >
> >
> > > > This is all very nice, but it only rises to the level of unsupportable assertion of opinion, not independently verifiable empirical fact.
> >
> > > >
> >
> > > > > > The human voice is one of the only "perfect" instruments. We all
> >
> > > > > > know that polyphonic instruments are well-tempered and thus each
> >
> > > > > > chord produced is "close", but imperfect. If you've ever sung in a
> >
> > > > > > group without accompaniment, whether it be madrigals, barbershop,
> >
> > > > > > etc., one of the great opportunities is you can sing each chord
> >
> > > > > > perfectly because the trained human ear can seek the perfect chord â€"
> >
> > > > > > and ring overtones (and undertones if you're really good) all over
> >
> > > > > > the place â€" it's one of the reasons that choral/ensemble singing is
> >
> > > > > > so fun!
> >
> > > > > >
> >
> > > > > >
> >
> > > > > >
> >
> > > > > > Music began with someone humming….
> >
> > > > > >
> >
> > > > > >
> >
> > > > > >
> >
> > > > > >
> >
> > > > > >
> >
> > > > > > I think almost everyone here would agree. The human voice is the
> >
> > > > > > greatest of all instruments.
> >
> > > >
> >
> > >
> >
>
2010-02-05 by MAinPsych@aol.com
Have been seeing an ad all day long for Finish rinsing agent that
definitely has Mellotron. Unknown if sampled or real. Fritz, do you
know anything about this?
Frank 1
2010-02-07 by ClayE
I don't know but I hear that Fritz's dishes, glasses and cutlery are sparkling.
--- In newmellotrongroup@yahoogroups.com, MAinPsych@... wrote:
>
> Have been seeing an ad all day long for Finish rinsing agent that
> definitely has Mellotron. Unknown if sampled or real. Fritz, do you know anything
> about this?
>
> Frank 1
>
2010-02-07 by fdoddy@aol.com
Cutlery makes me...uh...moist!
fd
-----Original Message-----
From: ClayE <ecclesreinson@rogers.com>
To: newmellotrongroup@yahoogroups.com
Sent: Sun, Feb 7, 2010 12:41 am
Subject: [newmellotrongroup] Re: Tronspotting
I don't know but I hear that Fritz's dishes, glasses and cutlery are sparkling.
--- In newmellotrongroup@ yahoogroups. com, MAinPsych@.. . wrote:
>
> Have been seeing an ad all day long for Finish rinsing agent that
> definitely has Mellotron. Unknown if sampled or real. Fritz, do you know anything
> about this?
>
> Frank 1
>
2012-07-22 by trawnajim
Have checked Andy's page and don't see it mentioned anywhere, so am curious: I finally got around to listening to the first album by Gun and this track in particular seems to have 'tron all over it
http://www.youtube.com/watch?v=EDLg2Ow8rUY
Since it isn't listed on the "mistaken" page either, I wondered if it has somehow been overlooked all this time.
Jim Bailey
2012-07-22 by marabus
Jim,
What I hear are piano,organ with leslie and backround vocals.JMO
Pete
On 7/21/12 11:12 PM, trawnajim wrote:
> Have checked Andy's page and don't see it mentioned anywhere, so am curious: I finally got around to listening to the first album by Gun and this track in particular seems to have 'tron all over it
>
> http://www.youtube.com/watch?v=EDLg2Ow8rUY
>
> Since it isn't listed on the "mistaken" page either, I wondered if it has somehow been overlooked all this time.
>
> Jim Bailey
>
>
2012-07-22 by Vance Pomeroy
Jim -
Big Gurvitz fan here. The strings, etc. are all in-studio orchestra
as with the rest of the album - like the horns on Race with the
Devil.
For 'tron, go to the first Three Man Army album, One Third of a
Lifetime.
Vance
On 7/22/2012 2:15 AM, marabus wrote:
Jim,
What I hear are piano,organ with leslie and backround
vocals.JMO
Pete
On 7/21/12 11:12 PM, trawnajim wrote:
> Have checked Andy's page and don't see it mentioned
anywhere, so am curious: I finally got around to listening
to the first album by Gun and this track in particular
seems to have 'tron all over it
>
> http://www.youtube.com/watch?v=EDLg2Ow8rUY
>
> Since it isn't listed on the "mistaken" page either,
I wondered if it has somehow been overlooked all this
time.
>
> Jim Bailey
>
>
2012-07-22 by ClayE
I'm a little behind the times. Paul Curtis changed his name to Gurvitz? I bought that album because I liked the Roger Dean cover.
I also never knew that the bands name was "The Gun". When did that happen?
--- In newmellotrongroup@yahoogroups.com, Vance Pomeroy <vance@...> wrote:
>
> Jim -
> Big Gurvitz fan here. The strings, etc. are all in-studio orchestra as
> with the rest of the album - like the horns on Race with the Devil.
> For 'tron, go to the first Three Man Army album, One Third of a Lifetime.
> Vance
>
> On 7/22/2012 2:15 AM, marabus wrote:
> >
> > Jim,
> > What I hear are piano,organ with leslie and backround vocals.JMO
> > Pete
> >
> > On 7/21/12 11:12 PM, trawnajim wrote:
> > > Have checked Andy's page and don't see it mentioned anywhere, so am
> > curious: I finally got around to listening to the first album by Gun
> > and this track in particular seems to have 'tron all over it
> > >
> > > http://www.youtube.com/watch?v=EDLg2Ow8rUY
> > >
> > > Since it isn't listed on the "mistaken" page either, I wondered if
> > it has somehow been overlooked all this time.
> > >
> > > Jim Bailey
> > >
> > >
> >
> >
>
2012-07-22 by Vance Pomeroy
The name Paul and Adrian started with was Curtis as their father
used that as his professional name while manager for The Shadows.
They moved to Gurvitz during the Three Man Army days.
I think it was called The Gun by the band, but got switched back and
forth through the years...
Interestingly enough, that was Roger Dean's first cover - and The
Gun's next was one of the first for Hipgnosis as well. And later
Three Man Army, Graeme Edge Band and Baker Gurvitz Army covers were
the early work of former Hipgnosis artist John Petagno who is known
for his Motorhead and other metal band covers.
Vance
On 7/22/2012 2:08 PM, ClayE wrote:
I'm a little behind the times. Paul Curtis changed his
name to Gurvitz? I bought that album because I liked the
Roger Dean cover.
I also never knew that the bands name was "The Gun". When
did that happen?
--- In newmellotrongroup@yahoogroups.com,
Vance Pomeroy <vance@...> wrote:
>
> Jim -
> Big Gurvitz fan here. The strings, etc. are all
in-studio orchestra as
> with the rest of the album - like the horns on Race
with the Devil.
> For 'tron, go to the first Three Man Army album, One
Third of a Lifetime.
> Vance
>
> On 7/22/2012 2:15 AM, marabus wrote:
> >
> > Jim,
> > What I hear are piano,organ with leslie and
backround vocals.JMO
> > Pete
> >
> > On 7/21/12 11:12 PM, trawnajim wrote:
> > > Have checked Andy's page and don't see it
mentioned anywhere, so am
> > curious: I finally got around to listening to
the first album by Gun
> > and this track in particular seems to have 'tron
all over it
> > >
> > > http://www.youtube.com/watch?v=EDLg2Ow8rUY
> > >
> > > Since it isn't listed on the "mistaken"
page either, I wondered if
> > it has somehow been overlooked all this time.
> > >
> > > Jim Bailey
> > >
> > >
> >
> >
>
2012-07-23 by trawnajim
--- In
newmellotrongroup@yahoogroups.com, Vance Pomeroy <vance@...> wrote:
>
> Jim -
> Big Gurvitz fan here. The strings, etc. are all in-studio orchestra as
> with the rest of the album - like the horns on Race with the Devil.
> For 'tron, go to the first Three Man Army album, One Third of a Lifetime.
> Vance
Interesting. They seem to imitate a 'tron very effectively. ;-)
Jim Bailey
2012-07-25 by Robert
Wasn't it Gino who recently wrote that Sherman was a big fan of progressive rock music ? I guess he didn't make it to NEARfest last month ?
2012-07-25 by fdoddy@aol.com
Agreed! Seminal even.
Sherman's timing and cadence as a comedic actor were near perfect.
fritz
-----Original Message-----
From: Robert <rmrmax@yahoo.com>
To: newmellotrongroup <newmellotrongroup@yahoogroups.com>
Sent: Tue, Jul 24, 2012 8:26 pm
Subject: [newmellotrongroup] OT - RIP Sherman Hemsley
Wasn't it Gino who recently wrote that Sherman was a big fan of progressive rock music ? I guess he didn't make it to NEARfest last month ?
2012-07-25 by Hammonddave
He will be missed....
Sent from my iPad
Agreed! Seminal even.
Sherman's timing and cadence as a comedic actor were near perfect.
fritz
-----Original Message-----
From: Robert <
rmrmax@yahoo.com>
To: newmellotrongroup <
newmellotrongroup@yahoogroups.com>
Sent: Tue, Jul 24, 2012 8:26 pm
Subject: [newmellotrongroup] OT - RIP Sherman Hemsley
Wasn't it Gino who recently wrote that Sherman was a big fan of progressive rock music ? I guess he didn't make it to NEARfest last month ?
=
2012-07-25 by lsf5275@aol.com
Prog killed him. Waaaaaaaa
Sent from my Verizon Wireless 4G LTE DROID
fdoddy@aol.com wrote:
Agreed! Seminal even.
Sherman's timing and cadence as a comedic actor were near perfect.
fritz
-----Original Message-----
From: Robert <rmrmax@yahoo.com>
To: newmellotrongroup <newmellotrongroup@yahoogroups.com>
Sent: Tue, Jul 24, 2012 8:26 pm
Subject: [newmellotrongroup] OT - RIP Sherman Hemsley
Wasn't it Gino who recently wrote that Sherman was a big fan of progressive rock music ? I guess he didn't make it to NEARfest last month ?
2012-07-25 by lsf5275@aol.com
He finally moved on up...
Sent from my Verizon Wireless 4G LTE DROID
Hammonddave <hammonddave2004@yahoo.com> wrote:
He will be missed....
Sent from my iPad
Agreed! Seminal even.
Sherman's timing and cadence as a comedic actor were near perfect.
fritz
-----Original Message-----
From: Robert <
rmrmax@yahoo.com>
To: newmellotrongroup <
newmellotrongroup@yahoogroups.com>
Sent: Tue, Jul 24, 2012 8:26 pm
Subject: [newmellotrongroup] OT - RIP Sherman Hemsley
Wasn't it Gino who recently wrote that Sherman was a big fan of progressive rock music ? I guess he didn't make it to NEARfest last month ?
=
2012-07-25 by gino wong
Only prog fan to dance, ever.
On Tue, Jul 24, 2012 at 9:51 PM,
lsf5275@aol.com <lsf5275@aol.com> wrote:
Prog killed him. Waaaaaaaa
Sent from my Verizon Wireless 4G LTE DROID
fdoddy@aol.com wrote:
Agreed! Seminal even.
Sherman's timing and cadence as a comedic actor were near perfect.
fritz
-----Original Message-----
From: Robert <
rmrmax@yahoo.com>
To: newmellotrongroup <
newmellotrongroup@yahoogroups.com>
Sent: Tue, Jul 24, 2012 8:26 pm
Subject: [newmellotrongroup] OT - RIP Sherman Hemsley
Wasn't it Gino who recently wrote that Sherman was a big fan of progressive rock music ? I guess he didn't make it to NEARfest last month ?
--
Gino Wong Birgelo
BSComm, BSEE, CG, ReRED, CSEC
Audio Mastering, Recording & Logistics, Analog Sound Design
2012-07-25 by Gary Brumm
I worked with Archie (Carroll O’Conner) on a play he wrote in a San Francisco Theater. I even got to meet Edith (Jean Stapleton)
when she came to visit and see the play. Carroll was an amazingly talented guy and a very gracious guy to work with. He knew exactly
how he wanted things to go and that is how we did it (or else
J). Keith Richards was trying to buy the house next door to Carroll and he out bid him and bought
the house because he didn’t want ant “Stones” in his neighborhood. He lost a son to drug addiction and was very “anti-drug” as one might be after such a tragedy. I was the audio engineer (or sound designer as they called it but I hate that title because of
all the awful untalented
union guys who boast that title). A real bonus for me was working with Joe Sherman (Ramblin Rose and other classic hits) who wrote a tremendous soundtrack
for the play. All in the Family is a classic but unfortunately the “politically correct Nazis” wouldn’t allow it or anything like it today because they have lost their since of humor. It’s sad really.
g
From: newmellotrongroup@yahoogroups.com [mailto:newmellotrongroup@yahoogroups.com]
On Behalf Of Robert
Sent: Tuesday, July 24, 2012 5:27 PM
To: newmellotrongroup@yahoogroups.com
Subject: [newmellotrongroup] OT - RIP Sherman Hemsley
Wasn't it Gino who recently wrote that Sherman was a big fan of progressive rock music ? I guess he didn't make it to NEARfest last month ?
2012-07-25 by gino wong
I never met Carroll O’Conner but I did met Sherman Hemsley, He was a gentleman, conversant on all levels, he was very kind and about as far away from the character that he played than anyone I can imagine. He loved Gong, Nektar and Gentle Giant and could talk about mainstream prog as fluently as any of us. In his shows and live appearances he did what he could, I’ll post the Gentle Giant dance number if I can find it.
gw
On Wed, Jul 25, 2012 at 1:03 AM, Gary Brumm
<gabru@comsec.net> wrote:
I worked with Archie (Carroll O’Conner) on a play he wrote in a San Francisco Theater. I even got to meet Edith (Jean Stapleton)
when she came to visit and see the play. Carroll was an amazingly talented guy and a very gracious guy to work with. He knew exactly
how he wanted things to go and that is how we did it (or else
J). Keith Richards was trying to buy the house next door to Carroll and he out bid him and bought
the house because he didn’t want ant “Stones” in his neighborhood. He lost a son to drug addiction and was very “anti-drug” as one might be after such a tragedy. I was the audio engineer (or sound designer as they called it but I hate that title because of
all the awful untalented
union guys who boast that title). A real bonus for me was working with Joe Sherman (Ramblin Rose and other classic hits) who wrote a tremendous soundtrack
for the play. All in the Family is a classic but unfortunately the “politically correct Nazis” wouldn’t allow it or anything like it today because they have lost their since of humor. It’s sad really.
g
Wasn't it Gino who recently wrote that Sherman was a big fan of progressive rock music ? I guess he didn't make it to NEARfest last month ?
--
Gino Wong Birgelo
BSComm, BSEE, CG, ReRED, CSEC
Audio Mastering, Recording & Logistics, Analog Sound Design
2012-07-25 by Gary Brumm
Hi Gino,
Carroll, like Sherman, was just the opposite of his character in AITF. He was an accomplished Opera singer and he treated everyone
with respect and kindness (unless they weren’t pulling their weight!J)….not
at all the bigot he played in the show. He created a classic
character who made fun of bigotry and ignorance. Jean was the same way, and from your description it sounds like Sherman was as well.
The character of George Jefferson was a brilliant offset to Archie. I am amazed, but not surprised, that he was knowledgeable about prog.
That whole group took their music seriously and they were all very talented people. These people were genuine off stage, something lacking in many of the modern
actors and artists IMHO. They will be missed.
Gary
From: newmellotrongroup@yahoogroups.com [mailto:newmellotrongroup@yahoogroups.com]
On Behalf Of gino wong
Sent: Wednesday, July 25, 2012 6:00 AM
To: newmellotrongroup@yahoogroups.com
Subject: Re: [newmellotrongroup] OT - RIP Sherman Hemsley
I never met Carroll O’Conner but I did met Sherman Hemsley, He was a gentleman, conversant on all levels, he was very kind and about as far away from the character that he played than anyone I can imagine. He loved Gong, Nektar and Gentle Giant and could
talk about mainstream prog as fluently as any of us. In his shows and live appearances he did what he could, I’ll post the Gentle Giant dance number if I can find it.
gw
On Wed, Jul 25, 2012 at 1:03 AM, Gary Brumm <gabru@comsec.net> wrote:
I worked with Archie (Carroll O’Conner) on a play he wrote in a San Francisco Theater. I even got to meet Edith (Jean Stapleton)
when she came to visit and see the play. Carroll was an amazingly talented guy and a very gracious guy to work with. He knew exactly
how he wanted things to go and that is how we did it (or else
J). Keith Richards was trying to buy the house next door to Carroll and he out bid him and bought the house because he didn’t want
ant “Stones” in his neighborhood. He lost a son to drug addiction and was very “anti-drug” as one might be after such a tragedy. I was the audio engineer (or sound designer as they called it but I hate that title because of all the awful untalented
union guys who boast that title). A real bonus for me was working with Joe Sherman (Ramblin Rose and other classic hits) who wrote
a tremendous soundtrack for the play. All in the Family is a classic but unfortunately the “politically correct Nazis” wouldn’t allow it or anything like it today because they have lost their since of humor. It’s sad really.
g
Wasn't it Gino who recently wrote that Sherman was a big fan of progressive rock music ? I guess he didn't make it to NEARfest last month ?
--
BSComm, BSEE, CG, ReRED, CSEC
Audio Mastering, Recording & Logistics, Analog Sound Design
2012-07-26 by gino wong
I will remember him and tell others os who he really was.
g
On Wed, Jul 25, 2012 at 1:16 PM, Gary Brumm
<gabru@comsec.net> wrote:
Hi Gino,
Carroll, like Sherman, was just the opposite of his character in AITF. He was an accomplished Opera singer and he treated everyone
with respect and kindness (unless they weren’t pulling their weight!J)….not
at all the bigot he played in the show. He created a classic
character who made fun of bigotry and ignorance. Jean was the same way, and from your description it sounds like Sherman was as well.
The character of George Jefferson was a brilliant offset to Archie. I am amazed, but not surprised, that he was knowledgeable about prog.
That whole group took their music seriously and they were all very talented people. These people were genuine off stage, something lacking in many of the modern
actors and artists IMHO. They will be missed.
Gary
I never met Carroll O’Conner but I did met Sherman Hemsley, He was a gentleman, conversant on all levels, he was very kind and about as far away from the character that he played than anyone I can imagine. He loved Gong, Nektar and Gentle Giant and could
talk about mainstream prog as fluently as any of us. In his shows and live appearances he did what he could, I’ll post the Gentle Giant dance number if I can find it.
gw
On Wed, Jul 25, 2012 at 1:03 AM, Gary Brumm <gabru@comsec.net> wrote:
I worked with Archie (Carroll O’Conner) on a play he wrote in a San Francisco Theater. I even got to meet Edith (Jean Stapleton)
when she came to visit and see the play. Carroll was an amazingly talented guy and a very gracious guy to work with. He knew exactly
how he wanted things to go and that is how we did it (or else
J). Keith Richards was trying to buy the house next door to Carroll and he out bid him and bought the house because he didn’t want
ant “Stones” in his neighborhood. He lost a son to drug addiction and was very “anti-drug” as one might be after such a tragedy. I was the audio engineer (or sound designer as they called it but I hate that title because of all the awful untalented
union guys who boast that title). A real bonus for me was working with Joe Sherman (Ramblin Rose and other classic hits) who wrote
a tremendous soundtrack for the play. All in the Family is a classic but unfortunately the “politically correct Nazis” wouldn’t allow it or anything like it today because they have lost their since of humor. It’s sad really.
g
Wasn't it Gino who recently wrote that Sherman was a big fan of progressive rock music ? I guess he didn't make it to NEARfest last month ?
--
BSComm, BSEE, CG, ReRED, CSEC
Audio Mastering, Recording & Logistics, Analog Sound Design
--
Gino Wong Birgelo
BSComm, BSEE, CG, ReRED, CSEC
Audio Mastering, Recording & Logistics, Analog Sound Design